4.0 out of 5 stars
What a juicy, fun story!, April 5 2002
By A Customer
Never having read a Philip Kerr novel, I was not expecting
anything. O.K., it's not Proust, but it kept me entertained to
the very last drop. I must say, I anticipated the last line of
the book, but so what? I thought the characters were
fantastic. It reminded me a little of Prizzi's Honor - not quite
as literary a tour de force, but amusing gangsters being
themselves.
I was very disappointed - saddened - by the death of Nimmo. He was such a neat character. I kept half-expecting him to turn up at the end alive...hidden, perhaps, by the FBI, as protection...oh, well. ...
Yes, the women were stereotyped...I thnk the book is all about guys-and-gangsters; it's a real "guy thing" and though
I am a feminist it didn't bother me ... I thought that was
unnecessary, although there were plenty of pejorative expressions for Jews, the Irish, Italians, Germans and just about every other ethnic group on the planet...
Anyway, I loved the story. ...the characters were wonderfully real...the
scene in which Nimmo tucks into a linguine prima vera over a gruesome autopsy report, while the squeamish gangster Roselli looks on with disgust, is priceless.
As for the wise cracks - they made the book a real pleasure;
it was a trip down memory lane for some of us who were
around during the early sixties. In this book Kerr is like a
stand-up New York-Miami comedian, constantly flipping terse references to celebrities of the Kennedy years.
And Tom Jefferson is one sexy killer. I think women would like this book, too. I know I did.
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4.0 out of 5 stars
Told A Story from A Different Angle. Not Bad., Nov 3 2001
By A Customer
This is actually a very good story. The only problem is with too many wisecracking sentences, really too much, Mr. Kerr. Those unnecessary wisecrackings had made the reading a bit tiresome.
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3.0 out of 5 stars
all the hallmarks of a great thriller; except an ending, Jun 4 2001
i'm beginning to think that thrillers like these should carry some kind of disclaimer. WARNING FROM THE LITERARY COUNCIL: do not get too excited. This material contains an ending which may disappoint. Because in almost every other respect, The Shot is not only Kerr's finest, most thrilling, best plotted and fascinatingly peopled work to date - it is a fine and worthy and exciting thriller in its own right. A "new take on the plot to kill JFK", The Shot takes you beneath the surface of the 1960 presidential election and the Cuban Crisis, providing a fascinating look at the mob, FBI, CIA and Cuban-related shenanigans going on at the time. In the middle of it all is professional killer Tom Jefferson (all his other aliases are president names too - nice touch!). Here, Kerr displays what seems to be an almost disturbing understanding of the lives, methods and motivations of professional killers. There are actually three sharply-drawn assassins in this book, each with enough depth, charisma and drawing power to carry a whole thriller on their own. That aspect of The Shot is outstanding - you get the sense that Kerr has either done a great deal of research or has a genius mind for creating believable and ingenious detail. But none of that can make up for the way I feel about The Shot having just finished it. Most of the action takes place between the latter part of 1960 and the beginning of 1961. And as everybody knows, JFK was assassinated in 63. So it's as you draw closer and closer to the last page, and it's still only January 1961, that you begin to get this sinking feeling that this isn't all leading where you hoped it might. And without giving away the end of the book, when everything resolves itself (in an extremely rushed fashion, I might add) the sense of disappointment is enormous. I can't help feeling that if somehow this book had been stolen from me and never recovered, somewhere around page 350, I might have gone on thinking it one of the best thrillers i'd ever read.
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