From Amazon
It's easy to like Rachel Gold, the Reform Jewish lawyer with the Orthodox Jewish boyfriend. She's the kind of woman mothers want their sons to marry--a kind, funny, practical, hard-working single woman who's not showy but gets the job done. Unfortunately, all of Gold's good characteristics don't make her a particularly memorable series heroine in a field that's crowded with legal thrillers, and St. Louis, nicely rendered as it is here, isn't a particularly interesting setting. The plot is pretty straightforward; representing a woman doing time for killing her husband on a civil matter--who profits when the story of the battered wife who killed her husband and cut off his penis gets the million dollar book and movie treatment--Rachel discovers her client was framed, and that money, not passion, was the motive. The writing is skillful enough, but Kahn needs a more intricate plot or a more interesting character to sustain this series.
--Jane Adams
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From Publishers Weekly
"I don't specialize in celebrities, but I've had my share," says fast-talking St. Louis lawyer Rachel Gold in Trophy Widow. None of those other high-profile clients were as exciting as her latest a celebrated black suburban housewife convicted of murdering her philandering white husband. Gold is only supposed to represent the housewife in a secondary lawsuit over the proceeds of her autobiography, but is it possible the woman was framed to begin with? Gold can't resist getting drawn in, and readers may feel the same way about this latest legal thriller in Michael A. Kahn's Rachel Gold series (after Bearing Witness), which shows off his trademark lightning repartee and captivating setup.
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.