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Thinks
 
 

Thinks [Paperback]

David Lodge
3.5 out of 5 stars  See all reviews (25 customer reviews)
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Product Description

From Amazon

In Thinks..., David Lodge writes another witty satire on the vagaries and triumphs of contemporary British academic life and achieves a fine balance between multiple points of narrative interest. He gains much momentum from psychologically nuanced romantic intrigue, and also manages to offer intelligent speculation on the state of play in the scientific and philosophical investigations into the nature and workings of human consciousness, without preaching or becoming ponderous.

Thinks... recounts the experiences of Helen Reed, distinguished novelist, who accepts a creative writing teaching gig at the fictional University of Gloucester after the sudden death of her husband. Here she meets Ralph Messenger, scholar, spin doctor, philanderer and head of the illustrious Colt Belling Centre for Cognitive Science. Scientist and novelist spar:

She asks them what they were working on. Jim says robotics, Carl says affective modelling. Kenji says something indistinct that Ralph repeats for her benefit--genetic algorithms. "I can guess what robotics is," says Helen, "but what on earth are the others?"
Carl explains that affective modelling is computer simulation of the way emotions affect human behaviour.
"Like grief?" Helen says, glancing at Ralph.
"Exactly so," he says. "Though Carl is actually working on a program for mother-love."
"I'd like to see it," says Helen.
"I am not able to give a demonstration, I'm afraid," says Carl. "I am rewriting the program."
The form of the novel carefully mirrors its intellectual concerns. We are given Ralph's attempts to tape-record his random thoughts; Helen's more introspective diary and the often hilarious writing assignments of Helen's motley crew of students, who attempt literary solutions to the problems Ralph poses Helen. Written with enviable deftness, Thinks... manages to be generous to its characters and serious about the intellectual and ethical questions it poses for itself without losing satiric bite. --Neville Hoad --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Inimitable British writer Lodge (Small World; The Art of Fiction) is at his best in another of his comedies of manners set in the academic world. His 10th novel is distinguished by gentle satire, vigorous intelligence, sometimes ribald humor and a perspicacious understanding of the human condition. At the fictitious University of Gloucester, science and literature collide in the persons of 40-something Ralph Messenger and Helen Reed. Ralph's research as the director of cognitive science and his wit and charisma as an explicator of artificial intelligence make him a bit of a star in Britain, and with the ladies. He delights in opportunities for extramarital activities within the confines of the don't-ask-don't-tell arrangement he's established with his wife. Ralph's worthy opponent, newly widowed Helen, a novelist and Henry James devotee, has come to the university to teach creative writing. Helen represents the religious conflict common to Lodge's characters. She has nostalgic respect for her Catholic upbringing, but she's enduring a crisis of faith. Because of her strong moral conscience, she disapproves of Ralph's infidelities. Yet sparks fly during their heated debates, and they share an undeniable attraction and mutual respect. Ralph argues convincingly for artificial intelligence as the next rung on the evolutionary ladder, but Lodge's own opinion clearly corresponds to Helen's: she's dubious of a machine that could embody human consciousness, "a computer that has hangovers and falls in love and suffers bereavement." The perfectly paced story unfolds alternately via Helen's diary, Ralph's audio-dictated journal and an omniscient narrator. Although still politically aware, Lodge is arguably less concerned with social commentary (as in his Booker-nominated Nice Work) than with human nature, and he digs deeper here than in Therapy into the universal mysteries of death and the soul. Readers and booksellers will be more than pleased by this entertaining and appropriately thought-provoking novel. 6-city author tour.

Copyright 2001 Cahners Business Information, Inc.

--This text refers to the Hardcover edition.

Inside This Book (Learn More)
First Sentence
One, two, three, testing, testing ... recorder working OK . . . Olympus Pearlcorder, bought it at Heathrow in the dutyfree on my way to . . . where? Can't remember, doesn't matter . . . The object of the exercise being to record as accurately as possible the thoughts that are passing through my head at this moment in time, which is, let's see ... 10.13 a.m. on Sunday the 23rd of Febru - San Diego! I bought it on my way to that conference in . . . Isabel Hotchkiss. Read the first page
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Front Cover | Copyright | Excerpt | Back Cover
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Customer Reviews

25 Reviews
5 star:
 (5)
4 star:
 (11)
3 star:
 (4)
2 star:
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Average Customer Review
3.5 out of 5 stars (25 customer reviews)
 
 
 
 
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3.0 out of 5 stars Less substance, more cheap stylistic and prurient tricks, May 19 2004
By 
Trevor Kettlewell "trevsbookreviews" (Nowra, NSW Australia) - See all my reviews
(REAL NAME)   
This review is from: Thinks . . . (Paperback)
Here Lodge uses so many standard tricks that you could almost say he was parodying himself: university setting (Small World, Nice Work, Changing Places); a writer as persona (Therapy); parodying other writers (The British Museum Is Falling Down); an incorporated lecture (everything) - this time on consciousness, particularly as it relates to cognitive science and AI; altering perspectives (Therapy); altering styles (Changing Places, How Far Can You Go), particularly diarising (Paradise News, Therapy), lapsed Catholics (several), explaining/defending his writing technique to the reader as part of the text (most overtly in How Far Can You Go), oh, and, of course, fornication and/or adultery (everything). Maybe it's a conscious thing and trainspotters like myself are supposed to pick the deliberate references to all his other novels along the way: Robyn Penrose drops in; Keirkegaard is mentioned; Catholic birth control gets a cameo (although that's pretty endemic) etc.
 
