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Time Out has been added to your Cart
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Time Out Original recording remastered, Enhanced

38 customer reviews

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Product Details

  • Audio CD (April 22 1997)
  • Number of Discs: 1
  • Format: Original recording remastered, Enhanced
  • Label: Sony Music Canada
  • ASIN: B000002AGN
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (38 customer reviews)
  • Amazon Bestsellers Rank: #478 in Music (See Top 100 in Music)
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1. Blue Rondo ? la Turk
2. Strange Meadow Lark
3. Take Five
4. Three To Get Ready
5. Kathy's Waltz
6. Everybody's Jumpin'
7. Pick Up Sticks

Product Description

Boasting the first jazz instrumental to sell a million copies, the Paul Desmond-penned "Take Five," Time Out captures the celebrated jazz quartet at the height of both its popularity and its powers. Recorded in 1959, the album combines superb performances by pianist Brubeck, alto saxophonist Desmond, drummer Joe Morrello and bassist Gene Wright. Along with "Take Five," the album features another one of the group's signature compositions, "Blue Rondo a la Turk." Though influenced by the West Coast-cool school, Brubeck's greatest interest and contribution to jazz was the use of irregular meters in composition, which he did with great flair. Much of the band's appeal is due to Desmond, whose airy tone and fluid attack often carried the band's already strong performances to another level. Together, he and Brubeck proved one of the most potent pairings of the era. --Fred Goodman

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Customer Reviews

4.6 out of 5 stars
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Most helpful customer reviews

2 of 2 people found the following review helpful By Jerlaw on April 30 2012
Format: Audio CD
Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt -- it's just that they're not jarring. Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as it's become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated -- it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection.
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1 of 1 people found the following review helpful By Larry Ketchersid on Dec 3 2006
Format: Audio CD
Dave Brubeck was in Houston for a concert last night, and we were listening to this album on the way there. A classic album, a classic artist. Though there was no Paul Desmond at the concert, it was fantastic to finally get to hear Dave in person.

It's hard to pick a favorite tune from this album, as they are all wonderful to listen to. "Take Five", the main hit from this album, sounds great on this remastered version, and it sounded amazing as his 85 year old hands tickled the ivories at the concert. Bobby Militello filled in well and amply for Paul Desmond on sax at the performance, by the way.

In addition to "Take Five" and "Blue Rondo A La Turk", I also enjoy "Kathy's Waltz" and "Everybody's Jumpin'", with the Sax lead opening and Dave's piano answering, and the following exchange and counter point.

Also, if you have not heard any of Dave Brubeck's choral arrangements, I would highly recommend them. They were played last night with the Dave Brubeck quartet, the Houston Chamber Choir and a brass section. Simply amazing. You can find them on his albums "The Gates of Justice" and "To Hope".
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Format: LP Record Verified Purchase
There can be no denying the sticker shock that comes with this sort of product, but having had several good listen-throughs of this Analogue Productions, 200g vinyl pressing of the Dave Brubeck Quartet's "Time Out" album, I can say with confidence that this is a release of outstanding quality both in terms of its actual playback sound quality, as well as the physical LPs and the packaging.

This release was quite brilliantly mastered and cut for vinyl by famed recording engineer Bernie Grundman, using the original analogue studio master tapes. Every aspect of the playback - depth, sound stage, dynamics, sonics, inner detail, everything - is simply astounding and breath-taking. Paul Desmond's sax is wonderfully rendered throughout, the attack of Joe Morello's drumming resounds with unquestioned authority and realism and Eugene Wright's bass line ties everything together. Of course, Dave Brubeck's wonderful piano-playing is moving and magical.

Without exception, this 45-RPM double vinyl LP set is of the very highest quality that I have ever seen. Both of the 200g vinyl discs are absolutely flat with no warping whatsoever. There are no marks or scuffs on these discs at all. Of course, it is the velvety smooth, black silence of the LP lead-in and between tracks that captivates! It attests to the very superior pressing quality and confirms the exceptional value of this product of the Quality Record Pressing plant in Selina, Kansas, USA. The special protective sleeves for these discs and the beautiful glossy finish of the thick cardboard LP gate fold jacket round out the overall product that you receive here.

If you are a serious vinyl LP junkie and have a high performance, audiophile grade turntable and tone arm / cartridge combination (i.e. Rega, Pro-Ject, Thorens, Linn, VPI, SME, Clearaudio, etc.), you will become addicted to this LP set. It is very highly recommended.
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Format: Audio CD
Judging from the other mixed comments on this page, it seems that this album is still being taken several different ways, just as it was in 1959. Want something easy & accessible for the new jazz fan? Like inventive solos and spontaneous group communication? Interested in odd rhythms and time signatures? Looking for something smooth-swinging that'll provide some nice background music? Well, the appeal of Time Out is that it works beautifully on *all* those levels. It started as a simple experiment in branching out beyond steady 4/4 time - which may not seem too rare now, but at the time it was pretty weird stuff - and was never intended to be anything more. But it's one of those works where everything falls into place so naturally it's uncanny, and the result from these sessions really caught on, due largely to the sinuous addictingness of "Take Five." You've probably heard that one somewhere, whether you know it or not.
There's more to offer in the way of rhythm, from the catchy alternating 4/4 and 9/8 of "Blue Rondo a la Turk" to the slow-hopping swing of "Three to Get Ready" to the easy-walking 6/4 beat of "Pick Up Sticks." The group has a wonderful chemistry. They listen and respond to each other but it never seems awkward or forced; they're all just having fun, and that's what really makes the whole affair sound so informal and inviting.
I wouldn't hold all its popularity against it - like Miles Davis's Kind of Blue and John Coltrane's A Love Supreme, Time Out is one of those classics that transcends its genre and succeeds wildly without sacrificing any of its quality. And like those other two albums it's highly recommended for jazz neophytes, absolutely essential for any serious collection, and even remains pretty enjoyable to non-jazz fans too. So simply put, if you have any interest in jazz at all, you need this disc. No way around it.
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