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Union Atlantic [Paperback]

Adam Haslett

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Book Description

Feb. 8 2011

From the author of the Pulitzer Prize finalist You Are Not A Stranger Here, a stunning, masterful portrait of our modern gilded age.
At the heart of Union Atlantic lies a test of wills between a retired history teacher, Charlotte Graves—who has suddenly begun to hear her two dogs speaking to her in the voices of Cotton Mather and Malcolm X—and an ambitious young banker, Doug Fanning, who is building an ostentatious mansion on what was once Charlotte’s family land. Drawn into the conflict is Nate Fuller, a troubled high-school student who stirs powerful emotions in both of them. What emerges is a riveting story of financial power, the defense of tradition, and the distortions of desire these forces create. With remarkable scope and precision, Union Atlantic delivers a striking vision of the violent, anxious world we’ve come to inhabit.

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Product Details

  • Paperback: 368 pages
  • Publisher: Anchor; Reprint edition (Feb. 8 2011)
  • Language: English
  • ISBN-10: 0307388298
  • ISBN-13: 978-0307388292
  • Product Dimensions: 20.1 x 13.6 x 2.1 cm
  • Shipping Weight: 318 g
  • Amazon Bestsellers Rank: #425,981 in Books (See Top 100 in Books)

Product Description


“Adam Haslett may be our F. Scott Fitzgerald. . . . A profound, strikingly intelligent story.” —The Washington Post Book World

“The first great novel of the new century that takes the new century as its subject . . . It’s big and ambitious. . . . It’s about us, now. All of us.” —Esquire
“Remarkable. . . . With gorgeous prose and the punch of a first-rate thriller.” —USA Today
“Funny and insightful. . . . The perfect book for our times. . . . Haslett has created memorable characters whose dysfunctional lives seem to embody the frenetic craziness and moral confusion of the era.” —“What We’re Reading,” National Public Radio

“It’s remarkable how successfully Union Atlantic continues the nuance of Haslett’s earlier [work]…. Swiftly and confidently, Haslett unwinds the ball of yarn that is the global financial crisis to reveal its core.” –The New York Times Book Review
“Exceedingly well written….A high-spirited, slyly astute exploration of our great bottoming out.” –The Boston Globe
“An enthralling, lucid and superbly confident work of art that grips from the first page as it puts the reader ringside at the heart of the financial crisis, revealing it finally as an emergency of the human heart and its societal urge….This is a big novel and a masterful debut by a writer whose talent is equal to his project, and whose project could not be more timely.” –Chris Cleave, author of Little Bee and The Other Hand
“Union Atlantic sets itself the daunting challenge of doing for late capitalism what Heart of Darkness did for late colonialism. It is a measure of Haslett’s extraordinary skill that he just about succeeds.” –The Financial Times
“Haslett has a deeply informed and imaginative grasp of history, and his book reads like a thriller, but it is, stealthily, much more than that: a chronicle of the collective corruption whose fallout we are, right this minute, enduring.” –O, The Oprah Magazine
“More than a financial page-turner….An ambitious literary work, filled with compelling characters, evocative prose and finely drawn social portraiture….The first serious fictional portrait of the bailout era….Decades from now, this fine novel will help readers understand the period we’ve just been through.” –The Wall Street Journal
“Haslett is a major talent….It’s been years since a novel has captured the zeitgeist of contemporary America this well; it’s been years since a new author has convinced us, with just two books, that there might be nothing he can’t do.” –Bookslut
“[Haslett] has written the first great novel of the new century that takes the new century as its subject, but not simply because it takes the new century as its subject….Rather, Haslett has written a great novel because he has emerged in Union Atlantic as a great novelist, a mystery as abiding as any of the mysteries of the Fed—indeed, a mystery restored, even as the mysteries of the Fed are revealed.” –Esquire
"Union Atlantic is a bleak, brazen, beauty of a book."—Elle
“In Union Atlantic, Haslett presents us with a sweeping, blessedly clear vision of how we wound up in the economic cesspool….And he does it all with modesty and a depth of feeling for his characters that imbues, yet never seeks to explain away, their essence.”—GQ
"Emerging here as a sort of E.M. Forster of the aughts, Haslett high-steps nimbly from great tenderness to arch social satire, and from the civic to the personal. He even manages to make monetary systems....glow like poetry.” —Minneapolis Star-Tribune
"Union Atlantic will possibly be the quintessential American novel of the first decade of the 21st century.” —Pittsburgh Post-Gazette
“[Haslett’s] gift for language, his unerring eye, his honesty and his compassion for his characters, many of whom are deeply flawed and deeply troubled, puts him in the company of the best authors writing in English today….In Haslett’s hands, there’s also humour, insight, and a shard of hope.” –The National
“[Union Atlantic] takes on the largest possible questions: the fate of the American empire and the meaning of America itself. The action moves with high Aristotelian perfection….Haslett is a skilled writer with a painfully acute feeling for the dynamics of family life in old New England families.” –The New Republic

About the Author

ADAM HASLETT's short-story collection You Are Not a Stranger Here was a New York Times bestseller and a finalist for both the Pulitzer Prize and the National Book Award. It has been translated into fifteen languages. He lives in New York.

