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The titular Morrie was Morrie Schwartz, Albom's university professor 20 years before the events being narrated. An accidental viewing of an interview with Morrie on Nightline led Albom to become reunited with his old teacher, friend, and "coach" at a time when Albom, a successful sportswriter, was struggling to define dissatisfactions with his own life and career. Morrie, on the other hand, after a rich life filled with friends, family, teaching, and music, was dying from Lou Gehrig's disease, a crippling illness that diminished his activities daily. Albom was one of hundreds of former students and acquaintances who traveled great distances to visit Morrie in the final months of his life.
The 14 Tuesday visits that followed their reunion took Albom--and will take listeners with him--on a journey of reawakening to life's best rewards. The story is told in a journalistic style that never crosses into pathos. That a professional writer can write well is not surprising, but Albom also reads well, with clear enunciation and a talent for mimicry. Another reader might have interpreted the professor's aphorisms as droll humor or wrung a wrong note at an inappropriate moment, making the story a maudlin tearjerker; instead it is read for what it is, a tribute to a remarkable teacher. (Running time: four hours, three cassettes) --Brenda Pittsley --This text refers to the Audio Cassette edition.
Mitch Albom shared with us his real life lesson from his old college teacher Morrie (the 'Coach' as he called him), who was dying of ALS disease. In his so-called fourteen-week of lessons, Albom was enlightened and inspired by Morrie about "the meaning of life". Topics like Death, Family, Emotions, Money, Marriage, Culture, Forgiveness were covered.
I feel like Mitch Albom didn't put much time and efforts in writing this book. He just finished this as a project which he promised and felt obliged to Morrie. The depth of content is shallow, even it covers pretty lofty topics. Many of the pages are spent talking about Morrie's getting-worst-every-week dying conditions, while only a small fraction of the paragraphs are used to describe Morrie's conversations and his 'teachings' to him.
The structure of the book is also quite loose. Flashback memories written in between chapters are confusing sometimes, and look like they're just to fill up pages. Some of these 'interlude' paragraphs don't really have much relationship with what was written in the previous chapters.
The intention of the author, though, is still good. It could well be a good introductory book for teen or young readers. As for me, who is approaching 50 years of age in two years, this book seems to be too elementary with the depth it covers.
Now, tell me what you think....
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