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5.0 out of 5 stars
A World on the Brink, Oct 10 2011
A companion book to Frederic Morton's A Nervous Splendor Vienna 1888 To 1889, "Thunder at Twilight" continues the story of Vienna and the Habsburg dynasty. In this book Morton deals with the events of 1913-1914, just prior to World War I. Figures from history appear as the author relates how Trotsky, Stalin, Hitler and Lenin all passed through Vienna in the last year of peace before the First World War. The Crown Prince in this book is the Archduke Franz Ferdinand who is shown in a soft light as a man who wanted to do everything he could to avoid conflict with Serbia and what he rightly saw as the resulting wider European war. Franz Ferdinand, the heir to the Austro-Hungarian throne who was assassinated by a young Serb nationalist, is seen busily fending off attacks by the Chief of the Imperial General Staff who wanted to "crush the skull" of Serbia once and for all. If Franz Ferdinand had lived to assume the throne would the First World War have happened? Probably. But not because of yet another Balkan conflict. Morton points out that Europe seemed ripe for a storm to clear the air; a war to reinvigorate a Europe whose middle class was satiated by the fruits of industrialization and whose working class longed for something more enlivening than a future in a factory or office. Other historians have pointed out the "hurrahs" that greeted the war in 1914. Europe in 1914 was a war looking for an excuse to start. The smoldering animosity between the Austro-Hungarian Empire and Serbia, brought to a boiling point by Franz Ferdinand's assassination, started the war machinery in motion and neither King nor Kaiser nor Emperor nor Tsar could stop it. This is a very readable book about a turning point in history. I highly recommend "Thunder at Twilight" to anyone who wants to learn more about a very different world that existed less than one hundred years ago. The shots in Sarajevo still echo today.
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4.0 out of 5 stars
Excellent, Oct 31 2001
This review is from: Thunder at Twilight: Vienna 1913/1914 (Paperback)
In the first pages of this book, author Frederic Morton reveals the reason he has such an interest in Austrian history. His grandfather died in World War I and his father came to the United States from Vienna. If you read books such as Rebecca West's Black Lamb and Grey Falcon, you can't help but hate the Habsburg monarchy that ruled for centuries over Austria and much of Eastern Europe. The Austrians shamelessly mistreated their subjects, using divide and conquer strategies to keep their client states in line. The Austrians also looted the distant reaches of their vast holdings for Austrian benefit. Many of the difficulties found in the Balkans today can be traced to the inept government of the Austrian Empire. That's one view. The other can be found in this exquisitely majestic book. This text is not a panegyric to Habsburg rule, however. Rather, it is a tribute to the fabulous city of Vienna during the waning days of empire, when World War I was looming on the horizon of time. Vienna is presented as an international city that attracted numerous historical figures. According to Morton, within a period of months Vienna was home to Adolf Hitler, Josef Broz (known to history as Marshal Tito), Uncle Joe Stalin, Leon Trotsky and Sigmund Freud. These characters lived out their own private paths to destiny within blocks of each other. Morton really makes these people come alive with his narrative. We see Hitler in a homeless hostel where he has his own personal chair that no one dares to sit in and occasionally launches into oratorical tirades against Jews and foreigners. Tito works at a car factory and likes to scope out chicks on the weekends (which is much easier to do when you don't have a chest full of medals!). Trotsky indulges himself in French literature and lively debate at the cafes, where he has a brief encounter with a dour Stalin. Sigmund Freud engages in an intellectual war with Carl Jung and writes numerous papers in psychology that would come to form much of what the common man knows about that discipline. Stalin arrives to research a pamphlet before returning to Russia and a three-year stretch in Siberia. What all of these stories ultimately prove is that Vienna was truly a hub of Europe and an important city of the time. It's still pretty neat to think about all of these huge figures moving about in the same city at the same time, though. Morton shows us how almost all of these figures were influenced by their time in Vienna. Hitler talks about it in Mein Kampf and Trotsky wrote about it as well. About the only figure that doesn't seem to be changed is Stalin, who stomps and grumbles about in shabby peasant clothes. It was interesting to learn that Stalin beat Lenin at chess seven times in a row, though! What Morton succeeds in doing with this book is humanizing history. Today we only see Hitler in old newsreel footage screaming his head off at rallies. In Vienna, Hitler often gave money to his fellow boarders who can't afford food or rent. Sigmund Freud, who always looks so stodgy in those old pictures, loved to hunt mushrooms with his children while wearing outlandish local garb. Even the Habsburgs are painted with a brushstroke of decency. Franz Ferdinand, the sullen heir to the throne who was assassinated at Sarajevo in June 1914, comes off much better here than in most history books. Morton paints him as a dove surrounded by hawks. Franz constantly tries to avert war, especially with Serbia. Of particular note is the relationship the archduke had with his wife, Sophie Chotek. Chotek, who Morton constantly refers to as "morganatic," was not of the right blood to marry a Habsburg heir. She rarely got to share in the royal activities, and when she did, courtiers of the archduke's father, Franz Joseph, belittled her endlessly. The end of the book shows us the dramatic countdown to war, as the archduke and his wife drive to their deaths and into history. The account of the assassination is very interesting and well worth the read. I feel it rivals the Kennedy assassination in terms of sheer incompetence and idiocy. When someone tosses a bomb at the archduke's motorcade, these morons actually continue the procession! Franz Ferdinand's security detail should have been shot for this action alone. Of course, the procession wasn't stopped and the result was war. The whole mess reeks of conspiracy. This is an excellent book that can really spark an interest in history. Morton uses lots of sources, such as newspapers, to convey the actual feel of the time. A few pictures thrown in helps to place faces with names. Often, Morton tells us what the weather was like on a certain day before he unfolds the events. This gives the text an insight often missing in scholarly accounts. We can almost see things happening. That being said, this really isn't a book I would use for research. It is more of an interpretative text to provide entertainment. If I were teaching a class on this time period, I would assign this book in conjunction with other, more serious books. Very nice, indeed!
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5.0 out of 5 stars
Read Now to Find Out How Wars Get Started., Oct 22 2001
By A Customer
This review is from: Thunder at Twilight: Vienna 1913/1914 (Paperback)
An excellent and lovely book that reads almost like a novel, it is also an alarming book if you read it, as I did, in the aftermath of September 11, 2001. The diplomatic and military blunders that produced World War I seem, at this moment, to provide a kind of blueprint for starting a war that no one really wants to start. Some of the correspondences between then and now are startling--for example, the super-ultimatum given to the offending country with the expectation that the terms cannot be met. Altogether I would rate this book higher than Barbara Tuchman's The Guns of August, though, to be fair, Tuchman's book is more of a military history and gives only a tiny look at the opening shots of WWI--the murder of the Archduke who was the heir to the Austrian throne--whereas Morton's book establishes the Archduke Franz Ferdinand as a major character in the narrative, then reveals that the Archduke was (ironically) a pacifist who was trying to avert a war in Europe, and then places the Archduke's story in the context of the larger story of Vienna, Austria and Europe. One of the many pleasures that the book offers is an evocative look at the old, whimisical royalty-besotted Vienna just as it was begetting the new Europe--Freud, Trotsky, and Stalin all figure in the story of pre-WWI Vienna as do a number of other major political and artistic figures. Vienna was a prosperous, beautiful, pleasure-loving city that perversely found a way to start a horrific and self-destroying war.
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