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Customer Reviews

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.5 out of 5 stars  79 reviews
43 of 52 people found the following review helpful
5.0 out of 5 stars Emotional complexity and situational ethics Feb. 3 2010
By Susan Tunis - Published on Amazon.com
Format:Hardcover|Vine Customer Review of Free Product
With his debut novel, Adam Haslett has written a nuanced story for our times. Arguably, it is the story of self-made banker, Doug Fanning, as the novel begins and ends with him. However, Fanning is just one of a small ensemble of richly-drawn characters orbiting and intersecting each other. The banker is embroiled in a lawsuit and property dispute with Charlotte Graves. Charlotte is an aging schoolteacher who is in the process of slowly, sadly loosing her mind. Witnessing this is Charlotte's brother, Henry, who also happens to be the President of the New York Federal Reserve Bank. Henry is the ultimate authority to whom bankers like Fanning, who play fast and loose with their clients' money, must answer. And finally there is 18-year-old Nate Fuller, infatuated with Fanning and Charlotte in very different ways.

These characters and several others defy easy classification. It's far too simplistic to paint Fanning as the villain of this story. Although this novel is set in 2002, Haslett sheds a great deal of light on the banking environment that led to the recent bailouts. No one sets out to defraud the public. No one thinks they're the bad guy. One small decision leads to others; events snowball and grow out of control. Fanning relies on situational ethics in both his personal and professional life, with devastating consequences. Charlotte, on the other hand brings to bear an unyielding moral code that does almost as much harm.

The story that unfolded on the pages of Union Atlantic was filled with ethical and emotional complexities. They made the novel feel like so much... more... than a mere story in a book. It had the complexity and messiness of life. Haslett's prose shines throughout, but does not overshadow, the tale he's telling. Wow, talk about a writer to watch! Surely, this will be one of the strongest debuts of the year.
25 of 32 people found the following review helpful
5.0 out of 5 stars Remarkable and brilliant book Dec 28 2009
By Wanda B. Red - Published on Amazon.com
Format:Hardcover|Vine Customer Review of Free Product
At its most simple level, "Union Atlantic" tells the story of a bank failure and a feud between neighbors over a contested piece of property. But the novel is so much more. Both stories have betrayal somewhere at their core; both are compellingly told and raise larger questions about what constitutes morality and whether any real principles of justice underpin our society. Both present the reader with a set of unforgettable and brilliantly drawn characters.

One of most unassuming of these, Henry Graves, is President of the Federal Reserve Bank of New York. At one point, he escorts a bank employee down to the basement of the Fed, to take a look at the physical gold that apparently provides a standard of value to our financial system. It sits in stacks in cages. In the context of this novel, this gold clearly has a larger meaning. "Add it all up," Henry says, "and it's no more than eighty or ninety billion worth. The wires clear more than that in an hour. All anchored to nothing but trust." Without that trust, we have no society; not even a loaf of bread can be sold or consumed. This novel explores what happens when fraud (in war, in love, in family) destroys that trust. It is thus not an easy novel to read. Indeed, there is a disturbing cynicism at its core. Though it is set in the year after Sept. 11, 2001, the editor explains that it was completed the week that Lehman Bros. fell; it is thus a weirdly (though bleakly) wise and prescient novel.

More than one of the chief characters is self-destructive. (I will limit myself here to what is implicit and present at the beginning, so as not to spoil the plot.) As the novel opens, a high school student whose empathy extends to both the two feuding neighbors has lost his father to suicide. As other amazon reviewers, less sympathetic to this book than I, have pointed out, Doug Fanning, a banker who builds a grotesque, ostentatious mansion he leaves mostly unfurnished, seems emotionally dead, out of touch with his own motives and desires. A former high school teacher, Charlotte Graves, who lives next door and loathes the monstrosity that Fanning has created, is so animated by a longing for revenge and a nostalgia for the meaning provided by great works of western civilization, a meaning scrubbed away by the money economy, that she is driven mad.

But in spite of the novel's tragic dimensions, it is also quite funny. Charlotte's madness causes her to hallucinate that her dogs are speaking to her in the voices of Cotton Mather and Malcolm X (these hallucinations are both beautiful and hilarious). And, finally, it opens the door to glimmers of hope (remember, I said, glimmers). If you stick with this remarkable novel, you will find them by the end. The feud, for example, ends with the hint, if not of forgiveness, at least of respect between worthy enemies whose goal was not really to destroy each other. Fanning's motives are unveiled, both to the reader and to himself. For another character, love is possible.

