Product Details
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| 1. Sleep To Dream |
| 2. Sullen Girl |
| 3. Shadowboxer |
| 4. Criminal |
| 5. Slow Like Honey |
| 6. The First Taste |
| 7. Never Is A Promise |
| 8. The Child Is Gone |
| 9. Pale September |
| 10. Carrion |
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Most helpful customer reviews
4.0 out of 5 stars
Tidal waves,
By E. A Solinas "ea_solinas" (MD USA) - See all my reviews (HALL OF FAME) (TOP 10 REVIEWER) (REAL NAME)
This review is from: Tidal (Audio CD)
Fiona Apple has become one of those few singer-songwriters who is known for her talent, with only a few albums to her name. Her debut "Tidal" is more uneven than her sophomore album, but Apple's rich voice and exquisite musicianship make up for the occasional lyrical stumbles."You say love is a hell you cannot bear/And I say gimme mine back and then go there for all I care," Apple sings in the first song, her alto suspended somewhere between a purr and a snarl. Backling her up is her own textured piano playing, backed by a heavy bass lick that pops up every few seconds like a tribal drum. But unworthy lovers aren't the only topic that Apple tackles here. She also explores personal changes ("And I suddenly feel like a different person/From the roots of my soul come a gentle coercion"), hurting others in love, and "You'll say "don't fear your dreams"/It's easier than it seems." Her songs are painfully deep in themselves, but it's all the more shocking and stunning when you realize that she was only eighteen when the album was released. Her music exudes the sorrow, anger and emotion of a woman twenty years older, mixed in with the ever-changing personality of a young girl. Music like this can't be calculated; it can only ever be real. Her youth does show in songs like "Pale Summer," or certain awkward lines like "Oh, your love give me a heart contusion/Adagio breezes fill my skin with sudden red." It sounds a bit too overblown, in a high-school poetry way. But Apple has a rare way with simpler lines, giving them a verbal punch that a shadowboxer couldn't match. "I have never been so insulted in all my life/I could swallow the seas to wash down all this pride!" she snarls in the first song. But honestly speaking, Apple could sing some really dreadful songs and they would still sound good -- her voice is another thing that was much older than she was, the sort of thing you'd expect to find in a thirtysomething torch singer. Her husky alto carries the songs with a rare intensity, backed with swelling strings and her delicate piano melodies. There are a few lyrical stumbles in Fiona Apple's debut "Tidal," but it's still a pop masterpiece. Beautiful, intense, heartfelt and heartbreaking.
5.0 out of 5 stars
Where are you Fiona?,
By
This review is from: Tidal (Audio CD)
Was Fiona Apple really so young when she released this album? Was she already such a great composer, vocalist, pianist and producer? Amazing! Is there a single song on here that is not hypnotic? Absolutely not! Sullen Girl, Shadowboxer, Criminal -- these are all glorious tracks that should make anyone wonder where this girl came from (and especially where she has disappeared to) and where she developed such a seasoned view. She's like the Rickie Lee Jones or Joni Mitchell of the 90s. Fiona, please come back and give us some more great music.
4.0 out of 5 stars
Auspicious Debut Album.... from (then) 19 yr old Fiona,
By
This review is from: Tidal (Audio CD)
Fiona Apple was signed to a major label in 1995 on the strenght of a demo tape of a few songs. She was 18, and a major label signing an unknown teenager was possible only because we now know (in retrospect) that 1995-96 were the heydays of the "alternative music" scene, and anything was possible."Tidal" (10 tracks, 51 min.), released almost 8 years to the day, was auspicious in many respects. The confessional writing style, the jazzy-smokey pop (don't even think Norah Jones, but more a jazzier Tori Amos or Aimee Mann), it all struck a cord. And a few killer songs helped tremendously of course. "Shadowboxer" became a breakout hit, and justifiably so, it still sounds good today, 8 years later. Other oustanding tracks include the opener "Sleep to Dream", "The First Taste" (with great lyrics like "Darling Just Start the Chase/I'll Let You Win/But You Must Make the Endeavour"), and "Pale September", featuring the vibraphone which is used throughout the album, very effectively. However, the very best of them all "Never Is A Promise", a haunting ballad. Since "Tidal", Fiona has released only one other album (1999's oustanding "When The Pawn"), but supposedly we will finally see a new album later this year. Meanwhile, "Tidal" is aging quite nicely. Strongly recommended!
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