This Sporting Life
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One of the finest British films ever made, this benchmark of "kitchen-sink realism" follows the self-defeating professional and romantic pursuits of a miner turned rugby player eking out an existence in drab Yorkshire. With an astonishing, raging performance by a young Richard Harris, an equally blistering turn by fellow Oscar nominee Rachel Roberts as the widow with whom he lodges, and electrifying direction by Lindsay Anderson, in his feature-film debut following years of documentary work, This Sporting Life remains a dramatic powerhouse.
Prolific British filmmaker Lindsay Anderson weaves this small, evocative tale of young life at the crossroads in early 1960s Northern England. A rough, sullen young man (Richard Harris) working in the local coal mines begins to make a name for himself as a star rugby player, but even as he begins to fall in love he cannot escape the harsh realities of the bleak life around him. The rugby sequences in the film are striking, but no more so than the depiction of downtrodden people living in the shadow of industry and corruption that too often crushes their spirit. Harris in one of his first roles, is remarkably effective as an unlikable but sympathetic figure trying against hope to savor the small joys life has to offer, and the film also features the debut of renowned actress Glenda Jackson. One of a series of working-class, character-driven British imports, This Sporting Life is one of the best on the field. --Robert Lane --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
A powerful film characteristic of the British dramas of the 50â€™s and 60â€™s based on working class life in rural England. Director Lindsay Anderson is one of the major contributors to this genre.
David Storey wrote the screenplay based on his novel (same title) and, under Lindsay Anderson's crisp and sure direction, each member of the cast delivers a superb performance, including Glenda Jackson in what I think is her debut role. The colorful, often violent action on various playing fields is effectively portrayed, in stunning contrast with the drab lives of those who cheer on the teams. Credit Denys Coop for the cinematography. In essence, this film explores the nature and extent of one man's raw ambition and almost animalistic determination as his natural talents enable him to seize opportunities available to few others. Comparisons of This Sporting Life with Raging Bull are not a stretch. (Presumably De Niro saw this film prior to portraying La Motta. Did Harris see Brando in On the Waterfront before portraying Machin?Read more ›
Strong moments of acting, photography, and interesting use of fractured time mark Lindsay Anderson's feature debut. This was a key film of the British New Wave cinema that helped moved English film towards gritty realism. (Ironic, considering Anderson's greatest films; 'If...." and "O Lucky Man" are quite far from that kind of naturalistic realism).
Almost all critics consider it a masterpiece, but on first viewing both the performances and the writing were too theatrical for me to grant it quite that level of perfection.
But I plan to re-see it. As often with films one hears about for years, I may have been over-hyped, and missed some of its greatness. And even as is, I found it a strong, impressive and very worthwhile first feature, worth seeing if you have any interest in any of the elements; the cast, the moment in English history, Lindsay Anderson's great career as a director, etc.
Criterion does their usual great job, with a beautiful transfer, and tons of supplemental material, including a wonderful 50 minute, irony filled autobiographical film by Anderson called 'Is That All There Is?', made not that long before his death.
Anderson populates the film with several other memorable characters--an older man who seems to be in love with the hero, the grasping team-owner's wife who wishes to possess him.
The film contains scenes of nearly unbearable intensity and anguish (Frank's drunken ballad sung in a bar, or Margaret's pleading to be left alone). Also of note is the film's unusual structure, functioning on two levels at once: in "real time" and in Frank's memory, which he may be coloring by his own reactions (something for the viewer to contemplate).
The black and white cinematography is often beautiful as it poeticizes Frank's plight (for example, near the end of the film, he ends up wandering along moonlit railway tracks in a world of steely, silvery loneliness. Also of note, the wonderfully nightmarish music by Roberto Gerhard, an avant-garde composer who differed with the director on the scoring the film.
See the film on DVD for maximum quality. Although the disc contains no special features, it is good to know this great picture has been preserved in the new medium.
Most recent customer reviews
The greatest sports movie ever made. The story of a miner in Yorkshire using his sporting skill in an attempt to escape the harshness of the industrial north east of the mid... Read morePublished on Jan. 25 2004 by Shane A Whitmell
The movies actually about a Rugby League player, not a Rugby player - had it been a Rugby player I definitely wouldn't have watched the movie. Read morePublished on Nov. 19 2002 by Anthony Webb
Richard Harris uses all his knowledge and love of rugby football in his award nominated role. If the footballing parts of this movie are not for the faint hearted, then neither is... Read morePublished on April 20 2000
Richard Harris is superb (and so young!) as a driven but unsophisticated rugby player struggling to make something of himself. Read morePublished on Jan. 10 2000