This sympathetic novel about the effect of a sex change on a romantic relationship, a family, and a community could almost be sold as a textbook--a kind of transgender Guide to the Perplexed
. With its calming tone and scrupulous sensitivity to the feelings of all involved, it sometimes reads
like a textbook, too. But while nobody is likely to launch a protest campaign over the cautious revelations of Trans-sister Radio
, that's precisely the subject of Chris Bohjalian's seventh novel, in which a male college professor in a small Vermont town transforms himself into a woman. Even Dana Stevens's initial step in this direction--donning women's clothing--elicits a powerful reaction from the community.
And what about Dana's new girlfriend Allie Banks, a beloved local schoolteacher who fell in love with him before learning of his plan? Her initial instinct is to end the relationship. Then she decides to stand by Dana, inspired rather than daunted by her stuffy ex-husband Will's opposition to the "effeminate" guy she's dating, and by the horrified reactions of the parents at her school. She does, it's true, continue to love Dana after the sex reassignment surgery. And she stoically endures the threatening notes in her school mailbox and the crude graffiti on her front door, as well as the minor vindication of a local public radio story on their battle. Yet Allie never makes the emotional shift from heterosexual woman to lesbian. Breaking off the affair, she spends months mourning the man she had fallen in love with.
Assuming, as we are meant to, that Dana is outwardly becoming the person she always was inside--that biology is anything but destiny--there's only one character who undergoes a profound change over the course of the novel. That would be Will, Allie's ex-husband, who recoils from Dana's initial sexual ambiguity. After her surgery, however, he finds himself increasingly aware of her as a woman.
And so when I'd hug Dana or touch the inside of her palm with the inside of mine (a handshake, yet so suggestive) or my fingers would find their way to one of her arms, I would experience a sexual ripple and wonder why I had felt such a thing--why I had courted such a thing. And the answer would be because she was pretty and she was smart and she was feminine.
Structuring his story around the transcript of a fictional National Public Radio feature on transgender, Bohjalian shifts the point of view with every chapter: the characters often seem to be enlarging on comments they had made for broadcast. We hear from Dana, Allie, and Will in turn, as well as Carly, the daughter of the divorced couple. In this sense, Trans-sister Radio gives everyone equal time. And for good or ill, it has none of the bluster or transgressive charge of Gore Vidal's late-1960s bombshell, Myra Breckinridge. Instead it brings transgender home, rendering it (to quote Dana herself) "domestic as a balloon shade or a perennial garden. And just as harmless." --Regina Marler
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From Publishers Weekly
The bestselling author of Midwives and The Law of Similars continues his tradition of incorporating social issues into his moving narratives. Transsexuality goes mainstream in this Scarlet Letter for a softer, gentler but more complicated age. Allison Banks--42 years old, heterosexual, long divorced, mother of a college student and a grade school teacher in a picturesque Vermont village--meets single, attractive, attentive, 35-year-old Dana Stevens when she takes his film class at a nearby college. Early on in the relationship, Dana confesses that he has always believed he was female, though he desires women, too--and he is soon to undergo a long-planned sex change operation. Despite this revelation, and despite her reservations, Allison invites Dana to move in with her, and they have great sex right up until the night before the operation in Colorado, where Allison has loyally accompanied Dana for post-op and moral support. On their return to Vermont, he--now physically and emphatically "she"--continues to share Allison's bed and her house, though nothing can be the same as it was. Allison's ex-husband, Vermont Public Radio president Will, now her good friend, and their daughter, Carly, cope well with the situation, but the close-knit community is less understanding. Questions of what constitutes community tolerance are explored here, but the novel's central focus is on the definition of sex and gender in the characters' personal lives. Allison, Dana, Carly and Will express their views in alternating first person chapters, and transcripts from a fictional NPR All Things Considered series on Dana and her operation provide additional narrative background. Gender is central to who we are, Bohjalian concludes, but not perhaps to who we love. Sex, on the other hand, expresses who we are. Bohjalian's sometimes simplistic characterizations diminish the emotional impact of the novel, and his abundant research on gender dysfunction often gives the book a curiously flat, documentary quality. Nevertheless, Bohjalian humanizes the transsexual community and explains the complexities of sex and gender in an accessible, evenhanded fashion, making a valuable contribution to a dialogue of social and political import. 50,000 first printing; NPR sponsorship; cross-promotion with Vintage publication of The Law of Similars; 15-city author tour.
Copyright 2000 Reed Business Information, Inc.
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