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True Confessions [Import]

Bananarama Audio CD
3.8 out of 5 stars  See all reviews (4 customer reviews)
Price: CDN$ 20.98 & FREE Shipping on orders over CDN$ 25. Details
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Customer Reviews

3.8 out of 5 stars
3.8 out of 5 stars
Most helpful customer reviews
1.0 out of 5 stars Bananarama / Bananarama June 24 2004
Format:Audio CD
I was so excited when I found out that the first five albums by Bananarama were being re-released by collecatables; a company with a great track record of remastering and re-releasing older collections. I thought that there was a mistake when I opened up the cd and found the flimsey insert thay did not contain any credits or notations but instead simply had an advertisment for the rest of the bananarama re-releases. I could have overlooked the disappointing packaging if the sound had in any way been improved but instead, I was once again let down. These cds sound exactly the same as the original cd releases and are simply embarrassing when compared to London Records'recent remastered very best of Bananarama. These cds are a rip off. Recent re-releases by other eighties artista such as Duran Duran and Culture Club were completely digitally remastered and contained beautiful reproductions of the original artwork. They re-energized the music and retail for $1 less than these amateurish excuses for re-releases. If I was a member of Bananarama, I would insist that all of these low quality cds be recalled immediately and apologies sent to all the fans who were duped into purchasing them. On top of all of that I called their very friendly but ill-informed customer service department six times asking specifically about remastering and I pre-ordered two of the cds directly from Collectables after being led to believe that I would be receiving them before thir release date. I actually received them a day after so on top of feeling ripped off by the quality, I can also add the fact that I paid shipping when I live four blocks from a borders music and close to a Virgin Megastore. I had to pay extra to feel completely ripped off. I will never buy anything from this poor excuse of a record company ever again.
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5.0 out of 5 stars True Confessions - A Superb Bananarama Album!!! March 11 2004
By Shaun
Format:Audio CD
Bananarama have stolen my heart away with this album.This was the very first album by the Banana's that I happened to buy,and I loved evey song so much!This LP came out way back in the later part of the 80's...in 1986 to be specific.It was in a way a turning-point in their career,as it was a period during which they came into contact with Stock,Aitken and Waterman (SAW).From this album onwards,they had made worldwide success and the hits just kept coming.I mean for an un-trained female vocal trio...this was really a great acomplishment.All their 80's albums are so bright and lively,some songs could get U dancing like crazy.
Stand out tracks are "True Confessions","Ready Or Not","Venus" of course and "Do not Disturb".The other tracks are also strong supporting tracks worth mentioning.I rarely have so many favs. on just one album!
The title track is a real teaser,it has some great keyboard,and superb druming to go with....The initial part of this track has quite a long introduction,before the girls start singing,I find this something special and rare.Most of today's tracks just don't give us these superbly crafted no's....what do u say.The drumming is by A. Linn,he is also good at what he does!
So "true Confessions" track is definitely a rhythmic,dancey number...as usual.
"Ready Or Not" is also so HOT,I love this one too!Really god on a dance floor.They say..."Ready or not,I'm coming,and I'm gonna find U baby so U better stop runing...." mmm!!gets me excited everytime .
A bit more sultry track in here is "A Trick of The Night".This track and the previous two were produced by Swain and Jolley.It takes some time to make an impression though...but is a great one to listen.
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4.0 out of 5 stars They've got it, yeah baby, they've got it! Oct. 29 2003
Format:Audio CD
Following hard on their self-titled album, True Confessions still found Keren Woodward, Siobhan Fahey, and Sarah Dallin sticking with producers Mike Jolley and Tony Swain, with the notable exception of two songs, one of which would break them into the US in a big way, even more than their earlier hit "Cruel Summer." There are a few surprises on this album, including their tackling jazz and rap.
The title track sports a bass rhythm synth and drum machine and the instrumentation seems smoother and richer, although with a reduced tempo compared to adrenalized burst of their Deep Sea Skiving songs. With string-synths and other keyboards slightly reminiscent of Eurythmics, "Ready Or Not" seem to drown out the girls' harmonies in this mid-paced dance number.
With a weird swirling keyboards opening, followed by a sax, the drum-machine backed ballad "Trick Of The Night" was the Rams' third single here on the night life, focusing on a lady's man who has a different life. "but the wind comes through you try to sell your soul/everyway you go it's a long way/now you're no longer just the boy next door/when they were falling in love with that clean cut smart change of style/just for a lttle while." When I first heard it, I questioned its validity as a single. Now, I think it's one of their best.
