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The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles [Hardcover]

Martin Gayford
4.5 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

Nov 14 2006
This chronicle of the two months in 1888 when Paul Gauguin shared a house in France with Vincent Van Gogh describes not only how these two hallowed artists painted and exchanged ideas, but also the texture of their everyday lives. Includes 60 B&W reproductions of the artists' paintings and drawings from the period.

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From Publishers Weekly

Starred Review. Van Gogh's reputation in the public imagination has been made as much by his descent into madness as by his art. Detailing the final year of his life and the "Studio of the South" in which Gauguin and Van Gogh painted side by side, Gayford brings the art back into focus. Explications of the works illuminate the collaboration—similar subjects find very different treatment by two entirely different temperaments. Yet their influence on each other is everywhere—a story that Van Gogh recommends to Gauguin finds its way into a painting; Van Gogh uses the jute canvas that is Gauguin's material of choice. While some of this is well-trodden territory, Gayford's narrative is genuinely dramatic as it moves toward Van Gogh's fateful end. Gayford makes exciting new connections between the tone of Van Gogh's correspondence and known scholarship about his probable bipolar disorder. The influences of literature, the news media and so-called "hygienic excursions" (visits to the local brothels) percolate in these letters and under the surfaces of the artists' canvases. So, argues Gayford, were they invading Van Gogh's mind. Though it is impossible to entirely understand what motivated these two great artists during their weeks together in Arles, these pages deliver as close and vivid an image as may be possible. 60 b&w illus. (Nov. 14)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal

Adult/High School–In an accessible and even affectionate work of art history, Gayford tells of the two artists who lived and worked in the South of France in the fall of 1888. Their story is told in short episodes, reconstructed through the formal analysis and comparison of the paintings they created during this period, and through letters and newspapers that place the work in the context of the contemporary art world, popular literature, and current events. Their time together culminated in Van Gogh's famous ear-cutting incident (which is revealed on the jacket copy), teens with an interest in the artist's colorful yet short life may take to Gayford's somewhat breathless approach leading up to the big event. The author delights in the quotidian details of his story: the joint visits to local brothels, how the weather may have affected work habits, Gauguin's cooking skills. The biggest drawback is the use of small black-and-white photos of paintings. Suggest that teens read this alongside larger monographs with color reproductions to appreciate the art fully.–Jenny Gasset, Orange County Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Inside This Book (Learn More)
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First Sentence
While it was still dark, shortly after five o'clock in the morning, a train clanked into the station at Arles and a solitary, exhausted passenger got out. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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4 of 4 people found the following review helpful
5.0 out of 5 stars Thorough yet easy to read Jan 4 2007
Format:Hardcover
This is the latest, but surely one of the best books about Vincent Van Gogh. It only describes the periode Van Gogh lived in Arles together with fellow writer Paul Gauguin, but Gayford has done his homework and makes the subject he describes come to life in an extraordinary way. Besides that, his theory about Van Goghs mental ilness seems to be well substantiated. There are more books about Van Gogh, but this one accurately focuses on the most important time in his life and is less descriptive than former biographies, which makes that it is easy to read. Even for readers who are new to the subject, this would be a good start.
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1 of 1 people found the following review helpful
Format:Hardcover
This is a wonderful little book, it is well written and gives a rich view of Van Gogh's life at this particular time. He was obviously very intelligent and sensitive, and also was mentally ill. The argument is made that he was bipolar,and it seems to fit with his personality and style. Gauguin is also seen as a guy driven by his own needs as an artist, yet patient with the rather difficult Van Gogh. It is again a side of Gauguin I wouldn't have expected, given his other seeming characteristics of hedonistic and self-centred pursuit at the cost of family and so on. They shared a passion for painting and that is clear in this book. Really liked it.
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Amazon.com: 4.4 out of 5 stars  25 reviews
31 of 31 people found the following review helpful
4.0 out of 5 stars Interesting biography of famous painters Nov 16 2006
By Armchair Interviews - Published on Amazon.com
Format:Hardcover
Subtitled: Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles

A not-yet-famous Vincent Van Gogh rents a small yellow house in Arles in the south of France, hangs his paintings on the walls, sets up a studio, and invites a not-yet-famous Paul Gauguin to stay with him there and paint. Gauguin moves in, and a turbulent nine-week period of artmaking and everyday life begins.

