Setting: Ireland, Europe, and New York City
Irish siblings Malachi, Gideon, and Rebecca Sullivan cherish the family legend of their great-great-grandfather's acquisition of one of the Fates, a trio of priceless, long-separated silver statues. When the Sullivans' Fate is stolen by an unscrupulous New York antiquities dealer, they vow to retrieve the little silver lady, and thus begins a quest that will send them racing across Europe, traveling through Ireland, and dodging killers in New York City. Most importantly, their search for their Fate and her two sister statues brings them into the world of a brilliant female mythology professor, a free-spirited exotic dancer, and a security expert adept at breaking and entering. This diverse sextet must meld their talents in order to thwart their enemy, retrieve the stolen statue, and stay alive while administering their particular brand of justice.
Prolific author Nora Roberts's latest tale of adventure and romance is a nonstop page-turner with quirky heroines, strong heroes, and a delightfully nefarious villainess. Toss in strong Irish, European, and New York settings, interesting secondary characters, and a plot with intriguing twists and turns and the result is romantic suspense at its best. --Lois Faye Dyer
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From Publishers Weekly
This book Roberts's fifth new one released this year features all the romance, drama and intrigue that fans have come to expect from the bestselling writer. It also offers a bit more: clichd characters (e.g., a rough-talking, street-smart stripper; a reclusive alcoholic brainiac) and well-trod ground (e.g., a grand-scale shipwreck and the international art scene). Despite a predictable plot involving the Sullivan family and their quest to find a small silver figurine that belonged to their ancestors and narrowly escaped sinking with the Lusitania in 1915 reader Quigley triumphs to make this a winning production. Her performance rings with subtle nuances, accents ranging from Czech to Irish, and theatrical crescendos and decrescendos. The story opens just before the Lusitania meets its fate, and Quigley draws listeners round with an ominous "happily unaware he'd be dead in 23 minutes, Henry W. Wiley imagined pinching the nicely rounded rump of the young blonde who was directly in his line of sight." In this scene and throughout the story, she puts herself inside each character, giving each one a unique mannerism, tone and feeling no matter how formulaically Roberts may have drawn them. Quigley's presentation is captivating; Roberts's story, regrettably, is not quite.
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