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Three Month Fever
 
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Three Month Fever [Paperback]

Gary Indiana
3.3 out of 5 stars  See all reviews (6 customer reviews)

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From Kirkus Reviews

Novelist and essayist Indiana (Resentment, 1997; Rent Boy, 1994; etc.) combines fictional and journalistic techniques in this true crime ``hybrid of narration and reflection,'' which is, in his words, ``a pastiche'' that is ``fact-based, but with no pretense to journalistic ``objectivity.'' Andrew Cunanan caught the media's full attention with the murder of fashion designer Gianni Versace, an act that was the culmination of a rampage in which Cunanan apparently killed four other men before Versace and himself afterward. Indiana dismisses the media's hypercoverage at the time as largely fanciful: Cunanans life was transformed from the somewhat poignant and depressing but fairly ordinary thing it was into a narrative overripe with tabloid evil. Indiana bases his own portrait on interviews with Cunanan's childhood friends, school reports, numerous of his acquaintances in San Diego, and FBI and local police reports. The portrait that emerges from this in-depth probe is of a smooth, clever pathological liar, a well-known, well-dressed, but not especially well-liked member of San Diego's gay subculture. Indiana portrays Cunanan as having a penchant for sadomasochistic sex in which he was the dominating figure. Sometimes kept by an older man, sometimes peddling prescription drugs, Cunanan generally lived well, but in 1997, things took a turn for the worse. With his credit maxed out, he headed for Minnesota to visit two former colleagues, Jeff Trail and David Madson, neither of whom was pleased to see him. Indiana lets his imagination loose on the known forensic data to create the ghastly scenes in which Cunanan murders first Trail (furiously) and then Madson (cold-bloodedly); his brutal S&M slaying of Lee Miglin, a wealthy older man; and his shooting of a cemetery caretaker whose truck he stole. As Cunanan's life spirals downward, Indiana portrays his psyche taking a nosedive, too. In his version of Versace's shooting, he has the fugitive Cunanan hearing voices that direct his actions. It may not be the truth, but it all seems quite plausible. A vivid and gripping account. (Author tour) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition.

Review

"A gripping, gruesome accounting...fascinating, but not for the faint-hearted." -- -- Boston Herald

"Extensive research and deft proseIndiana acidly critiques contemporary narcissism and celebrity worship." -- New York Times

"Extensive research and deft prose…Indiana acidly critiques contemporary narcissism and celebrity worship…." -- -- New York Times

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6 Reviews
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3.3 out of 5 stars (6 customer reviews)
 
 
 
