From Amazon.com
The Yeomen of the Guard, one of Gilbert and Sullivan's least satiric and most charming works, largely stars its rich, operatic score. The story, set at the Tower of London during Tudor times, is also beautifully constructed, with terrific pseudo-Shakespearean language. For such a vibrant piece, this video (part of the Opera World series of Gilbert and Sullivan works, made for the BBC in 1982) is strangely drab. The weakest element is Joel Grey as the melancholy clown Jack Point. The series mixes musical-comedy performers with opera singers, Americans with Brits. Grey's Broadway background isn't a drawback; in fact, some show-biz sparkle might have done him good. His sour, lethargic performance misses the potential for sunshine at the character's heart. Even his singing is doubtful--he has a hard time staying on key. Other actors are equally lackluster. David Hillman as Colonel Fairfax, around whom the plot's twists (and the two leading ladies) revolve, is fatally without charm. One redeeming presence is Alfred Marks as the dimwitted jailer Wilfred Shadbolt. Preposterously sure of himself, with a marvelous deadpan, this Wilfred comes to life more than anyone else on screen.
For television, the operas in this series were restricted to a two-hour length. Most easily met that limit, but Yeomen underwent deep cuts. The result is both disappointing and confusing, with some major plot developments excised. And the film has been sloppily edited: dead moments mark a couple of junctures where songs, no doubt previously filmed, were snipped out. --David Olivenbaum
From the Producer
This video is part of a series produced originally for BBC.TV. With a production budget of $1,000,000 per opera, a special film set was created for each, and top stars from the world of opera and comedy were recruited for the leading roles. Here, Joel Grey is Jack Point, David Hillman is Colonel Fairfax, and Claire Powell is Phoebe. The London Symphony Orchestra and the world-acclaimed Ambrosian Opera Chorus perform Sullivan's music with exuberance and precision. A brief introduction by Douglas Fairbanks Jr explains the origins and context of the opera. New digital remastering has produced both picture and (hi-fi stereo) sound of exceptional quality.