A lower-class young man (Richard Harris) makes his mark as a particularly violent, tough rugby player, while trying, in his awkward, coarse way to seduce his landlady (Rachel Roberts).
Strong moments of acting, photography, and interesting use of fractured time mark Lindsay Anderson's feature debut. This was a key film of the British New Wave cinema that helped moved English film towards gritty realism. (Ironic, considering Anderson's greatest films; 'If...." and "O Lucky Man" are quite far from that kind of naturalistic realism).
Almost all critics consider it a masterpiece, but on first viewing both the performances and the writing were too theatrical for me to grant it quite that level of perfection.
But I plan to re-see it. As often with films one hears about for years, I may have been over-hyped, and missed some of its greatness. And even as is, I found it a strong, impressive and very worthwhile first feature, worth seeing if you have any interest in any of the elements; the cast, the moment in English history, Lindsay Anderson's great career as a director, etc.
Criterion does their usual great job, with a beautiful transfer, and tons of supplemental material, including a wonderful 50 minute, irony filled autobiographical film by Anderson called 'Is That All There Is?', made not that long before his death.