From Amazon
In
The Wreckage, his second novel,
River Thieves author Michael Crummey explores how a single ill-fated encounter can wreck lives and all but destroy love. Mercedes Parsons is only 16 when she meets hard-drinking Wish Furey in the early 1940s at a movie on Little Fogo Island. The intensity of their attraction rises like heat off the page, giving the early chapters of
The Wreckage the seductive allure of Barbara Gowdy's
The Romantic. The problem here is that Wish is a Catholic, and for the Protestants of Newfoundland's north shore, Romanism is akin to devil worship. Fearing that he has accidentally killed Mercedes's older brother, Wish ends up fleeing Little Fogo and enlisting in the British Army, only to be captured by the Japanese. Mercedes follows him as far as St. John's where she patiently waits out the war, spurning the advances of a handsome trumpet player in the belief that Wish will come back for her.
At this point The Wreckage begins to flag slightly. Alternating between Mercedes's daily routines in wartime St. John's and Wish's brutal experiences in a POW camp near Nagasaki, the narrative seems to float along, without any clear sense of direction. Crummey's evocation of POW life in the lead-up to the dropping of the atomic bomb is graphic and compelling, but his decision to include the consciousness of Wish's nemesis, the camp's sadistic Canadian-born "interpreter," dilutes the power of their final confrontation. The novel recovers some of its earlier momentum in a touching, if occasionally hokey, contemporary conclusion. Mercedes, now an old woman, returns to St. John's to salvage what's left of her lost love, and in a way, gets her Wish. --Lisa Alward
Review
A Globe and Mail Best Book of the Year
National Bestseller
Nominee, Rogers Writers’ Trust Fiction Prize
A Globe and Mail Top 100 Book of 2005“If there’s a better Canadian novel published this year, I’ll be amazed."
— Robert Wiersema, Vancouver Sun
“Heroically human. . . . Crummey offers a journey of stimulating moral inquiry, one of his fiction’s most admirable qualities.”
—
The Globe and Mail“Extraordinary. . . . [Crummey] explores human nature, charting the moral choices of his characters without passing judgment. . . . [His] gift is to write with compassion, imbuing relationships with complexity and depth. He doesn’t make anything simple – or simplistic.
The Wreckage shows with profound insight that nothing’s fair in love and war.”
—
National Post“A tale of love and loss, fear and prejudice and hate. . . . Crummey has delved into the complexity of the 20th century, revealing some of the most destructive events, both in Newfoundland and the world. . . . As the images [he] so vividly conjures up return to the mind at the end of the novel, the subtleties of the story deepen even
further.”
—
Quill & Quire“If there’s a better Canadian novel published this year, I’ll be surprised.”
— Robert Wiersema,
The Vancouver Sun Praise for River Thieves:“A remarkable achievement. . . . This is powerful writing.”
—Charles Frazier, author of
Cold Mountain“This multi-faceted jewel of a book is probably the finest Canadian novel of the year.”
—
National Post“Michael Crummey is a tremendously gifted writer.”
—Alistair MacLeod, author of
No Great MischiefFrom the Trade Paperback edition.