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3.0 out of 5 stars
Good Action, Bad Plot, Jun 28 2004
This review is from: Tomorrow Never Dies (Widescreen) (DVD)
The movie playing last week was As a longtime James Bond fan I had to see Tomorrow Never Dies, or James Bond versus Jonathan Price. A communications mogul (Price) sets up a communications satellite monopoly, which, unlike DeBeers and other monopolies, is allowed to operate in the United States. To further his power, Price is creating news and having the stories ready as the news happens. His ultimate goal is to start World War III and control all communications afterwards. He will do this by using his armada of communications satellites which will broadcast to a dying world where electromagnetic pulses have rendered televisions inoperable. Oh, I guess he didn't think far enough ahead. Utilizing the common man's (or should I say scriptwriter's) lack of understanding Geo-Positional Satellites (GPS) he convinces a warship that it is in neutral territory and not in Chinese-controlled waters. Then, utilizing a stealth boat made possible by the theft of some stealth skin (you know, that ultra expensive stuff that becomes completely useless if it gets even slightly damp) and steals a cruise missile. Bond is aided by a Chinese agent (Michelle Yeoh) and they go to Viet Nam where the sunken ship is (oh, didn't they say it was sunk in Chinese waters?). There they confront many bad guys and helicopters that can hover sideways and whose blades can repeatedly chop through buildings with no bad effects. OK, so the plot, if it can be called that, has a few problems. But it is an action film and plots in action films have less importance than how far the hero can fall. The bad plot is not necessarily because Ian Fleming did not write the story. After all, he did write DOCTOR NO about the madman trying to corner the guano market (the studio gave the madman nuclear capabilities and cut the guano completely from the story). But the movie is fun, nonetheless, with many great lines. While I can't say much for the new Moneypenny, the new M is fantastic.
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3.0 out of 5 stars
Do You Believe What You Read?, Jun 2 2004
This review is from: Tomorrow Never Dies (Widescreen) (DVD)
Years after Ian Fleming's death the "James Bond" series rolls on, recycling the original stories for audiences who never read the original novels. Their villains were in turn Soviet KGB, then organized crime; now one of the most powerful publishers in the Free World! Is Fleming turning over in his grave? This film shows how a powerful publisher can create the news, and not just distort it (use your own example). [Will the viewers make the connection to the Real World?] "Eliot Carver" seems to be modeled after Robert Maxwell (was he the front man for powerful forces who stayed in the background?) There are changes to reflect modern culture and political correctness. James Bond still circulates among high-levels to gather information. But one scene shows him overindulging in vodka, as if to suggest a growing problem in an aging operative. Bond is caught snooping in the villain's lair, but makes his escape despite the efforts of many guards (who are of various races for this equal opportunity employer, and also recalls Bond's enemies from past films). A former lover of Bond's is murdered (as in "Goldfinger"). The killer in the hotel room looks like he was recycled from "Doktor Strangelove". The car chase in the indoor parking lot recalls "Diamonds Are Forever", but is more spectacular. The skydiving to the wrecked ship recalls other films. Bond and Wai Lin (the female Chinese operative) are caught and brought before Eliot Carver (another recurring scene from Fleming's novels). The villain never delegates these tasks. Their escape shows the product placement of BMW and Land Rover (and reminds me of a Jackie Chan film). They escape the Heckler & Koch MP-5 firing villains. The attack scene in the shop recalls another Jackie Chan film, with its choreographed ballet of action. [Could this ever happen in the real world?] I suspect the scenes in Asia were for that market of film viewers. The final scene in the "stealth boat" recalls many earlier Bond films. But Eliot Carver seems to be lacking in a villainous character, unlike the classic Bond villains. [Imagine Pee Wee Herman as Goldfinger?] The ending is full of sound and fury, symbolizing the defeat of the villain, his henchmen, and the Plan for World Domination. The earlier Bond films seemed to have had wittier dialogue. The most surprising thing about this film is its villain: a powerful businessman in the Free World, not a parvenu who attacks one of the British Monopolies and has links to the Soviets or the ChiComs.
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5.0 out of 5 stars
There's no news like bad news!, Mar 19 2004
This review is from: Tomorrow Never Dies (Widescreen) (DVD)
The 18th James Bond movie. Since the release of DR. NO in 1962, the James Bond series had established a prototype for rip-roaring action and thrills, evil villains, beautiful women and amazing gadgets. However the definite contributing factor the ongoing success was the ability to change with times, thus making each idea, and each film special in its' own creative way. Bond is more than a Super Agent Spy, he is a hero for the ages, and as the tradition would continue for TOMORROW NEVER DIES, 007 now finds himself against the global communications industry. Hot off the success of GOLDENEYE, Pierce Brosnan once again delivers a dynamite performance as James Bond; confident, fearless, determined, charismatic, irresistible to women, and still with a thirst for dry vodka martinis. Under a clever Bruce Feirstein screenplay, two beautiful women are presented; Teri Hatcher as 007's one time flame Paris Carver, and Michelle Yeoh as tough Chinese Agent Wai Lin. With tried and true elements placed new and fresh, exotic locations in France, Thailand, Germany, Mexico and the United States, and a thrilling music score by David Arnold, TOMORROW NEVER DIES further punctuates the James Bond series even after a successful 35 year wake. THE ASSIGNMENT: While on a routine voyage, the HMS DEVONSHIRE submarine was mysteriously attacked and sunk in the Chinese sea. The incident is quickly publicized on newspaper accounts thus stirring much controversy and alarm in MI6 headquarters. The culprit: Elliot Carver, a media obsessed megalomaniac, wants to realize his dream of world domination through means of TV, radio and newspaper media accounts. He buys influences, technologies and anyone capable of harnessing information to him, in order to create 'events' to be publicized by this media organization first while securing a monopoly on the world's media coverage. Great Britain and China are unaware of this and place themselves on full nuclear alert, while Carver awaits take over China as another media outlet, which will gain him full control of the Chinese government, following imminent armageddon. Bond quickly befriends Wai Lin, a suspicious, yet helpful Chinese Agent and locates Carver's HQ. Together they must stop the maniac and prevent World War 3. THE VILLAINS: Jonathan Pryce as Elliot Carver, Ricky Jay as Henry Gupta, Gotz Otto as Stamper, and Vincent Schiavelli as Dr. Kaufman. HIGHLY RECOMMENDED! BUY IT!
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