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Twentieth-Century Harmony: Creative Aspects and Practice
 
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Twentieth-Century Harmony: Creative Aspects and Practice [Hardcover]

Vincent Persichetti
4.7 out of 5 stars  See all reviews (3 customer reviews)
List Price: CDN$ 40.27
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Product Description

Here for the first time is an orderly presentation of the harmonic procedures to be found in music of the first half of the twentieth-century. The author examines the nature of intervals in various contexts, discusses the modes and other scales employed in modern music, describes the formation and uses of chords by thirds, by fourths, and by seconds, of added-note chords and polychords; he deals with different types of harmonic motion, with harmonic rhythm and dynamic sand ornamentation, with harmonic behavior in tonality, polytonality, atonality and serial composition.

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Customer Reviews

3 Reviews
5 star:
 (2)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful
5.0 out of 5 stars Essential for Composers and Contemporary Music Enthusiasts, Jan 26 2003
By 
Matthew Henderson (Kent, OH USA) - See all my reviews
(REAL NAME)   
This review is from: Twentieth-Century Harmony: Creative Aspects and Practice (Hardcover)
Vincent Persichetti's "Twentieth Century Harmony" is a very thorough look at ways to use harmony outside of a traditional tonal context. In other words, if you are a composer and don't know all you could about how to use harmony except in tonal progressions, or if you are a listener interested in understanding twentieth century concert music, this book is for you. The book deals with the harmonic series, modes, synthetic scales, different types of chords (added note, polychords, etc.) and very specifically with different characteristics of different intervals. Littered with examples of nearly every point, it is the best education on contemporary harmony available.
Persichetti, unlike too many composers, doesn't go out of his way to use as many words as possible. He also doesn't attempt to criticize styles of music not his own in this writing; he simply gives an objective, clear, well organized series of lessons in harmony. I am a senior music composition student now, wondering how I ever got along without this book.
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5.0 out of 5 stars an excellent resource for composers and students, Mar 6 1998
By A Customer
This review is from: Twentieth-Century Harmony: Creative Aspects and Practice (Hardcover)
Twentiteh Century Harmony provides, in a concise, easy to follow format, a useful methodology of understanding and manipulating the musical structures of the twentieth century. Written from a teacher's perspective, the book is engaging and full of suggested exercises for the practice of the techniques being discussed in each chapter.
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0 of 3 people found the following review helpful
4.0 out of 5 stars recommended, April 28 1999
By A Customer
This review is from: Twentieth-Century Harmony: Creative Aspects and Practice (Hardcover)
A better book of this kind. (But best to study scores.) One quibble: The author calls the lowest note of a secundal chord voiced in seconds its root, and so for quartal chords, and this strikes me as arbitrary and illogical. It doesn't branch from what Rameau ("branch" in English) intended by "root". Readers interested in music theory will probably also want to look at PENTATONIC SCALES FOR THE JAZZ-ROCK KEYBOARDIST by Jeff Burns.
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