- Paperback: 96 pages
- Publisher: British Film Institute (Oct 1 1997)
- Language: English
- ISBN-10: 0851705669
- ISBN-13: 978-0851705668
- Product Dimensions: 18.6 x 13.4 x 1.2 cm
- Shipping Weight: 159 g
- Amazon Bestsellers Rank: #305,177 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Product Details |
Product Description
Review
"A stunning account of the facts and theory behind Carpenter's classic yuckfest."-- "Empire
Product Description
An alien entity that can take any living form invades an isolated scientific research station in the Antarctic. John Carpenter's The Thing is best known for some of the most startling visual effects--surreal, lurid, shocking perversions of the human body --ever committed to celluloid. At London's National Film Theatre in 1995, Quentin Tarantino named The Thing as one of his favorite films. Yet when it was released in 1982, it fared badly against another alien encounter movie, E.T., and critics panned it. But The Thing has aged well, and its influence can now be detected in everything from Seven to Red Dwarf and The X Files.
In her elegant and trenchant study, Anne Billson argues that The Thing has never been given its due. For Billson, it's a landmark movie that brilliantly refines the conventions of classic horror and science fiction, combining them with humor, Lewis Carroll logic, strong characterizations and prescient insight. The idea of an alien species mutating and inhabiting humans resonates all too chillingly with the mad cow disease crisis and today's new and ever more powerful genetic technology.
In her elegant and trenchant study, Anne Billson argues that The Thing has never been given its due. For Billson, it's a landmark movie that brilliantly refines the conventions of classic horror and science fiction, combining them with humor, Lewis Carroll logic, strong characterizations and prescient insight. The idea of an alien species mutating and inhabiting humans resonates all too chillingly with the mad cow disease crisis and today's new and ever more powerful genetic technology.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
4.4 out of 5 stars (5 customer reviews)
5 of 5 people found the following review helpful:
5.0 out of 5 stars
A wonderful resource for fans of this horror classic, Dec 24 1998
By A Customer - Published on Amazon.com
This review is from: The Thing (Paperback)
Ms.Billson's book is an invaluable resource to anyone who has recognized the true genius of Mr.Carpenter's movie. I have been haunted by the themes and images of this film ever since I first saw it over 15 years ago. The greatness of this true horror classic is wonderfully defended by Ms.Billson with a style that not only makes for easy reading but allows the film's fans to once again relive the heart pounding brilliance of Mr.Carpenter's masterpiece.
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Anne Billson's fine critique of John Carpenter's The THING., Aug 30 1998
By A Customer - Published on Amazon.com
This review is from: The Thing (Paperback)
As a devoted fan of John Carpenter's The THING, I was thrilled to come across Anne Billson's definitive tome about Carpenter's greatest film. Here Ms. Billson eloquently defends what she deems a horror classic. Describing the film scene by scene and injecting a lot of personal theory, Anne Billson has lovingly penned a tribute to the best monster movie of the last 30 years. A must for any fan of John Carpenter and horror films. Only Paul M. Sammon's wonderful Future Noir comes close to equalling the excellence of Billson's book.
4.0 out of 5 stars
A breezy read, though not terribly deep, July 3 2005
By John S. Harris "The Voice of Reason" - Published on Amazon.com
This review is from: The Thing (Paperback)
Bilson is obviously a fan of the film. This isn't one of the more in-depth or scholarly analyses in the BFI series, but it does make a good companion piece to the film (and to the 1952 "The Thing From Another World" film version of the short story - "Who Goes There?" - that Carpenter's 1982 film is based on).
In a nutshell, Bilson asserts that the film critics who panned the film upon its initial release completely missed the boat and the point. This film was original in so many underappreciated ways, and it remains to this day a standard-bearer.
The author explores the idea that the titular Thing may as well be, for all intents and purpose, female. That, and that Carpenter and screenwriter Bill Lancaster were both very brave and correct to dodge conventional Hollywood wisdom by casting the film with all-male and mostly lesser-known actors, and that the timing of the making of the film thankfully preceeded the political-correctness period that now practically mandates a Rainbow Coalition of skin colors. Clearly, Carpenter was focused solely on the story, and kept all other interferences at bay.
One of my favorite assertions that Bilson makes, and I am certainly in agreement with her, is that if the AFI list of Greatest Film Quotes of All Time allowed for profanity, "The Thing" would be well-represented!
This isn't the most thought-provoking BFI entry, but it is affectionately written, for sure, without being kissy-kissy.
I still love this book series, however. I always ask for a BFI book for my birthday. Next BFI books up for me: "The Shawshank Redemption", "Crash", and "The Thin Red Line".
Stay tuned.
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