From Publishers Weekly
This hard-edged, stunning first novel is set on and around the corner of Third and Indiana in the "Badlands" of Philadelphia. Fourteen-year-old Gabriel Santoro has been assigned to this spot by a local drug king, Diablo, and it is here that the boy makes a small fortune by handing out crack to people in passing cars. Gabriel has run away from home, and his mother, Ofelia, aided by a sympathetic priest, is looking for him. What she doesn't know is that her son is staying with Eddie Passarelli, who needs 10 grand to pay back a mobster for the loss of a loaned truck; meanwhile, Diablo is demanding two grand from Gabriel to make up for an alleged shortage in his cash count. Money, with its awful power, is almost a separate character in this novel. Some, like Gabriel, become drug dealers to get more of it; others, like Eddie, are endangered because they don't have enough of it. Lopez (a columnist for the Philadelphia Inquirer ) doesn't preach, however; with brutal honesty, he alternates scenes of despair with glimmerings of hope and, even when detailing matter-of-fact violence, he writes with compassion about those trapped in a world where men like Diablo make the rules and are the arbiters of life and death. He also employs a brilliant visual image: spray-painted silhouettes that appear on North Broad Street whenever a teenager dies in a gun-related incident. It's an image that is as haunting as this tough, compelling novel. 50,000 first printing; $50,000 ad/promo; author tour.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Booklist
Ofelia Santoro is determined to save her runaway son, Gabriel, from the drug dealers whose turf is Philadelphia's Badlands. Every night she rides a bicycle up and down the inner-city streets searching for her son, and every night she passes the folk-art memorial created in homage to the children who die every day as a result of the drug wars--an unknown artist is spray painting the outlines of children's bodies in the middle of the street; eventually, the bodies will pile up at the doorstep of City Hall. Fourteen-year-old Gabriel would like nothing better than to go home to his mother, but he's in too deep. His promotion from lookout to crack dealer has come with a price. The ruthless gang leader is convinced that Gabriel has been skimming profits, and it's payback time. First-novelist Lopez, a columnist for the
Philadelphia Inquirer, siphons off the power of his eloquent images and his gritty sense of place with a slapstick subplot involving some bumbling thieves. This one lacks the intensity of Richard Price's
Clockers (1992) and the lyricism of Jess Mowry's books; however, Lopez's Philadelphia is a marvel, its ruined streets and decaying infrastructure drawn with a delicate precision.
Joanne Wilkinson
--This text refers to an out of print or unavailable edition of this title.