"Dance With A Stranger" is another low-key delight that missing link between light Brit-pop and samba or easy jazz, what with the piano, vibes and percussion. The lush string synths kick in during the chorus: "before we kiss the world goodbye (it's only a breath away)/one more dance before you die (so tender as the music plays)/there's no emotion only passion in your cry/love is the last thing on your mind when you dance with a stranger.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.3 out of 5 stars  21 reviews
6 of 6 people found the following review helpful
5.0 out of 5 stars Another great reissue!!!! March 30 2007
By Felipe Fernandez - Published on Amazon.com
Format:Audio CD
This one is even darker in tone than Bananarama (1984), although Venus & More Than Physical are dance-pop classics, the rest of the album is still very worth while and more bonus tracks make this a must for die-hard Bananarama fans (like me). Skip the US reissue and get this one instead, you won't be dissapointed.
4 of 4 people found the following review helpful
4.0 out of 5 stars Bananarama at their best July 23 1999
By A Customer - Published on Amazon.com
Format:Audio CD
This was the 'Rams transformational period, going from the production teams of Swain and Jolley to the Stock, Aitken, Waterman stable. This album contains contributions from both.
Although S.A.W. provide the 'Rams with the hit (Venus, which is the one the girls will always be remembered for), it is Swain and Jolley who inevitabley steal the album, with a collection of songs about life, but with a pop edge.
I have all of the albums the girls have released in Britain and this cerainly stands out as the best. Gone are the girls weeknesses and insecurities. This album brims with confidence. Even though it was recorded in the mid-eighties, it can easily be listened to over and over again with the enjoyment it provided originally.
4 of 4 people found the following review helpful
4.0 out of 5 stars Fabulous! Matured a bit on this album! Sept. 18 2004
By Preston - Published on Amazon.com
Format:Audio CD
I thought that this was a superb followup to their '84 album! Bananarama matured a lot on this one! I liked the dramatic first song that clocks in at 6 minutes, a departure from their mostly dance music. Venus is still a hot song to this day. One other song I like is More Than Physical. The rest of the album contains some very smart and breezy pop songs. They really came through on this album.
3 of 3 people found the following review helpful
4.0 out of 5 stars They've got it, yeah baby, they've got it! Oct. 29 2003
By Daniel J. Hamlow - Published on Amazon.com
Format:Audio CD
Following hard on their self-titled album, True Confessions still found Keren Woodward, Siobhan Fahey, and Sarah Dallin sticking with producers Mike Jolley and Tony Swain, with the notable exception of two songs, one of which would break them into the US in a big way, even more than their earlier hit "Cruel Summer." There are a few surprises on this album, including their tackling jazz and rap.
The title track sports a bass rhythm synth and drum machine and the instrumentation seems smoother and richer, although with a reduced tempo compared to adrenalized burst of their Deep Sea Skiving songs. With string-synths and other keyboards slightly reminiscent of Eurythmics, "Ready Or Not" seem to drown out the girls' harmonies in this mid-paced dance number.
With a weird swirling keyboards opening, followed by a sax, the drum-machine backed ballad "Trick Of The Night" was the Rams' third single here on the night life, focusing on a lady's man who has a different life. "but the wind comes through you try to sell your soul/everyway you go it's a long way/now you're no longer just the boy next door/when they were falling in love with that clean cut smart change of style/just for a lttle while." When I first heard it, I questioned its validity as a single. Now, I think it's one of their best.
"Dance With A Stranger" is another low-key delight that missing link between light Brit-pop and samba or easy jazz, what with the piano, vibes and percussion. The lush string synths kick in during the chorus: "before we kiss the world goodbye (it's only a breath away)/one more dance before you die (so tender as the music plays)/there's no emotion only passion in your cry/love is the last thing on your mind when you dance with a stranger." And this verse vividly adds to this portrait of loneliness on a dance floor. "the spinning room the cold caress/I try to hide my loneliness/cheek to cheek we let the evening drift by/the hollow mask has disappeared/we drown our love through salty tears/the state of night is like a racing car/ I now see you for what you really are." The sax solo that comes in really adds to the jazz flavour of this standout cut.
