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To Open the Sky Paperback – Mar 1999

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Product Details

  • Paperback: 236 pages
  • Publisher: (March 1999)
  • Language: English
  • ISBN-10: 1584450452
  • ISBN-13: 978-1584450450
  • Product Dimensions: 22.7 x 15.2 x 1.5 cm
  • Shipping Weight: 113 g

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Most Helpful Customer Reviews on (beta) 5 reviews
4 of 5 people found the following review helpful
Early Silverberg, Phase II Oct. 6 2000
By L. Stearns Newburg - Published on
Format: Paperback
After Silverberg's first "retirement," he returned to science fiction with this book--constructed out of a series of novelettes published by Fred Pohl in _Galaxy_. It is colorful, almost gaudy science fiction; in a way, it seems to bridge Silverberg's pulp work of the '50s with his more thoughtful work of the later '60s and early '70s.

As is the case with most science fiction, it appears dated in places. During the years 1964-65, when this book was written, some of the concerns with mysticism and trancendence embedded in the social unrest of the later '60s were already clearly in evidence. This early book shows his awareness and sympathy for those trends.

While the themes of the book are very much of its time, the pure inventiveness points farther back, to works like Alfred Bester's _Tyger! Tyger!_ (aka, _The Stars My Destination_). The "Electromagnetic Litany: Stations of the Spectrum" is clever and funny and ingenious enough in its own right to sway me in the book's favor.

The quality of the writing is competent, and sometimes a great deal better than that. Silverberg, for all his excellent novels (e.g., _Dying Inside_, _The Book of Skulls_, _Downward to the Earth_), often seems to me happier at the novelette to novella length. Thus a mosaic novel such as this one shows him at his best advantage.

At the same time, despite its several excellences, the book is not devoid of a certain immaturity by later Silverberg standards. There are a few stock characters, as well as stock reactions and situations here. During the ten years after this book, Silverberg showed us how much better he could be.

Still, all in all, I'm fond of this book. I *do* think it's good entertainment of a high order. I'd really like to give it 3.5 stars, because it isn't a masterwork; but it is diverting reading, even if one isn't a devoted reader of Silverberg.
1 of 1 people found the following review helpful
I'd remember this book anywhere Sept. 14 2003
By "smashed78" - Published on
Format: Paperback
I first read this book while on holiday in Spain around 1996. I'd long ago forgotten the title, but the names of the characters stuck in my mind. Well needless to say I've found the book once again and intend to buy it. I was only 17 when I read the book and it made great reading, how it will do this time I really don't knowm so I'm giving it 4 stars - it at least deserves that if I can remember the character names after so long. Well worth reading!
Silverberg's Future History Jan. 26 2014
By Mithridates VI of Pontus - Published on
Format: Paperback
Robert Silverberg’s To Open the Sky (1967) is an enjoyable pulp future history with a somewhat “different” premise–religion will be the main force that facilitates mankind’s exploration of the stars. In his intro of 1978 edition he discusses how the project came about. In the early 60s Frederik Pohl became his editor and allowed him to published, for the first time, SF “for love rather than money” (II). Up to this point Silverberg had never attempted, other than in the briefest sketch form, to extrapolate an entire future history à la Olaf Stapleton or Isaac Asimov. Silverberg’s vision is nowhere as complex or intriguing as either of those authors…

Pohl had earlier guaranteed that he would publish anything that Silverberg produced in Galaxy (he would still offer his suggestions and even rewrite or add entire passages). In the mid-60s Pohl suggested that he will be able to garner Silverberg a Ballantine book deal, which was at that time was the most prestigious SF press, and so To Open the Sky was born.

Although technically a fix-up novel (i.e. a novel expanded or stitched together from previously published work), To Open the Sky was planned to be published as Silverberg’s first Ballantine book from the beginning—that is, if Pohl liked each of the parts that would appear in his magazine, Galaxy. Thus, each of the five stories that comprise the novel were planned out and interrelated with the future goal of collation. The result is a concise and well-planned work with recurring characters. Silverberg was desperate for a Ballantine book deal and did exactly what that would take….

