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Under The Skin Paperback – Sep 16 2004


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Product Details

  • Paperback: 304 pages
  • Publisher: Harper Perennial Canada (Sept. 16 2004)
  • Language: English
  • ISBN-10: 0006393721
  • ISBN-13: 978-0006393726
  • Product Dimensions: 13.3 x 1.9 x 20.3 cm
  • Shipping Weight: 259 g
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (100 customer reviews)
  • Amazon Bestsellers Rank: #41,410 in Books (See Top 100 in Books)

Product Description

From Amazon

In the opening pages of Under the Skin, a lone female is scouting the Scottish Highlands in search of well-proportioned men: "Isserley always drove straight past a hitch-hiker when she first saw him, to give herself time to size him up. She was looking for big muscles: a hunk on legs. Puny, scrawny specimens were no use to her." At this point, the reader might be forgiven for anticipating some run-of-the-mill psychosexual drama. But commonplace expectation is no help when it comes to Michel Faber's strange and unsettling first novel; small details, then major clues, suggest that something deeply bizarre is afoot. What are the reasons for Isserley's extensive surgical scarring, her thick glasses, her excruciating backache? Who are the solitary few who work on the farm where her cottage is located? And why are they all nervous about the arrival of someone called Amlis Vess?

The ensuing narrative is of such cumulative, compelling strangeness that it almost defies description. The one thing that can be said with certainty is that Under the Skin is unlike anything else you have ever read. Faber's control of his medium is nearly flawless. Applying the rules of psychological realism to a fictional world that is both terrifying and unearthly, he nonetheless compels the reader's absolute identification with Isserley. Not even the author's fine short-story collection, Some Rain Must Fall, prepared us for such mastery. Under the Skin is ultimately a reviewer's nightmare and a reader's dream: a book so distinctive, so elegantly written, and so original that one can only urge everybody in earshot to experience it, and soon. --Burhan Tufail --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

A strange woman named Isserley roams the Scottish Highlands in search of juicy, well-muscled hitchhikers in Faber's menacing but unfulfilling debut novel (after Some Rain Must Fall, a collection of short stories). The opening chapters are suffused with an almost palpable sense of dread: Isserley picks up one hitchhiker after another and engages them in conversation, measuring them against a set of criteria of which the reader, as yet, is unaware. Some of the men are discarded and some are kept; in the process the reader learns that Isserley herself is oddly shaped, with breasts too large, legs too short, and scars everywhere. Faber's pacing here is masterful, with clues precisely dropped and details ominously described. But once Faber reveals the reason Isserley is collecting the hitchhikers (and it's truly bizarre), the book turns from horror to allegory and begins to run out of steam. The central conceit of the allegory is repugnant, but also unimpressive; it feels like something animal rights extremists might have cooked up after watching Soylent Green. Faber possesses an undeniable gift for grotesque imagery ("He grinned so broadly it was like an incision slicing his head in two"), but his unsettling prose doesn't adequately flesh out the underdeveloped premise of the story. Still, the Dutch-born and Australian-raised Faber is a strange and promising new talent, and his next novel might better use the macabre skills he so unnervingly displays here. (July)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

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Most helpful customer reviews

2 of 2 people found the following review helpful By Lawyeraau TOP 100 REVIEWER on March 13 2009
Format: Paperback
This is a wonderfully inventive novel that is strangely compelling. It cuts across many genres, as it certainly qualifies as literary fiction, horror, satire, suspense, science fiction, and fantasy. It is extraordinarily riveting in its telling, propelled by a narrative that is all at once creepy, faintly sinister and macabre, as well as, at times, poignant. Beautifully written in clear, spare prose, this stunning novel grips the reader until the last page is turned.

The main protagonist, Isserley, cruises the highways of the Scottish countryside in her specially equipped compact car looking for beefcake. On the prowl for muscular, well-built, healthy men who are hitchhiking, rolling stones with little or no ties to family, friends, and community, she picks them up and gets their life's story before she makes a momentous decision that will forever alter their lives.

These unsuspecting men take note of Isserley for a number of reasons. After all, she is a tiny snippet of a being, strangely erotic, with very large, beautiful and luminous eyes, hidden behind coke bottle thick glasses. She has a small heart-shaped, puffy-cheeked, virtually chinless face, dotted with a tiny nose and lush lips. Her arms are long and thin with knobby elbows and wrists from which large scarred hands flow. Of course, her large breasts are extraordinary and ripe in her always low cut top. It is those perfect protuberances that helps her to ensnare her prey.

Who Isserley is and what Isserley does with her prey is at the heart of this book, which is one that should not be missed by those who enjoy unusual, slightly twisted novels.
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1 of 1 people found the following review helpful By Emily-Jane on April 2 2015
Format: Paperback
I absolutely adored 'Under the Skin.' Having seen and enjoyed the movie - despite thinking "What the hell is going on?" - I decided to pick up the book to see if it could add any sense to the movie's story. I learned that, other than the title and the idea of Isserly (the protagonist), they have almost nothing in common. I'm glad I saw the movie first and developed my own impression of it - because if I'd expected an adaptation of the book, I would have been extremely disappointed! The novel by Michel Faber is rich and reaches a depth the movie doesn't come close to; in essence, they are two completely different stories.

The novel's narrative is told through the perspective of Isserly, whose job is to pick up and "sting" hitchhikers. At first, we don't know why. As the story unfolds, it blends science fiction with mystery and ethical philosophies to create a wondorous world that collides with our own. While primarily a character driven novel, it holds up our own hypocrisies to create an engaging story that tells us more than what's on the page. It positions the impossible (or at least, incredibly improbable) amongst the monotony of everyday life, lending fantasy a certain tangibility; you barely blink at the extraordinary circumstances.

If you asked me exactly what made this book one of my new favourites, I wouldn't be able to tell you. It's the combination of all it's elements. 'Under the Skin' by Michel Faber is a rich, engaging, very weird (but subtly so) novel that I would recommended to all.
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1 of 1 people found the following review helpful By Tokyo Joe on Feb. 5 2011
Format: Paperback
The intrigue at the start of Michel Faber's debut quickly draws the reader in: Isserley, an enigmatic young woman, combs the Scottish Highlands picking up muscular, male hitchhikers for reasons unknown. When Isserley's intentions are first revealed as possibly sinister, the reader is going nowhere; the need to know more is too strong.

The way in which Faber builds this intrigue is commendable, treating his reader with great respect by never spoon-feeding. The reader learns through observation, and takes a dark back seat to watch the action unfold.

When finally the horror of it all is exposed, the story changes direction, and becomes something very different. A moral question begins to dig itself out of the ground, and the reader is forgiven for thinking they can see the true story, but Faber again changes tack, and adds a spiritual and philosophical slant to the dénouement. These turns give the novel a literary quality, and no doubt contributed to the short-listing for the Whitbread Prize.

Isserley is understandably sterile, her lack of compassion essential for her `job', and it's refreshing to invest in a character that is not altogether sympathetic. But despite her professional apathy, her inner conflict does elicit empathy, and gives the novel a sharp edge that could otherwise have been dulled by a less brave writer.

But for all this, Under the Skin falls a wee bit short.

The quality of the prose is good in parts, but the excessive use of clichés and adverbs betrays Faber as unseasoned. His handling of dialogue particularly flaws the work, with every spoken word needing adverbial clarification of some description.
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