 
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1.0 out of 5 stars TERRIBLE TERRIBLE TERRIBLE TERRIBLE, Sep 4 2001
By 
Robert Gilbert (Brooklyn, New York) - See all my reviews
This review is from: Three Month Fever (Paperback)
So poorly done, I couldn't get through it.
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5.0 out of 5 stars A Terrific Read, April 16 2001
By 
L. Winkler (Regina, Saskatchewan Canada) - See all my reviews
(REAL NAME)   
This review is from: Three Month Fever (Paperback)
I've read this book about 4 times and enjoy it more each time I go through it again. It's probably one of the top 10 books I've read and enjoyed in my life and that's saying something...I'm a librarian! I'm also a true crime buff and a Cunanan buff. The book simply conjectures what MIGHT have happened in and around the known facts about Cunanan's life and killing spree. Most of Indiana's insights seem logical and probable to me. Take Lee Miglin for instance. Considering all the evidence it seems likely Cunanan probably met Miglin before, knew him and that Miglin was also gay or perhaps bi-sexual. He killed Miglin in a rage and because he wanted Miglin's stuff; mainly his car to get away in. I also read Orth's book about Cunanan and hers didn't hit me well; lots of anti-gay stuff in that book; also a boring read. Indiana writes terrific prose; wow what a writer. Great command of the language and I have to admit I laughed at something on every second page. His satiric turn of phrase is wonderful. Read it even if you aren't interested in Cunanan; he has some insights into American culture that are worth taking in. Probably it's this latter fact that makes people dislike the book. Reading uncomfortable things about the culture you sit in isn't pleasant for some people.
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5.0 out of 5 stars Brave, fascinating & convincing, April 7 2001
By 
James G. Greenhill "Jim Greenhill" (Durango, CO USA) - See all my reviews
(REAL NAME)   
This review is from: Three Month Fever (Paperback)
WHY do so many people seem to dislike this book so much? First off, read Maureen Orth's 'Vulgar Favors' before reading Indiana's book--the two are a very good combination & Orth's book (which I also like, though less than Indiana's) gives a good idea how seriously to take Indiana's unusual technique. In at least two significant ways, Indiana's is the better book: he doesn't make the mistake of flailing around for some sort of conspiracy theory to explain Cunanan's murder of Versace and he convincingly discounts drug-use that Orth rather unwisely buys into. Also, his is better written. As to the debate about Indiana's fictionalization or creative non-fiction or whatever, it's certainly no more of a sin than anything Truman Capote did in 'In Cold Blood,' which if you take the time to read about it (e.g. George Plimpton's account) you'll see was fictionalized (though my edition was sold as NONFICTION/LITERATURE). Indiana is up-front about what he did, laying it out in the beginning, in the prefaces, specifying what he invented, which is good to know 'cause he has some excellent quotations from Cunanan's writings that are NOT fictionalized. Indiana isn't SYMPATHIZING with Cunanan, he's EMPATHIZING, & therein lies a world of difference & empathy with a murderer is no bad thing if you want to understand, which presumably would be one of the chief reasons to buy the book. Murderers are human & Indiana has a nice quotation from Gore Vidal about that in the beginning (if you want to see a killer, go look in the mirror). Indiana glorifies the murders much less than 90 percent of conventional 'true crime' books, which often seem to go overboard perhaps partly to justify their publication (gee, this murder was more brutal than most & that's why we need yet another account of yet another murder). Weaknesses of 'Three Month Fever' include that Indiana's sense of place is, as someone else commented, not very good at all ... but then the places are maybe not so very important in this book, which is surely mostly about the PLACE of Cunanan's mind & our collective minds reacting to Cunanan. It's a weakness for Indiana to claim, as he does, that he's invented a new approach, 'cause that's just not true, all the way back to 'In Cold Blood.' Nor is it true if you know anything about the much discussed 'new journalism' of people such as Tom Wolfe. The prose is overblown, but this might be deliberate, since it reflects the sort of overblown verbiage one would have heard from Cunanan & also it is, frankly, beautifully queeny, really evocative of the way some queens present themselves, really well done. So maybe it's intentional. Certainly Indiana has a hypothesis & that's all it can be, but it rings a good deal truer than Orth's, where hers collapses in her apparent inability to grasp that a sociopath might kill for the sake of killing & for no other reason. People seem to think there's no way Indiana could know much of what he writes. I beg to differ. It's astonishing how much one can get from court records, investigative reports, etc., including entire conversations essentially reconstructed & perhaps people don't realize that. I strongly suspect the big surprise if we all knew a lot more about this book would be how much of it is NOT fictionalized. ... But the bottom line is that SOME people CAN put themselves in certain other people's minds. Sure, every detail won't be accurate. But the general sense of things will feel chillingly true, as it does here. I suspect Indiana has as much right as anyone to do what he did. Most of us couldn't imagine Cunanan's viewpoint, but I think Indiana can & he does it very well ... & he's very honest about it all & we're free to disagree if we wish, just like we're free to turn off the TV if we don't like it. ... This is a well-written, really thought-provoking, compelling, mostly very convincing, brave book. One final question: Would you rather read YET ANOTHER formulaic, poorly written, newspapery 'true crime' book or would you rather read something different, fresh, more challenging? If your answer is the latter, buy & read Indiana's book (preferably in hardback ... I can't imagine why the paperback of this not very long book is abridged).
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