Many years ago I thought E. Power Biggs working at one of the world's great organs was the next thing to acoustical bliss. I bought two of his albums and enrolled in piano studies as a first step toward becoming an organ virtuoso. Sadly, this dream was dashed by more pressing goals at that period of my life. Occasional cuts were heard over the years, oftimes on the old KFAC FM station. So were tracks from other great organists and their interpretations. Master Biggs was the top draw in a very exclusive field, or so it seemed to me. A few months back, however, I was given a stack of LP albums for playing on my vintage Fischer sound system and in that collection was a Philips recording of Daniel Chorzempa performing Bach's Toccata & Fugue replete with the Prelude, Largo & Fugue and the Prelude and Fugue. I promptly canceled my first listening of Chorzempa because something seemed out of whack with the artist's timing of the Toccata & Fugue. A couple of weeks later, I set the record spinning again. Five minutes into the experience and any disappointment vanished. I was at the point of tears several times because, to me, Bach was there under his fingertips with such authenticity. Do I know enough to say this? Perhaps not, I just sense it and would not be the least bit surprised if many others have experienced a similar feeling of being very close to Bach in this. The organist is good his performance inimitable. Chorzempa understands what Bach and perhaps the supreme musical creator expects of an organ the organist. I turn the old music system up and feel like my modest living room has been transformed into Holland's beautiful Bovenkerk,the great organ bursting out of my rooftop. Every counterpunctual note and chord is wonderful!