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Transatlanticism [Import]

Death Cab for Cutie Audio CD
4.3 out of 5 stars  See all reviews (108 customer reviews)
Price: CDN$ 15.77 & FREE Shipping on orders over CDN$ 25. Details
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Frequently Bought Together

Transatlanticism + Plans + Narrow Stairs (Vinyl)
Price For All Three: CDN$ 51.55

  • Plans CDN$ 11.58
  • Narrow Stairs (Vinyl) CDN$ 24.20

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Product Details


1. The New Year
2. Lightness
3. Title And Registration
4. Expo '86
5. The Sound Of Settling
6. Tiny Vessels
7. Transatlanticism
8. Passenger Seat
9. Death Of An Interior Decorator
10. We Looked Like Giants
11. A Lack Of Color

Product Description

Amazon.ca

With songs equal to those on We Have the Facts and a lush, brilliant production that continues what The Photo Album started, Transatlanticism is easily Death Cab's best record to date. Much attention has duly been focused on doe-eyed singer/lyricist Ben Gibbard, co-star of the Postal Service phenomenon, and Ben's voice is as strange, beautiful, and as strong as ever on these songs, which deal with the difficulties of long-distance relationships. But guitarist/producer Chris Walla once again proves himself to be the band's secret weapon, layering subtle sonic touches throughout Transatlanticism, which is most definitely a "headphone record." This Seattle quartet is one of the only bands to really have picked up the intelligent, emotionally resonant, and guitar-driven indie-pop torch that Built to Spill briefly lit in the mid-1990s (before themselves heading off to the stoner-rock territory). DCFC themselves seem poised to finally break out to a wider audience, and they truly deserve it with this disc. --Mike McGonigal

