From Publishers Weekly
Patton is a fine character actor. His performances in A Mighty Heart
and Inventing the Abbotts
made a notable presence in otherwise unremarkable roles. His reading of Johnson's baroque Vietnam novel, though, will probably not feature highly in future editions of his résumé. Johnson's tale of shadowy soldiers and spooks irrevocably changed by the unending war in Southeast Asia is rendered by Patton in a drill sergeant's muscular whisper, complete with carefully rendered impressions of characters—American, Filipino and Vietnamese—some of which verge on parody. The effort and thought put into his reading is clear, but the results are underwhelming, bordering on unpleasant. Twenty-three hours of so mannered a performance begins to grate on the nerves, distracting from Johnson's otherwise engrossing novel.
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*Starred Review* Colonel Francis F. X. Sands' wartime exploits made him something of a legend. He flew as a mercenary for the Republic of China Air Force unit known as the Flying Tigers, shooting down Japanese planes. Shot down himself by the Japanese, he suffered sickness, beatings, torture, and starvation before escaping from a prison camp in Burma. He rose to the rank of colonel during World War II and joined the CIA in the 1950s, his background in Southeast Asia an asset as the U.S. replaced France in the Vietnamese war against communism. Enter Skip Sands, the colonel's nephew, a young intelligence officer currently a clerk in charge of cataloging his uncle's three footlockers full of thousands of index cards, "almost none of them comprehensible." The colonel enlists Skip in a secret operation involving a double, an agent ready to betray the Vietcong. Skip, an earnest patriot, nevertheless finds himself deep in the unauthorized world of renegade psychological ops, off the grid and outside the chain of command, an ethical quagmire where almost anything goes, where he encounters conflicts of loyalty between his family, his country, and his religion. Johnson (Jesus' Son, 1992) is a gifted writer with a knack for erudite and colorful dialogue, and his sense of time and place is visceral and evocative. With this worthy addition to Vietnam literature, he confidently joins the ranks of Tim O'Brien, Larry Heinemann, and Michael Herr. Segedin, Ben
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