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Undersea Kingdom: Serial (1936)
 
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Undersea Kingdom: Serial (1936)

 NR (Not Rated)   DVD
4.2 out of 5 stars  See all reviews (4 customer reviews)
List Price: CDN$ 19.95
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Customer Reviews

Most helpful customer reviews
Great, Beef-cake Extravangza! Oct 28 2003
Format:DVD
I'll shamefully confess that although I've always been an addict of Republic's fabulous serials, I brought this one primarily because of its exploitation of the macho male hero. Ray "Crash" Corrigan is simply fascinating to watch in all of his virile glory. This Adonis should have been one of the great stars but Samuel Goldwyn turned him down as the lead in his big-budget production of "The Hurricane" because he was too muscular! So, we got Jon Hall instead--who wasn't bad looking at all--but Crash was bigger and more muscular and moved with stunning beauty. Some of the other warriors in this serial are very easy on the eye, too, especially the one that Crash saves from death. If Crash had only come along when Italian muscle men epics were in vogue, he would have been the biggest of them all. So would Buster Crabbe, another stunning male beauty who was relegated to the backwaters of Poverty Row because he was considered a "physical" star--as adverse to the skinny types who prevailed through the 30s and 40s.
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Whips Flash Gordon any day. Oct 25 2002
Format:DVD
My favourite Republic serial - it's way over-the-top, bordering on camp in places and loads of fun! Superb stunts and effects for the time, non-stop action and a huge supporting cast of extras playing soldiers in chariots. What must the budget have been like for these things?
Also first class music. Listen closely and there's a bit of Liszt thrown in!
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Crash Corrigan vs. Unga Khan May 9 2001
Format:DVD
While it is true that there are better serials, this one is a fine sampling of early Republic chapter-plays.

Professor Norton has discovered the lost city of Atlantis, and learns that it is the source of mysterious deadly earthquakes. Naval hero Ray "Crash" Corrigan and his reporter girlfriend Diana join Norton in his rocket powered submarine to investigate the mystery at the bottom of the sea.

Along for the ride is young Billy, Norton's son, who idolizes the dashing and heroic Crash.

When they arrive in the undersea city, Norton and Diana are quickly captured by Unga Khan, evil ruler of Atlantis. Khan uses his Transforming Ray to weaken Norton's mind and make him Khan's slave! His plan is to have Norton build rockets powerful enough to lift his war tower to the surface of the sea, so Khan can capture the world with his atom guns.

Corrigan eventually earns the trust of the Atlaneans in the Sacred City, and tries to rescue Norton and his sweetheart.

The co-director of the serial, 'Breezy' Reeves Eason, served as second unit director on the silent epic "Ben-Hur" (1925), most notibly on the famous chariot sequence. No wonder this serial is full of chariot chases and races!

Lon Chaney plays one of Unga Khan's henchmen, as Captain of the Black Robes. Smiley Burnette is along as unecessary and annoying comedy relief. The youngster who plays Billy also played Junior in some of the Dick Tracy movies.

There is some silliness with the costumes; Sharad, the leader of the Sacred City, looks like a low-rent Bishop, and Crash's helmet looks like it came from a hood ornament. Crash's costume is kind of silly-looking, too, with fish-scale shorts. The bad guys wear lightning bolts on their heads, which actually look pretty good for soldiers in an atom-powered army.

The Volkites are the coolest thing about the serial. They are the original walking trash can robots, similar to the ones that appear in the Captain Proton segments of Star Trek Voyager.

The real question is why Unga Khan has all of the technology, while the Sacred City has none. And why does Khan attack with horses and archers, when he has technology like the Volkites, atom guns, and aircraft. And let's not even ask why a domed city under the sea can have day and night.

The Roan print is great, as usual. They include lobby art and the serial's history with production notes. The interactive menus are nice, too. Each chapter is shown in a "reflecting plate" (what the bad guys call their TV communicator screens).

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