In The Yellow House, Martin Gayford has combined thorough biographical research of two of the most important artists in history with moving and suspenseful storytelling. He invites readers to live, briefly and chaotically, with Van Gogh and Gauguin. Covering a short period of both artists' lives, the book focuses on details of the everyday, taking the reader into the very small space the two artists shared until it is possible to feel equally the mild claustrophobia and the exhilaration of watching a masterpiece being painted.

This period of time is a crucial one for both artists, and Gayford shows how their living and working together deeply affected both of their development. They shared ideas and meals, disagreed and mimicked one another, and each created some of his greatest masterpieces during this time: Van Gogh's Sunflowers and Gauguin's Vision of the Sermon among them. But all was not well. Less than two months after Gauguin arrived in Arles, Van Gogh suffered the famous breakdown which led him to cut off his own ear.

With masterful storytelling, Gayford builds toward this crisis, describing the tension between Van Gogh and Gauguin, while sensitively exploring Van Gogh's developing mental illness. The result is a vivid and dramatic glimpse into the minds and hearts of two of history's greatest painters.

Armchair Interviews says: Observe these famous artists through this book.
14 of 15 people found the following review helpful
5.0 out of 5 stars Vincent and Paul Mar 3 2007
By Christian Schlect - Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
A greatly enjoyable book. While focussed on just nine weeks in Arles, the narriative darts back and forth over the past lives of Van Gogh and Gauguin in the attempt to explain their specific actions that took place in and around the famous Yellow House.

Martin Gayford does not claim to have written an academic history, but one attempting to shed clarifying light on the actual motivations, thoughts and techniques that resulted in some of the Western world's greatest art. I think the author succeeded in his objective.
17 of 19 people found the following review helpful
5.0 out of 5 stars Well-Researched Art Biography Dec 11 2006
By Wantz Upon A Time Reviews - Published on Amazon.com
Format:Hardcover
Most people have heard of Vincent Van Gogh, the famous--or infamous--nineteenth-century artist. He's the one who painted Starry Night and various Sowers and Sunflowers, among a very few. But he is also notorious as the deranged artist who cut off his ear in 1888.

What lead to this act of self-mutilation, this event known as "the Crisis"? In the weeks leading up to the Crisis, Van Gogh shared a cramped studio with another renowned artist, Paul Gauguin. Located in the southern French town of Arles, the Yellow House became the setting for one of art history's oddest pairings.

In hopes of changing the future of art, Van Gogh and Gauguin agreed to a period of collaboration. Great things indeed happened. But with such disparate personalities, the idyll of the artists' dream didn't last.

Martin Gayford presents an intimate look into a critical period in art history. Dogged research not only into letters written by Van Gogh and Gauguin, but through public records and more, has allowed Gayford to surmise what daily life must have been like for the two artists that autumn.

Art enthusiasts interested in either artist's story will find THE YELLOW HOUSE a fascinating study. Casual purveyors, however, might find their attention wanders when Gayford gets into minute details that mean more to an artist than the average person, such as the weather on a given day. Overall, this accounting of "nine turbulent weeks in Arles" is well done. It is less dry than many biographies, and there is a real sense of the rise and fall of the Yellow House studio, and the enormous emotional impact on all those involved.

This is a definite recommendation for readers interested in Vincent Van Gogh, Paul Gauguin, and/or art from that period. Readers who are only interested in the Crisis may be surprised to learn a lot more than they expect, as well.

Reviewed by Christina Wantz Fixemer

12/11/2006

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