There Is Nothing Left To Lose

 

 

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I've long held this album is high, very high esteem (ever since I bought it as a $13.99 impulse purchase when it first came out)... but now with the impending release of "Echoes, Silence, Patience And Grace" and the return of a radio track that catches my ear on the first try (leadoff single "The Pretender"), I was compelled to return to musing on why "There is Nothing Left to Lose" immediately hit me, and then retained its charm over the years.

This is the point of view of a guy who's listened to little other Foo Fighters (apart from the singles and the "One By One" album, which did not captivate me as much as TiNLtL or Grohl's absolutely excellent drumming on Queens of the Stone Age's "Songs for the Deaf"). The reason for my limited knowledge of the rest of FF's canon is simple: most FF singles did not hit me the way the songs on TiNLtL did. "Big Me" and "This is a Call" didn't register highly on my radar, and "Alone and Easy Target" struck me as a catchy _Nirvana_ song... So how did this album measure up on first listen?

After basically skipping over "Stacked Actors" the first time I listened to the album, I gave "Breakout" more of a chance due to its lighter, vocal-and-clean-electric intro. Both tracks employ a "lighter in the verses, dramatically heavier in the chorus" technique that Nirvana adopted from (amongst others) the Posies, and in both cases Dave goes the extra mile by writing a different chord progression for each of those two sections, but the real treat on "Breakout" for me is the sudden nod to power pop composition (without adopting the genre's "feel" in terms of instrumentation) at the end of the chorus and the release immediately following the chorus (which morphs into a "2nd verse" of sorts, turning the original verse chord progression into a bridge in comparison)... and then hitting Nirvana volume (and chords) for a temporary screaming fit.

With this one song, my receptivity towards the album improved impressively. "Learn to Fly" and "Next Year" were the obvious singles from the gitgo, floating closest to the familiar jangle of "power pop" territory. "Aurora" and "Ain't It the Life" are dreamy expeditions to some remote, summer-night beach, with their easy-going melodies and arrangements. "Gimme Stitches" and "Generator" are a bit closer to the familiar "Foo Fighter" territory I presume them to have (judging from the other albums' singles). And "M.I.A." registers as a surprise: though I usually would not give a song of this sort a second glance, its placement at the end of such an enjoyable set of tunes not only enhances its value, but impressively hooks me into the first track on the CD again, allowing me to enjoy that track as well and giving the CD a much appreciated "repeat listening" quality. A rare feat, I actually listened to this album pretty much all the way on a 3.5-hour car trip.

After many listens, my impression of this album is basically one of Dave & company leading the Nirvana-type sound away from grunge into a more bonafide power-pop territory... and injecting extra amounts of melody in the process. Despite its modern sheen and sound, it still retains the feel (perhaps due to choice of chord changes?) of the lesser-heard side of '70s classic rock... notably, the album tracks that didn't sell oodles of 45's to the single-purchasers, but still had that charm that gave them long life on late-night FM radio. Either way you look at it, Dave is playing revisionist to either Nirvana's sound or that of '70s classic rock/power pop, but in my book revisionism is good if it actually _consolidates_ or _improves_ on what is good (no, great) about a musical style, or brings the sound/style into new territory... in short, an album that ends up seemingly surpassing all that came before it (not necessarily talking about the band's previous albums). Sloan, The Darkness, and the Strokes all succeed in taking styles gone into "disuse" by the music industry and bringing them back. Foo Fighters goes one step further by dressing classic-styled hooks and melodies with modern-type riffs and instrument sounds.

After this album, I thought my enjoyment of the Foo Fighters was pretty much a done deal. "Not so," said my first listening of "One by One", when "All My Life" seemed the sole memorable tune of the set. I repeat, this point of view is not from a standard "Foo Fighters fan" (and I've only listened to _parts_ of "In Your Honour" once, if at that, while driving along with a friend), but the appearance of "The Pretender" as the first single off "Echoes, Silence, Patience And Grace" leads me to think that there may be more for me to enjoy from this band just yet.

Okay, so a wordy review... but if you have any difficulty believing me, just listen to the samples!

