- Hardcover: 101 pages
- Publisher: Houghton Mifflin (T); Reprint edition (July 1989)
- Language: English
- ISBN-10: 0395502322
- ISBN-13: 978-0395502327
- Product Dimensions: 20.1 x 12.7 x 2 cm
- Shipping Weight: 363 g
- Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
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Product Details |
Product Description
Review
'A haunting and successful demonstration of the qualities of faerie' New York Times 'The book must be read! it goes far to explain the nature of his art and justify his success' The Cambridge Review 'While springing from deep-rooted convictions, his art has imaginative magic of a very rare quality' Birmingham Post
--This text refers to the
Paperback
edition.
Book Description
Fairy stories are not just for children, as anyone who has read Tolkien will know. In his essay On Fairy Stories, Tolkien discusses the nature of fairy-tales and fantasy and rescues the genre from those who would relegate it to juvenilia. The haunting short story, Leaf by Niggle, recounts the story of the artist, Niggle who has a long journey to make and is seen as an allegory of Tolkien's life.
The poem Mythopoeia relates an argument between two unforgettable characters as they discuss the making of myths. Lastly, and published for the very first time, we are treated to the translation of Tolkien's account of the Battle of Maldon, known as The Homecoming of Beorhtnoth.
Tree and Leaf is an eclectic, amusing, provocative and entertaining collection of works which reveals the diversity of J.R.R. Tolkien's imagination, the depth of his knowledge of English history, and the breadth of his talent as a creator of fantastic fiction.
--This text refers to the Paperback edition.
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Most helpful customer reviews
5.0 out of 5 stars
A consideration of why fantasy is in literature,
By Tami "ghart27" (Winnipeg Manitoba CANADA) - See all my reviews
This review is from: Tree And Leaf Including Mythopoeia (Paperback)
That fantasy plays a part in many works of literature, we already know. However, the reasons for this, and for why some people react well to it, while others abhor it, are considered here by the author of The Lord of the Rings. He provides a very balanced survey of many of the reasons for the existence of fantasy in stories, and the value of his consideration of fantasy is augmented by the fact that he does not begin by assuming that fantasy is a "lie".
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.6 out of 5 stars (10 customer reviews) 14 of 14 people found the following review helpful
5.0 out of 5 stars
My Master's Voice,
By Theoden Humphrey "Dusty" - Published on Amazon.com
This review is from: Tree And Leaf Including Mythopoeia (Paperback)
I've always wanted to read Tolkien's other works; I've read the Silmarillion a couple of times, and never really enjoyed it as much as the Hobbit or LOTR. But nonetheless, I've had an old copy of a Tolkien book called Tree and Leaf for years -- it was my parents' originally -- and I finally dove into it.It's short, only two pieces, but it was excellent -- and excellent in a way that makes me ten times more eager to look for other Tolkien ephemera than The Silmarillion ever did. The first part of this is an essay, expanded from a lecture Tolkien gave, called On Fairy-Stories. And not only was it interesting and well-written, it had some absolutely brilliant insights; I don't know if they were Tolkien's or simply common knowledge among Oxford literature dons, but I loved reading about the power of adjectives, and the concept of the sub-creator, and the idea that a fantasy world does not require a suspension of disbelief, but rather an acceptance of an internal continuity that allows a sub-creation of a new world within the pages, a world that, if well done by the author and well-read by the audience, requires no suspension of disbelief but merely a shift in sensory input, from direct input to that which is imagined from the words. Great idea that I'm not doing justice to, but intend to revisit and clarify further in my own mind, and use to my advantage. It certainly reaffirmed my belief that Tolkien was the leading light of the fantasy genre, both because of his immense gifts as a writer, and because he understood fantasy, its advantages and disadvantages, its requirements and its place in literature and our lives. And as a final piece of proof, the second piece in the book is a fairy-story that Tolkien wrote, called "Leaf by Niggle," which was simply lovely from start to finish. Twenty pages, and it encapsulated the sense of being a frustrated artist in the real world, and the advantages of living, therefore, in an invented world -- advantages that are not just for the artists, but also for their neighbors -- in addition to having a nice moral on the power of art to lead us home. Once again, Tolkien takes his place in the big chair. 21 of 23 people found the following review helpful
5.0 out of 5 stars
insight in this creation,
By A Customer - Published on Amazon.com
This review is from: Tree and Leaf: Including the Poem Mythopoeia (Hardcover)
This is a beautiful book. Reading through it, the intentions of Tolkien are revealed. It makes all of the stories of middle earth more real, tangable, comforting. It can be read and reread; each time more layers, more connections are made. Tolkien confronts reality of fantasy in this essay and poem. He justifies our human need for subcreation, and comfort in art.
5 of 5 people found the following review helpful
5.0 out of 5 stars
A Treasure,
By Sherry Thompson "KhivasMommy" - Published on Amazon.com
This review is from: Tree And Leaf Including Mythopoeia (Paperback)
I regret that this isn't currently in print, and it baffles me that this is so when Christopher and the estate seem to be printing everything else they can lay their hands on. (Not to say that's a bad thing!)Tolkien's essay reveals the value or role of fairy stories for those who may be fantasy-challenged. Children already know that there are dragons. Fairy tales don't scare children by telling them this terrible secret. The role of the fairy tale is to reveal that dragons can be killed. The dragon is the catastrophe. The slaying of the dragon is the eucatastrophe. Tolkien also notes that we are all subcreators, that it is a natural role for us. (I think he was writing about other authors but anyone who daydreams a story is creating as well.) The best part of this book is "Leaf by Niggle." Tolkien wrote several short stories and I love them all, but this is a very special short story. In my opinion, Tolkien was writing about himself during a particularly clear moment of spiritual discernment. I don't want to give away the plot but suffice it to say that the main character, Niggle, is working on a huge painting of an immense tree, filled with detail that grows in detail the more he paints. He would love to finish the painting but he has a neighbor who interrupts him repeatedly with some very real if down-to-earth needs. And that's just the premise. The story just gets better and better, and I hope that it is all true. "True", not "real". Please buy a used copy while you can, and treasure it. Sherry Thompson (no matter who Amazon thinks I am) |
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