Only after he entered the Ballantine “stable” of reliable writers did he write anything audacious or controversial and I would argue, in some instances downright brilliant i.e. Downward to the Earth (1970), Hawksbill Station (1969), The World Inside (1971), among others. To Open the Sky is perhaps his best “pulp” novel and the last breath of his earlier period, remember “New Wave” Ballantine novels such as Thorns (1967) appeared in print immediately afterward.

Recommended for fans of Silverberg’s early work, future histories, and straight-laced 50s/60s SF. Solid but not spectacular….

Brief Plot Summary/Analysis

To Open the Sky is comprised of five previously published novelettes: “Blue Fire” (1965), “The Warriors of Light” (1965), “Where the Changed Ones Go” (1966), “Lazarus Come Forth” (1966), “Open the Sky” (1966). Because they were planned to be released as a single episodic future history novel with connecting themes and recurrent characters I will review them as a whole rather than individually.

Queue a gamut of standard SF themes: immortality, ESP, and religion. It is the third of these where Silverberg is the most successful. The forces of religion propel man to space travel and technological advancement! In this future Earth—around 2077—a religion has developed surrounding science. Silverberg models the growth of this “religion of science” around the seminal figure of Vorster (who still lives in the shadows observing and influencing the development of his creation) on paradigm of Early Christianity.

Surrounding the the Vorster’s central symbol, the atomic reaction (visible in portable reactor form with a glowing Blue light), are all the attributes of religion: ritual, initiations, priests, etc. The Vorsters themselves do preach that the Blue Fire is supernatural, “but it made a useful symbolic instrument, a focus for religious emotions” (13). It is obvious that the followers of the cult do ascribe more supernatural interpretations… Implicit in this formulation is the idea that the more “gullible” masses will automatically ascribe more religious interpretations to futuristic technology. And that religion is something planned by a select few rather than a more organic paradigm where the development is fluid and influenced rather than modeled by individuals.

The Vorsters promise immortality and colonization of the stars that will relieve overpopulation via technology. Because these goals appeal to everyone they gain large bastions of converts (who find the religious elements appealing) on Earth but not on Mars or Venus, Earth’s colonies. The first novelette follows Reynolds Kirby, a UN official who is initially dismissive of the Vorsters, but soon joins and becomes a prime architect in their quest for the stars. The following chapters explore the Vorster experiments with ESPers whose mental abilities rather than traditional spaceships might be able to take man to the stars. Also, a new cult, who emphasizes the more spiritualist and mystical elements of the Vorster theology of science arise on Mars and Venus.

But the Orthodox branch and the reformist branch will have to pool resources for the final push to the stars…
2 of 3 people found the following review helpful
The future is almost now Aug. 3 2010
By Anthony R. Cardno - Published on
Format: Kindle Edition
To Open The Sky is a set of five novellas (originally published seperately in magazine form) that cover roughly a hundred years of "future history" (from the late 2000s to the early 2100s), charting the rise of two new religions which power Humanity's dual quest for immortality and the stars. I first read this book in 5th or 6th grade, back in the mid-1970s. I still own the same yellowed-pages, bent-spine, taped-cover edition I read back then. Every 5 years or so I pull it out and reread it. The last time I did so was before I'd started my livejournal (which means long before I'd started any of my other blogging / social networking). I was fairly traumatized recently when I realized the book was not in its usual bookshelf location, and I spent a few good months trying to figure out who I'd lent it to before finally discovering it, on top of a later edition and two other Silverberg books, on a completely different shelf. The book means that much to me at this point, that I'll have panic attacks over not being able to locate it. There aren't too many books for which "but you can always buy another used copy on Amazon" is not an acceptable answer to me, but this is one of them.