Product Description

Death Cab For Cutie ~ Transatlanticism

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Customer Reviews

Most helpful customer reviews
8 of 8 people found the following review helpful
4.0 out of 5 stars The review for those sceptics May 1 2005
By Logan
Format:Audio CD
Reading all of the one and two star reviews has compelled me to write this review. I found that the most common complaint is that this album is boring and uninspired compared to Death Cab's previous releases. All I have to say is this; music matures, bands mature, and people mature. Writing the same stuff for years is what is boring. Listen to their old albums if you want a North West indie album, or grow up and wise up and actually listen to this album. It is absolutely gorgeous; it has a really subtle intensity that I think, if you didn't like this album, you missed. It is all in the details (ex. Chris Walla's guitar parts in New Year). Also, Ben Gibbard is probably one of the best lyricists out there, no question. If you forgot about this fact, go read some Simple Plan lyrics (although, any lyrics look good compared to those) and come back and read Gibbard's. They are as witty and inspired as ever (ex. "when i see you, i really see you udside down. but my brain knows better, picks you up and turns you around"). Besides, who else can use the word "perforated" in song?
"Transatlanticism" is just plain beautiful. Period. It doesn't really rock, you can't really dance to it, but it will blow you away. So do not underestimate this album, do not under analyze it, because that is when it will disappoint you.
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1.0 out of 5 stars So this is the new Death Cab... July 12 2004
Format:Audio CD
The featured Amazon review calls this the best Death Cab for Cutie album to date, but I'll chalk that one up to bandwagon reviewing or not having listened to their older releases. DCFC is one of my favorite bands, but it could very well be that I was spoiled because of the fact that I heard "You Can Play These Songs with Chords" first out of all their albums -- barring a few throwaway tracks, it's one of their strongest (if not THE strongest) yet.
That being said, this album is meandering, self-indulgent and totally useless. Maybe Ben Gibbard was so struck by the Postal Service's success that he decided to ham it up even more, or maybe Chris Walla (who I think was a moderating influence) had less creative input. Regardless of the causes, Gibbard's songs are plodding and his often hit-or-miss lyrics are extremely "miss." His voice is as distinct as ever, I'll give him that, but there is nothing on this album that compares to songs like "Two Cars," "Information Travels Faster," "Hindsight," "Line of Best Fit," "Amputations" or "Company Calls." Are they burned out? Is Gibbard getting too big for his britches? I have no idea, but the fact at hand is that this vaunted record disappoints significantly, and it's a terrible introduction to Death Cab for Cutie.
It would be too predictable of an indie cliché to lambaste them for selling out, but that's about the only way that I can put this into perspective -- this is their best-selling release yet, and it's without a doubt their worst. It's depressing, but I just can't understand how they would go from writing amazing, meaningful songs on all their previous releases to writing what comes across as uninspired filler.
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5.0 out of 5 stars This is a great record. June 27 2004
By B. Ayre
Format:Audio CD
It has been years since a band has grabbed me as much as Death Cab for Cutie. They seem to be just on the edge of greatness, not a familiar--or perhaps even desirable--place for a band that has perfected itself over the past few years deep within the murky realms of Indie. Their name alone is offputting, and yet beguiling, as is DCFC itself. Transatlanticism is a great, great record. It has what all good, and great art has: true feeling, and originality. As well as tenderness, and bitterness; humor, and most importantly, honesty. Chris Walla's production is magnificent, particularly with the percussion. (The drumming is incredible.) But it's the songwriting--and the singing!--that shines best. In an odd way, Ben Gibbard reminds me of the great Canadian 70's songwriters, like Joni Mitchell and Leonard Cohen. (It's no accident that he lists The Beatles as one of his influences.) "Passenger Seat" is easily one of the most compelling ballads of the past ten years. It's simple yet haunting, then reminiscent, and thankful. Yet it is far from maudlin. It is that other word: mature. One can only pray Gibbard keeps on pushing the envelope within and without. He's one of those rare creatures in today's overhyped and over-sold world: a real artist. This is not to sell short the rest of the band, without whom Gibbard wouldn't sound half as good. They are tight and intuitive. In another word: tasteful. Here's hoping Death Cab have the strength and desire to take themselves higher, even if it does mean testing the commercial marketplace. They are that good a band. They deserve all the recognition, even fame, they want.
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4.0 out of 5 stars lost in transatlanticism June 18 2004
By A Customer
Format:Audio CD
this is a great album from a great band that deserves much more than their emo-turned-sour, so-called fans' blind gushing.
this album's underrated title track "transatlanticism" is admittedly a little slow-paced. but for me, this was a marvellous trick only ben gibbard could attempt and succeed. and i mean succeed well. i suppose you do need to be a bit "emo" to be able to connect to this song.
as for the rest of the album, each song has a unique quality/feel and they all deserve to be recognised in their own right, and not just be compared to some other band which reminds so and so for so and so reason. oh, puhlease - it just doesn't matter who sounds like who! enter the age of simulacra, this is year 2004. NOTHING is absolutely original when you think about it.
most memorable of them all were "the new year" - a great anthem for the new year which should officially replace the good auld lang syne; "a lack of color" - a magnificent, heart-breaker for a magnificent album; "tiny vessels" - a great rocker with sexy lyrics (oh, how can you resist those words?); hell, i'll have to stop here or i'll piss somebody off.
transatlanticism is a must-have for the especially moody, the always-depressed, the sensitive, as well as for those with a wicked indie rock taste ..
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Most recent customer reviews
5.0 out of 5 stars Transatlanticism
One song search on Google led me to this group. So impressed I purchased two of their CDS. 5 stars and 2 thumbs up!
Published 4 months ago by janice
4.0 out of 5 stars Great Album, Slightly Pricey
I don't know why this double LP is so much more expensive than others, but it is a great album so the extra cost is justified. Great artwork and great music. Read more
Published 6 months ago by Shane Porter
5.0 out of 5 stars Great cd
If you're a fan you will love it, first full lenght studio album from the band! have fun, you know you will
Published 8 months ago by Amazon Customer
5.0 out of 5 stars exactly what i was looking for
Exactly as ordered. Came in an oversized box but it was all intact so I have no complaints. Love it!
Published 13 months ago by Brenna
5.0 out of 5 stars Absolutely brilliant
Transatlanticism is a masterpiece. Thoughtful, occasionally quirky lyrics, beautiful, stunning melodies, slowly building songs, perfect timing, melodies that slowly infect your... Read more
Published on June 23 2008 by D. Lalla
5.0 out of 5 stars AWSOME!
I have never heard of this bad before, until I watched the O.C. This is where my brother and I were first introduced to Death Cab. Read more
Published on Feb. 15 2005
4.0 out of 5 stars wow.
Having never been a Death Cab fan, I decided to get this album for some reason. The majority of their older stuff never caught me (certain tunes did - "Photobooth",... Read more
Published on Sept. 23 2004 by "scorpiolicious"
1.0 out of 5 stars Sucks
i have never been a fan of this band. they have no catchy songs AT ALL. they really do blow as a band that is "a not so popular band". Read more
Published on July 19 2004 by neil
5.0 out of 5 stars They aren't sell outs
I am so sick of hearing that Deatch Cab has sold out. They are still making the same music, it isn't any different. Read more
Published on July 19 2004 by Viktor E. Doobie
4.0 out of 5 stars yeah
i love death cab but these aren't their best songs. i'd recommend older albums above this. that said, i still really like this album - 'we looked like giants' and 'the new year'... Read more
Published on July 18 2004 by Navillus Araic
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