Product Details
|
| 1. Farmer In The City |
| 2. The Cockfighter |
| 3. Bouncer See Bouncer |
| 4. Manhattan |
| 5. Face On Breast |
| 6. Bolivia |
| 7. Patriot (A Single) |
| 8. Tilt |
| 9. Rosary |
Tag this product(What's this?)Think of a tag as a keyword or label you consider is strongly related to this product.
Tags will help all customers organize and find favorite items. |
|
Share your thoughts with other customers:
|
||||||||||||||||||||||
|
Most helpful customer reviews
5.0 out of 5 stars
awesome,
By
This review is from: Tilt (Audio CD)
Scott Walker's retreat from the public eye in the 1980s only assisted his ascent into the realm of the avant-garde. His 1984 Climate of the Hunter LP hinted at a newfound interest in eclectic ambience but was nothing compared to the creative supernova of 1995's Tilt. Here, Walker's music wasn't completely removed from his classic 1960s existential baroque-pop, but rather allowed to evolve naturally into a bizarre and engaging dark suite of art-songs. "Farmer in the City"-- a tribute to Italian art-house director Paolo Pasolini-- connects Walker's affinities for cinematic orchestral arrangements and weighty, minor key balladry. "The Cockfighter", like many of Tilt's tracks, uses natural ambience and subtle electronic touches to establish a mood, and then suddenly erupts into abrasive, aggressive avant-rock, as Walker operatically wails, "It's a beautiful night!"In fact, Tilt resembles nothing so much as an extended, post-modern aria; its structure defying the simple arrangement of verses and choruses, it delivers a faithful presentation of stream-of-consciousness self-discovery and even dementia. The most ambitious moments ("Patriot [A Single]", "Bouncer See Bouncer") elude description entirely, but are stunning examples of what can happen when an artist is allowed to explore his muse on his own terms. The chilling "Rosary", featuring only a trembling Walker accompanying himself on guitar, perhaps betrays the intense isolation at the heart of Tilt, but it also exposes his raw-nerve expression as both a beacon of originality and something capable of truly moving emotional resonance
5.0 out of 5 stars
A disturbing work of genius,
By Big G "Big G" (UK) - See all my reviews
This review is from: Tilt (Audio CD)
You have to have an open mind to sit through this album. It is very distubing and I would not listen to this on my personal stereo late at night. This is challenging in the extreme and not for the faint-heartedHaving said that, this is a work of such genius and beauty that, to me, it is like opera. Here is a man who can sing anything - and proves it on this album. My advice to everyone who wants to know about this album and wonders if there is anything similar to it, is to ignore all his early albums. I listened earlier to "Boy Child" - the compilation of Scott's music from 67 to 70. It's a magnificent collection from his first six albums, but this is nothing like that - the music on "Boy Child" and "Tilt" could not be further away from each other, they're light years apart. To have any clue about what to expect musically and lyrically here, you might listen to the last Walker Brothers album - "Nite Flights" - and Scott's previous release "Climate Of Hunter". Even then, you'll put this on your stereo and listen in wonderment and disbelief. You can't categorise this music, you can't sing along to it - you just listen to it and marvel at it's originality and it's brilliance. The musicianship is magnificent and simple and the strings, in all of this albums oddness, stand out beautifully. A distubing work of genius. As others have said, you can't accuse of Scott Walker of selling out, of writing to get hit records. The bad news is that there has been nothing from Scott since this album - 9 years of nothing, although I am ever optimistic that there is another album in him. The further bad news (for other writers, that is) is that most of them could not write material of this massive quality even in their dreams (or their nightmares). This is immense in the extreme. A strange but glorious masterpiece.
5.0 out of 5 stars
Brilliant,
By A Customer
This review is from: Tilt (Audio CD)
There is no other album like "Tilt." Imagine Jack Jones or Tony Bennett collaborating with Laurie Anderson and the London Philharmonic Orchestra on a reinterpretation of Lou Reed's "Metal Machine Music" with additional lyrics by Nico, and you'll have a vague idea.Admittedly, "Tilt" is not for everyone, not even for all fans of Scott Walker's earlier, idiosyncratic chamber pop. But it's one of the few albums released in the last ten years that makes me want to do what I used to do when I was a kid - put a record on the stereo, turn down the lights, and sit back with my eyes closed and listen. I have two comments for the previous reviewer: 1) If you thought Walker's vocals were indistinguishable, clean out your ears or get a better stereo; and 2) You heard this on the radio?!? Sorry, but I have a hard time believing that one. I'd venture that there are maybe two or three independent radio stations in the entire country adventurous enough to play even the most "accessible" cuts from "Tilt," and if you were a listener of one of those stations you'd probably have a better understanding of music. When and on what station did you hear "Tilt?"
Share your thoughts with other customers: Create your own review
Want to see more reviews on this item?
|
Most recent customer reviews |
|