|4. Glory Of The 80's|
|8. Riot Poof|
|10. Spring Haze|
See all 11 tracks on this disc
|1. Precious Things|
|3. Cornflake Girl|
|4. Bells For Her|
|7. Mr. Zebra|
|8. Cloud on My Tongue|
|10. Little Earthquakes|
See all 13 tracks on this disc
This album combines the piano of her earlier works with the electronica featured later in "Strange Little Girls", for example. However, unlike "Strange Little Girls", here Amos has written and produced all of the songs.
The opening track of every album should be the hook, and "Bliss" is just that. A good piano track with lyrics aimed towards a father, it builds and falls, and is overall well done.
"Concertina" has a light, lovely piano tune, which is fun to sing, and it's not heavy or dark. "Josephine" is set in wartime, mentioning various locations, and is sweet and also light. "Spring Haze" is a dreamy little number, keeping the piano in good form, with a lovely bit just following the chorus.
"Lust" gives off the impression of walking into the unknown, with a mellow melody, gently rolling. "Suede" is a somewhat strange track, that makes the listener feel sort of powerful, and it gives off a mysterious atmosphere. And "Riot Poof" is an example of a good kind of electronica, but it's a song that's a bit hard to describe, though it's good to listen to, particularly when walking or in a moving vehicle.
There are a number of very good tracks here, though some are forgettable, and some combine both. An example of a mix is "Dãtura". I like the piano, but I reckon the song should've ended after about three and a half minutes. There're about five minutes following that that are really just repeating the words "dividing Canaan", and the piano isn't there, but rather just electronica.
The "out of 10 mark" was based only on Disc 1.Read more ›
Five years after its release, it feels like the time is perhaps more ripe for these studio songs. She was most definitely ahead of her time when she recorded tracks as experimental as the electronic-based "Datura," "Lust," "Glory Of The 80s," "Concertina" or "Juarez", to be found in here, all of which add a new dimension to her typically-more-acoustic-based work.
It'd always been a pleasant experience to listen to the live renditions of some of Tori's classics, along with the unique "Cooling", which I hadn't heard prior to this release. But paying close attention to the 'new' tracks has given new life to this production by one of my favorite contemporary artists and composers of all times.
GET IT STRAIGHT IN YOUR MINDS PEOPLE. TORI IS NOT GOING TO MAKE "LITTLE EARTHQUAKES: THE SEQUAL" SO GET OVER IT & STOP ANALYZING EVERY SINGLE THING ABOUT EVERY OTHER RECORD SHE DOES & SAYING THAT SHE SOLD OUT! THIS IS AMAZING, & REAL MUSIC, ENJOY IT!!!!