As ever he's researched his topic thoroughly and made it palatable. There are passages of his bravely incisive honesty - as when he really gets down to the bones of what Helen (his lapsed catholic novelist/academic lead character) wanted out of her children's catholic education: a mild and conveniently temporary faith, and enough bible knowledge to appreciate such a rich store of literary allusion - something she probably couldn't admit to herself at the time. His settings generally feel authentic - he has the sense to depict the sort of places he's actually been, or to get good advice. Moreover his novels are tailor made to be discussed: glancing at the opening paragraph in this review, give me 2500 words on similarities and differences in this and any other of his books; here he gives Helen some perfect lines to lift to explain why a novelist (himself) would construct a book in a certain way. There are many pleasures in reading him.
 
That being said, however, the novel as a whole felt a bit hollow. I suspect its greatest weakness is the great morass of sex and talk about sex that you have to trawl through along the way. Extra-marital sex isn't quite the utter redemption/salvation it is of Out of the Shelter, Therapy and Paradise News - for a change bonking is not the climax and unequivocally happy resolution - and while Helen's affair does initially appear to do her a power of good, there's no future in it, and she actually begins to look quite foolish. However there are just too many pages devoted to the bedroom for Lodge to be merely offering mature analysis of an interesting topic without being overly coy. At some point it becomes gratuitous, just as Tom Clancy will gratuitously throw in car chases and flying bullets to distract us from his lack of insight. It's not quite erotic literature, but it's definitely voyeuristic - sort of a gossip novel, not getting carried away with detailing pulsating members and the like, but relishing just who's doing what to whom for just a bit too long and a bit too frequently.
 
And I really thought Lodge would be over this by now - I'm reminded of the fool chiding King Lear, something about how he couldn't be old because he's clearly not yet wise. When is he going to get this sex thing into perspective? It's not nothing, but it's not everything either. A while ago Lodge did pick that his local bishop may not have had all the answers, but doesn't appear to have lost faith in the philosophy of something as juvenile (and stupid) as Pretty Woman. The writer of Ecclesiastes gave it a fair burl, but did eventually work out that among other things sex wasn't the ultimate place to find meaning.

Lodge does at least seem to be self-aware enough to realise that sex does seem to dominate the book to an obsessive degree so, through mouthpiece Helen, he offers a defence. When she is questioned about the sex in *her* novels she explains that of course the frequency and deviancy is exaggerated, but more standard monogamous relationships just aren't interesting enough for the reader. This lame defence really isn't worthy of a writer who:
a)       has the skills to write about a range of issues, characters and experience without needing to fall back on titillation - as if it's the only possible subject that can sustain interest (he might as well endorse Clancy as writing the only readable fiction - readers can't cope unless there's a bomb about to go off somewhere and some macho posturing and biffo every few pages);
b)       has literally read thousands of good novels where titillation isn't used at all;
c)       has read myriad others that don't shy away for a moment from dealing powerfully with issues of fidelity and sexuality, without crossing the line into prurience (Lodge, in contrast, rushes over the line and can only manage to drift back again now and then). 
 
The irony for me (and I suspect many others) is that what is inadequately explained as a concession to entertain readers actually makes the novel more tedious. I don't read Lodge for seedy revelations, and I suppose if that was what I was after I could find better elsewhere anyway. He can write with passion, humour, insight and wit - but you have to endure a lot of other stuff to get there in this book.
 
So, a bit of a blast for one of my favourite writers - I'm more aggrieved I suppose because I hope for more - definitely more than just playing with styles almost as a student exercise and thinking lashings of sex can cover paucity of substance.

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4.0 out of 5 stars Yet another interesting work from Lodge, Mar 23 2004
By 
Keith Appleyard "kapple999" (Brighton, UK) - See all my reviews
(REAL NAME)   
This review is from: Thinks.... (Hardcover)
I read all of David Lodge's works of fiction when I discovered him about 15 years ago. Thereafter I read the odd one, but it's been nearly 5 years since I last read anything of his. I found this different from the others, yet not disappointing.

I could relate to most of the characters, and the story was believable, as well as containing a couple of twists that I didn't see coming. The scientific research on Artificial Intelligence was well-covered, so much so that I stopped after chapter 3 to see in the Acknowledgements where he had got his material from?

The parodies of Amis, Welsh, Beckett, Stein etc were excellent!

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5.0 out of 5 stars David Lodge is back on track., Oct 30 2003
This review is from: Thinks . . . (Paperback)
David Lodge has always been a bit of a "cult" writer. some of his other recent books were disappointing but Thinks... is a welcome return to form.
The book centers around the Ralph Messenger , a cognitive scientist at a British university and Helen Reed a recently widowed writer who is also on campus. Lodge is masterful with his characters and draws out the sexual tension between them.
Along the way Lodge provides a decent insight in to modern cognitive science theories (I've done some work in the field myself and Lodge presents theories accurately without becoming to technical).
Lodge works his magic with the characters building up a complex layered relationship . The book is filled with a dry humor and the academic setting serves as a interesting backdrop. It seems that Lodge's better books tend to be set against an academic background.
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