Robert Silverberg may be well known for his Majipoor Chronicles series of novels, but I've always enjoyed his short fiction more. To Open the Sky, like his more recent Roma Eterna, works precisely because of the time (and location) jumps between sections. If you read Silverberg's foreword, you are aware of the publishing history and you expect those time jumps. In TOtS, each of the five novellas centers on a man (mostly young men, except for the last novella) at an emotional / spiritual crossroads. In the first vignette, we are introduced to the nascent Vorster religion through the eyes of Reynolds Kirby, a UN diplomat farther at the end of his mental tether than even he realizes. The Vorst religion wraps a thin veneer of spirituality around essentially worshiping the energy spectrum. They're considered nutjobs by the hedonistic Earth society of 2070 and upstarts by the longer-established religions, but they make no secret that what they're offering is not Religion but rather a place for the development of science leading to individual immortality and colonizing of the stars. Kirby gets a first-hand look at Noel Vorst's new religion thanks to the actions of an upstart Mars colony dignitary. In the second vignette, decades have passed and young Vorster acolyte Christopher Mondschein finds himself face to face with a hard decision: stay loyal to Noel Vorst and his religion, or spy for the developing splinter religion, The Harmonists. His decision, and I won't tell you exactly what it is, influences the course of another young man's life several decades after that, as Vorster missionary Nicholas Martell tries to establish a chapel on Venus in the third vignette. In the fourth and fifth vignettes, the stories of Kirby, Mondschein and Martell come together with the Harmonist's found David Lazarus and Noel Vorst himself.

Wow, I don't usually let book synopses take over my reviews. But when I talk about this book, I feel like it's important to discuss how the novel develops. I don't think anything I said above really qualifies as a Spoiler; most of it can be read in the back-cover synopsis on the editions I have.

The book is of course replete with classic mid-1960s SF tropes. Colonists terraform Mars to make it habitable, and colonists are surgically altered to survive the rigors of Venus. The colonies have a contentious relationship with Earth, where society has largely forgotten what hard work is all about. (In fact, a trait Kirby and Mondschein initially share is their avoidance of actual work, although their avoidance tactics are nothing alike.) Knowing what we now know about the surfaces of those planets, the worlds Silverberg presents don't seem to be as possible as they once might have seemed. Human life is extended through the use of mechanical implants to replace failed organs. Organ replacement is happening now, not in some "far future." The genes for various ESP abilities are developed and play a core role in the narrative. And so on. All of these possibilities were captivating to me back in 6th grade. I reread the book now and those same aspects give me a warm sense of nostalgia, and also a sense of wonder -- in some cases, it seems Silverberg (and others) was not as far off in regards to society's destiny as he might have hoped.

Every time I reread the book, I take something new from it. When I was in 6th grade, it was pure wonder and excitement. In later rereads, it was how seamlessly Silverberg worked spy-thriller tropes into the Mondschein chapter and commentary on social stratification and being an outsider into the Martell chapter. On this reread, what struck me was how all of the main characters are at a crossroads whether they see it or not, and how small personal actions can take on societal importance when viewed through the lens of passing decades.

And of course, that ending. More full of hope for humanity than much of modern SF, without falling completely into cliche.

I wonder, a few years down the road when I reread this book again, what I'll take out of it at that stage of my life.
1 of 2 people found the following review helpful
"The esper's here," someone muttered. July 20 2008
By frumiousb - Published on
Format: Paperback
As some of you who follow my reviews know, one of my projects lately has been re-reading the fantasy and science fiction books that I enjoyed as a child. That project led me back to the Majipoor Series and Robert Silverberg. Of all of those books, Silverberg is one of the few authors whose work really stood out for me as still being every bit as good as I remember. So lately I have been looking for second hand copies of Silverberg's other books to see if I liked them just as well. To Open the Sky is the first in that effort.

I really enjoyed the book. It is a heady mix of religion, overpopulation, schism, transformation and hope. It took me surprisingly long to read the slim volume (203 pages, in my edition). My only quarrel at all with it was that it sometimes felt a little bit of interconnected short stories more than a novel. And that, dear reader, was exactly what it turned out to be. Wikipedia tells me that To Open the Sky was a fixup of stories originally published by Frederik Pohl in one of his magazines.


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