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| 1. Rowboat |
| 2. Sea Of Heartbreak |
| 3. Rusty Cage |
| 4. The One Rose (That's Left In My Heart) |
| 5. Country Boy |
| 6. Memories Are Made Of This |
| 7. Spiritual |
| 8. The Kneeling Drunkard's Plea |
| 9. Southern Accents |
| 10. Mean Eyed Cat |
| 11. Meet Me In Heaven |
| 12. I Never Picked Cotton |
| 13. Unchained |
| 14. I've Been Everywhere |
"Unchained" picks up where "American Recordings" left off, only this time Cash is given a veritable "Who's who" of backing musicians (Tom Petty & the Heartbreakers, Lindsey Buckingham and Mick Fleetwood, former Duran Duran sideman Steve Ferrone, Red Hot Chili Pepper bassist Flea, as well as the Nashville axe slinger Marty Stuart who got his start as a touring guitarist with Cash ages prior) well-equipped to support a sublime choice of material (a Dean Martin standard given a lovely solo treatment that would be at home on "American Recordings", a grunge anthem from Soundgarden that Chris Cornell couldn't have either recognized or exceeded, Petty's own "Southern Accents", which sounds as though it was written for Cash all along, as well as the talking blues highwayman classic "I've Been Everywhere" and a redux of old Sun Records-era Cash originals "Mean-Eyed Cat" and "Country Boy").
This album just cranks from start to finish...Alternative/Indie god Beck's "Rowboat" sounds like it's been a country standard for decades, and those songs that actually HAVE ("The One Rose" and "Sea Of Heartbreak") sound as though they could have been written exclusively for this album. Such is the power and the timelessness of Johnny Cash.
This album likewise won Grammy appreciation, for "Country Album of the Year (1997)" despite almost no radio play either on country or rock-oriented radio stations. Sometimes common sense has to overcome the beauracracy (or the stupidity) that is modern radio programming; it helps to have a truly gifted artist like Johnny Cash at the helm. In my opinion this album (the last before Cash was diagnosed, correctly or otherwise, with Parkinson's Syndrome) represents the high point of Cash's time with Rick Rubin, and in fact may very well be his best album overall since the live recordings from Folsom and San Quentin prisons in 1968 and 1969, respectively. In an era of slickly-produced, remix-ready crossover country acts, "Unchained" stands out as a shining example of what real country music (and in fact, what real AMERICAN music) should sound like.
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