From Publishers Weekly
Vance splits the difference between Cockney and Aussie in his reading of Carey's tale of art and family. At times, he sounds significantly like Michael Caine in his broad working-class tones, elongating his vowels in an English version of a Southern drawl. For other characters, the Australian in Vance wins out, likely reminding American listeners of Crocodile Dundee or the narrator in those Foster's beer commercials. Vance pulls off both styles admirably in reading Carey's book about two brothers, one a painter and the other a childlike innocent, who are drawn into stealing paintings belonging to the father-in-law of a beautiful stranger. Vance does a credible job of echoing the half-tempo cadences of the impaired Slow Bones, bringing the hurtling pace of his reading to a relative halt each time he wrestles with his dialogue, imitating Slow Bones's thick-tongued efforts to translate thought into speech.
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From AudioFile
Peter Carey's characters are always dodgy and unreliable. In Theft, Michael Boone is a once-famous Australian painter now out of fashion and fresh out of prison. He lives in a backwater, taking care of a former collector's property and his autistic savant brother, Hugh. Beautiful, manipulative Marlene wants to resurrect Michael's career. But is it all a cover for getting a missing painting out of the country? Simon Vance develops a hardscrabble Australian accent for Michael that is completely authentic, with his belligerence, arrogance, and obsession perfectly rendered; we understand Michael, but we don't like him much. Vance deals with the significant challenge of making Hugh believable--both "slow-witted" and linguistically playful--by developing a booming voice that expresses both independence and impairment. A.B. Winner of AudioFile Earphones Award © AudioFile 2006, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to the
Audio CD
edition.