Foo Fighters are a very dynamic band in '90s rock, it had a different lineup for their first three albums. Instead of the name 'Foo Fighter' it can also be seen as ex-Nirvana Dave Grohl's solo efforts. Infact the first album by 'Foo Fighters' were almost completely recorded by Grohl himself. The debut album was good but it took two more albums to reach their peak. The songs in 'There is Nothing Left to Lose' are catchy in every sence of the word. It is the first Foo Fighters album that sounds like the work of a unified, muscular band. There is Nothing Left to Lose has a stripped-down sound and an immediate attack that makes even the poppier numbers rock hard. The organic, natural sound is welcome, but the album also benefits from the strongest set of songs Grohl and the Foo Fighters have yet written. There are the typical strong singles, but there's no fat or filler; each track has a memorable hook or melody, and they seem all the more catchy because they're delivered with conviction and confidence. Apart from the hits also watch out for the other songs also. Quite yummy. BTW just want to mention it won a grammy for Best Rock album Of the Year (although I feel winning a grammy is disgraceful rather than worthy of credit).

Great tunes! Foo Fighters can produce radio-friendly songs like "Learn to Fly" that aren't garbage, and nothing wrong with that, says I. Let's not slam talent just cuz the alternative punk is a little popy, come on :). And somebody please shoot me for using all these "genre" words. Good music should just be called "good music", period!

p.s. that breath mint video or the one for Learn to Fly are hilarious. I love it when a band has a sense of humor.

David Rehak
author of "A Young Girl's Crimes

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4.0 out of 5 stars Live in Skin, Aurora...Really good stuff
While I am a very big fan of the Foo Fighters, I will not be a homer to this bands every song. Sure, "Learn to Fly" got overplayed and old quickly, but there are some... Read more

Published on Mar 7 2004 by R. Thompson II

2.0 out of 5 stars Listenable Rock FM
The third Foo Fighters album is a well produced product that isn`t bad enough to be repulsive neither too interesting or solid to be considered good. Read more

Published on Jan 24 2004 by gonn1000

4.0 out of 5 stars Good stuff from Dave and the guys
I thought that this was the most "accessible" of all the Foo Fighters' albums. The music runs from being hard and heavy (Stacked Actors, Breakout) to mellow and lulling (Aurora,... Read more

Published on Jan 16 2004 by alero2137

1.0 out of 5 stars Generic garbage
I just cannot understand the appeal of this very average, unoriginal band. The only appeal I see is its link to Kurt Cobain, whose genius fans remain fascinated by. Read more

Published on Jan 12 2004 by Cappy Titstein

4.0 out of 5 stars mature, excellent music
Sadly, this was my first taste of the Foo Fighters. One morning, while waiting to go to school, I caught "Learning to Fly" on tv, and was in awe by the song. Read more

Published on Jan 3 2004 by discarnate

3.0 out of 5 stars Solid, worth owning
There Is Nothing Left To Lose shows a predictable turn by Dave Grohl and the Foos from poppy but still raw-ish melodic rock of the previous album, The Colour And The Shape, to... Read more

Published on Dec 30 2003 by Andrew J. Gossett

2.0 out of 5 stars SAFE BORING POP
Just broke this CD out again as I was bored with all my current music and wanted to take a chance- as I remembered this is the Foo's worst effort- very poor follow-up to the... Read more

Published on Dec 10 2003 by Chris Paladino

5.0 out of 5 stars The Greatest Album to end the Millennium
This Album is different and not as good as "The Colour And The Shape" because it's more slow and acoustic but it's still an awesome CD and the most mellow Foo Fighters... Read more

Published on Nov 28 2003 by Johnny

3.0 out of 5 stars middle of the road record
i agree that this is not a bad album but it is far from good as well. (i also agree that i dont think Dave and co. Read more

Published on Sep 29 2003 by Daniel J. Hagerman

4.0 out of 5 stars That's More Like It
There Is Nothing Left To Lose is an impressive outing from a band that in my opinion has always put out good singles, but just average cds. That theory is inverted on this cd. Read more

Published on July 3 2003 by Blackberries

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