- Hardcover: 368 pages
- Publisher: Yale University Press (Oct 11 2001)
- Language: English
- ISBN-10: 0300089996
- ISBN-13: 978-0300089998
- Product Dimensions: 2.4 x 1.7 x 0.3 cm
- Shipping Weight: 703 g
- Average Customer Review: 3.7 out of 5 stars See all reviews (3 customer reviews)
- Amazon Bestsellers Rank: #1,817,819 in Books (See Top 100 in Books)
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Product Details |
Product Description
From Library Journal
In his novels and frequently performed plays, Thomas Bernhard, one of Austria's most important postwar writers, employed the self-consciousness style of high modernism to deliver stinging social critique. Several of his misanthropic and satiric works investigate the links between artistic creation and cultural decline. During his lifetime, Bernhard vociferously critiqued Austria's public culture and courageously exposed the country's systematic denial of its complicity with German crimes during World War II. Although his novels and plays are indictments of a country's dishonesty, bigotry, and xenophobia, they showcase a skeptical commentator's unease with his misanthropic tendencies. In her highly readable and admiring biography, Honegger (theater, Catholic Univ.) interprets Bernhard's self-dramatization as a theatrical device that shaped all of his work. In this first English-language biography, Honegger shows that Bernhard's dramatic and histrionic public gestures undermine the very cult of authorship that he now enjoys. Although the book occasionally bogs down in details about Austria as the claustrophobic hotbed of cultural repression, Honegger successfully uncovers the larger significance of Viennese provincialism and offers an absorbing portrait of one of Europe's uniquely gifted enfants terribles. Recommended for academic libraries. Ulrich Baer, New York Univ.
Copyright 2001 Reed Business Information, Inc.
Copyright 2001 Reed Business Information, Inc.
Review
Honegger's postmodernist and psychoanalytical interpretation of Bernhard's paradoxical life and obsessive art is altogether appropriate and effective. -- Publishers Weekly
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Most helpful customer reviews
1.0 out of 5 stars
No justice done to Bernhard,
By A Customer
This review is from: Thomas Bernhard: The Making of an Austrian (Hardcover)
I am a big Bernhard fan and thought this book was dreadful. IF for you literature is something to be dissected primarily through the lens of Freudianism or you have a fetish for the word 'performance' you may like this book. But as a biography, and in terms of a philosophical understanding of Bernhard, it is hopeless. There is an immense amount of pompous academic jargon which is tedious and unilluminating. The analysis of the major works is scant at best. In fact this book only really serves one purpose, and that is to place Bernhard in an Austrian tradition, very much the writer as a social creature. Admittedly it carries out this function fairly well. But on aesthetic and philosophical grounds it is a dismal performance, showing almost no insight or feeling for the Bernhard out-look. In fact the author is immensely irritating. And there is too much of an emphasis (I think for the American market) on the Nazis. Yes, this book is really horrendous and I had to speed read it as I got on because I would have been sick with the lame quality otherwise. I would hearily recommend avoiding this book. Stick to the novels and the memoirs, or learn German and read a proper analysis!
5.0 out of 5 stars
spicy but solid too,
By Toni Wuersch (New York, NY USA) - See all my reviews
This review is from: Thomas Bernhard: The Making of an Austrian (Hardcover)
This brand new bio balances scurillous with serious, and carefully explains background. It's a good intro.Honegger successfully locates Bernhard in his milieu, the Viennese theater and Austria as a national scandal. Tina Brown in Talk recently wrote about British "genial malice", whereby they can carp at Tony Blair *because* he made a good speech. Bernhard went further: he was more like Eminem today than anyone in the US now. a "you can't jail me, so try to sue me!" writer. Honegger reveals lots of new stuff, especially about Bernhard's relationships and the high regard given Bernhard by Austrian aristocracy. Her points about Bernhard's laboring successfully to be an aristocrat hit the mark. Honegger also notes his Mallorca interviews with Justine Fleischmann. Let's hope they're translated soon. We need to read more German writers who say writers are worse than dogs because no one trains them where to pee. The USA with its cargo cults of celebrities and public officials is becoming more like Austria in its public celebrations every day, with interminable strife about being more crude or more subtle played out daily in the press, dishonestly of course. A book on Bernhard and the reaction to pollution that nurtured him can't be more timely.
5.0 out of 5 stars
A truly sophisticated reader,
By
This review is from: Thomas Bernhard: The Making of an Austrian (Hardcover)
This book arrived today and I have just read the first half. This is a terrific and, I believe, important book on Bernhard and his art. Honegger is a very subtle reader of Bernhard. What is most appealing is the way she connects Bernhard's writing with his own personal history and the history of Austria. With this work readers of the English-language translations of Bernhard's work now have a first-rate guide to this talented genius.
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