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To The Teeth


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Product Details

  • Audio CD (Dec 12 2011)
  • Number of Discs: 1
  • Label: Festival Distribution Inc.
  • ASIN: B00002DDNE
  • In-Print Editions: Audio CD
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (143 customer reviews)
  • Amazon Bestsellers Rank: #70,594 in Music (See Top 100 in Music)

1. To The Teeth
2. Soft Shoulder
3. Wish I May
4. Freakshow
5. Going Once
6. Hello Birmigham
7. Back Back Back
8. Swing
9. Carry You Around
10. Cloud Blood
11. The Arrivals Gate
12. Providence
13. I Know This Bar

Product Description

Product Description

Amazon.ca

The follow-up to the ambitious Up Up Up Up Up Up finds the prolific Ani DiFranco striving to expand the range of her brand of do-it-yourself folk. Here she incorporates organ, clarinet, megaphone, and even an ill-advised rap courtesy of Corey Parker, whose father, former James Brown sideman Maceo, contributes saxophone to a few tracks. DiFranco, meanwhile, handles her usual array of instruments, taking on bass, drums, guitar, and, of course, vocals. That voice has changed since her 1990 debut. A smoky quality adds a layer of expression and maturity to still-angry protestations such as the title track and its whispery counterpoint, "Back Back Back." There's even an appearance here from the Unpronounceable One, a.k.a. the Artist, who lends his distinctive voice to the alternately dense and quiet "Providence." Regardless of guest appearances and new vocal and instrumental colors, however, DiFranco's ace remains the quiet, confessional tone she brings to introspective songs such as "I Know This Bar." The sound of her fingers sliding from one warm chord to the next is DiFranco at her strongest. Matthew Cooke

Customer Reviews

4.3 out of 5 stars

Most helpful customer reviews

Format: Audio CD
Ani DiFranco showcases her anger through her album 'To the Teeth". She expresses her democratic pride and her deep, personal anger through every track. Her style offers the one-on-one closeness to her audience. Every lyric is fearless. This is only one of her qualities that deserves tremendous respect as an artist and as a person. "To the Teeth", the track and "Hello Burmingham" express her anger toward the world and certain political values the heaviest.
She offers a wide musical variety. She combines rock, folk, pop, and funk. Her use of woodwind and brass instruments give a new, pleasing, and evolving touch to her tracks. Her guitar efforts more than accents her musical style, she also expresses her feelings through it. Few other guitarists have mastered this difficult task. She also plays the bass, the drums, and the keyboards on many tracks brilliantly. Despite such expressed anger, her voice remains beautiful, never losing its soul for a second. Such showcased talent proves that she is one of the best musicians of today.
Sadly, she's also one of the most underrated musicians in music history. "To the Teeth" proves that she continues to evolve as an artist through every album release. This is one of her most personal albums to date. All Ani DiFranco and soft rock fans will enjoy this album. Those that like her introduced woodwind and brass instrument sound will also enjoy her newest album "Evolve". That is the next step from such style...wonderful as always.
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Format: Audio CD
Just reading these reviews gets me edgy.
A lot of you are saying that you "used to be Ani fans" until you heard this record. Why? Because you want her to be writing songs like "Fire Door" throughout her entire career? Grow up! That's what she did. Her older stuff was fine and wonderful, and I love it to death, but as a musician, to keep it interesting for yourself and others... you have to start experimenting with different styles! Why do you think Sting and Eric Clapton are still around?
She's Ani. She does everything with a LOT of class and dignity. Anything she puts on a record is going to sound fantastic, because as a fan, I completely trust her judgement with what sounds good. Wanna know why? Because everything she's ever come out with has so much beauty and spirit. Some of it is obvious, and some of it you need to look for it. She wouldn't be such a fantastic songwriter and musician if every single one of her songs were so blatantly overwhelming in the same style every time. She needs diversity.
I absolutely love this album. There is an imminent beauty in the jazzy ensembles. "Providence" is an especially touching song. Not too many people comment on it... the duet she did with Prince (then known as the "Artist..."). Powerful, powerful song. So is "Wish I May". Also a lot of people tend to overlook "Cloud Blood" and "Carry You Around". Both of these are masterpieces. Cloud Blood is a massive lyrical vortex... with such incredible intensity. Carry You Around has got a MAD beat.
So... what do I say? As a TRUE "die hard" Ani fan... put a little more faith into her ability as a songwriter. You'd be surprised with how much you will appreciate what you notice.
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Format: Audio CD
A lot of people complained when Ani Difranco released Little Plastic Castles. What is this? Where's teh fiery fast finger-picking and passionate political lyrics that we know and love? Admittedly, I was one of the ones complaining. Happily, I was not one of the ones who stopped listening. To The Teeth is the payoff for that perseverance.
This is the album that Up and Castles wanted to be, tried to be. Or maybe that I wanted them to be. This is the album that has been coming ever since the evolution began, since the queen of folk/punk started playing with jazz/funk arrangements, since she toned down the lyrics (in volume and tone, not in content. I'm learning nowadays that when Ani's being quiet, that's when to watch for flying objects.) This is the culmination, or maturation, of the (r)evolution.
Simply put, this album is excellent. From track one to I Know This Bar, there's hardly a forgettable track on the whole piece of plastic. That's freaking amazing. Personal favorites -- ones I play over and over and over again -- are Wish I May (perhaps the most despairing song ever), Freak Show, and Swing.
All of Ani's albums are good -- meaning better than the average folk/rock album -- but this is one of her best. And that's saying plenty.
-wk...
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By William Krischke on Feb. 5 2002
Format: Audio CD
This album is what Up and Castles wanted to be, or maybe what I wanted them to be. Since she stepped back a little from lightning quick acoustic picking and fire-angry songs, she's been building up to this: this new sound, mellower, jazz/funkier. Here, she's completed the leap and seems to be more comfortable and effortless with this new look/style/evolution.
This is a beautiful album from beginning to end. Highlights are the title track (nowadays, when Ani's being quiet, watch out.), Wish I May (perhaps the most despairing song I've ever heard. "This is not who I meant to be/This is not how I meant to feel.) Freak Show (scream it, girl.) and Swing (totally, totally fun. I love this new funk groove feel.)
But really, so much of it is good. I didn't even mention Providence or I Know this Bar or Arrivals Gate. Damn, what a good album. Buy this one.
In my opinion, there are three essential Ani albums: Out of Range, Dilate, and now this one. It's that good....
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