The spoken word intro spells out the grim tone of the low-key dance song "Love is easy. No complications, in a perfect world" However, the cold hopelessness of the world make sit far from perfect: "His heart is willing/but the world's so cold/oh, how he longs for someone real to hold." The Rams have it down when they sing "All we need is understanding/love is easy/maybe tomorrow we'll try again (no complications)/in a perfect world."
With their infectious cover of The Shocking Blue's "Venus", the Rams dip their toes in the Stock-Aitken-Waterman ocean they would be swimming in with their Wow album. A deservedly #1 hit in the US, with the jangly guitar, bopping drum machine, and Mike Stock's keyboards. This is the most danceable hit for the Rams, until equally body-slammers such as "Love In The First Degree" and "I Want You Back" from Wow, came along.
"Do Not Disturb" is nice danceable fun about a weekend for two spent alone that turns cloudy when the girl turns up alone. Could've been a single. "A Cut Above The Rest" is slowed filler, while "Promised Land" is passable dance fare.
The second Stock-Aitken-Waterman song here, "More Than Physical" flopped Stateside, but this second single wasn't all that bad even though it's a comedown compared to "Venus."
The sermonizing anti-drug "Hooked On Love" features rapped verses and sung choruses. From a twelve-year old sucking on butane gas to a girl found in a pool of blood, the Rams say there's a better drug.
The trio would sign on with S-A-W for their next album (Exit Swain and Jolley) which would yield seven singles, including two that became dance chart 12" mixes. WOW! With the exception of the lesser tracks, True Confessions show the Rams evolving in their sound, showing their aptitude in doing lower-key tracks.
5 of 6 people found the following review helpful
3.0 out of 5 stars The Banana Breakthrough May 23 2000
By J. Collins - Published on Amazon.com
Format:Audio CD
After two albums of rather crunchy bubblegum, the Bananas had the blind luck to hook up with PWL/S.A.W. just as their music machine took off. Though "True Confessions" only includes two Stock, Aitken and Waterman tracks (the undeniably infectious "Venus" cover and the decidedly Chic-sounding "More Than Physical"), the team of producers came to be responsible for the girls' biggest hits. As some of their earliest material documents, the Bananas were heavily dependent on their production team to provide lush, dynamic music tracks as a vehicle for their rather anemic vocals and original lyrics. Thanks to the SAW sythesis of irresistable Pop hooks and the Calrec Soundfield Microphone, the Bananas vocal sound was firmed up and buffed to a blinding sheen.
As for the material on this album, Swain & Jolley provide an adequate range of musical settings: the Euro-beach Pop of "Promised Land" is a bouncy reminder of earlier productions (like "Shy Boy"), but the rest of their tracks have darker, almost ominous settings. "Do Not Disturb" (an outtake from an aborted British album release) is a highlight, as are the sultry "Dance With A Stranger" and the strutting "Cut Above The Rest." Prior to the SAW years, Bananarama had a "big sister" appeal for many young Brits, and also had a tendency to write lyrics that offered advice, if not outright sympathy ("King of the Jungle," "Hotline To Heaven" among others). This album goes a bit too far in this regard, given the abundance of such songs. The title track, "Perfect World" and "Hooked On Love" are all examples of lyrical overkill, though well-intentioned. Some of this is probably due to Siobhan's influence, since she made it plain she was unhappy with the overtly Pop-lite material the group was best known for recording.
Like the material on the Banana's best albums, the girl's unison vocal lines provide strength as well as a charming silliness, even when they're trying to be dead serious. And in modern dance music where bigger voices had bigger hits, Bananarama won over listeners with their "everygirl" averageness...like a mini-Pep Squad. Not coincidentally, they remain a huge favorite in the Gay Community.
"True Confessions" boasts some solid songcraft and fun performances, but it's appeal is spotty, particularly for those who bought it hoping there were more songs like "Venus." Old fans (especially in the group's native Britain) weren't always pleased with the changes brought on by SAW, but this album begins the Banana's short run as Platinuum Album artists.
Though it isn't nearly as even as it's predecessor, "Bananrama," "True Confessions" is a great way to hear the transition between the two major production teams. And since it is one of only three original releases still available on CD, it's an obvious choice as well. If you're unfamiliar with "Wow!" or the Brit-only "Please Yourself," these are two SAW-produced Banana-albums that are well-worth a little searching.
-Mic

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