Also, Haslett is a remarkable writer. You may need to read some paragraphs twice, but they repay the effort. Each word is chosen with absolute care.
12 of 16 people found the following review helpful
3.0 out of 5 stars Better than what some here have said, but not the best ever either April 25 2010
By Ken Staffey - Published on Amazon.com
I picked this up in a Paris bookstore and since I remembered "You Are Not a Stranger Here" being particularly good, I bought this book without a lot of hesitation. I did like the book (it kept me company on the plane home); it's definitely not as bad as some of the reviewers here say, but it's also not the masterpiece that some have said it is. I think "Esquire" calls it a novel for the new century on the jacket blurb or something. I'd say it falls somewhere in between.

A number of reviewers have noted that the book is basically a morality of play with Charlotte on one end standing up for what she believes in; Doug is on the other cutting corners everywhere so he can to maximize Union Atlantic's profits; and Nate, the teenager is in between, as an undeveloped character.

I would agree with this and take it all a bit further. Charlotte is the person who stands up for what she believes in. As a teacher, she offers up history, including the darker episodes in our past and is eventually forced out because of it. Everyone tells her to tone it down, just go along. Even when she fights to preserve the land her grandfather donated to the town, she is urged to give in and move on. Ultimately, she loses her mind. While other factors have also brought it on, I kind of felt it represented the futility felt by some during the period. Oppose the war? You were called unpatriotic/with us or against us. Question government? You were warned of mushroom clouds and terrorists winning. Who would not go crazy?

Doug, on the other hand, is all about profits at all costs, winning, and collecting the material goods along the way. Of course, he has his own emotional reasons for doing this and wanting the trophy house as we find out, but ultimately he lets no one stand in the way his own and his company's interests. We have definitely seen a lot of that over the past 10 years or so and look at where we are now.

Now, as for Nate, I think he's purposely undeveloped. Isn't that kind of where a lot of people stand? Not everyone is the learned teacher/environmentalist with strong convictions. Nor is everyone a cut-throat climber like Doug. Many of us will often go along because it's the easier thing to do. Protest the war? At the time, you would have been thought of as crazy by some. Get into a heated political discussion at a dinner party? Not worth it. But a lot of us wouldn't step over people at work to get to the top, either. At different times, we feel attracted to various points along the spectrum.

A few other points:

The convergence of characters does seem a bit like a movie plotline (think Crash or Amores Perros) where everyone comes together and is intertwined in some way.

Even though Doug is cut-throat in his ways, he is the product of his upbringing and his experience in war; I thought that the latter was particularly telling in these times.

The relationship, if you could call it that, between Nate and Doug seems a bit unlikely, but I guess that may be the point.

I wonder if anyone else thought that a few of the characters, particularly Charlotte, spoke like Brits. Read a few of her lines and think Brit accent.

Overall, I'd say the book moves pretty quickly and if you have some interest in the topics covered, it might be worth it.
2 of 2 people found the following review helpful
5.0 out of 5 stars Bold and Complex: My Favorite of 2010 So Far Feb. 9 2010
By K. Harris - Published on Amazon.com
What do talking dogs, neighborly feuds, banking misconduct, slacker teens, ostentatious wealth, an illicit and unhealthy sexual relationship, and the potential collapse of the American financial system have in common? On the surface, you might say--"not much." But each is key element in Adam Haslett's fascinating and irresistibly complex stunner "Union Atlantic." Incredibly hard to describe, but beautifully written, Haslett has created a meaningful and memorable portrait of America at the dawn of the 21st century. At the simplest level, the bulk of the story might be described as a financial thriller with one of the most engaging anti-heroes/villains I've encountered in a long time. But that is just one character and a fraction of the story!

Since I can't really describe "Union Atlantic" in any way that will do it justice, I'll just introduce the three main characters: Doug Fanning, a wildly successful and ethically compromised banker, has traded his meager upbringing and military background for a shot at the American dream. Charlotte Graves, a former teacher, is trying to maintain an idealism and, in the process, hold onto her sanity. Nate Fuller, a unfocused and troubled teen, is navigating his place in the world and learning to understand himself. Each of these principle characters could easily sustain a novel unto themselves. That's how well drawn they are. But Haslett somehow brings them together in surprising and relevant ways. Even the supporting players are fully realized and given real dimension.

At times, the disparate elements and story threads of Haslett's novel don't always seem to fit together in the same book--but that is the brilliance of "Union Atlantic!" In a very unorthodox way, it tells several different tales about a very specific time in modern American history. Characters with little in common are still quite interconnected, almost tragically so. Each is trying to make sense of a changing, and ever more impersonal, world with varying amounts of success. I loved the messiness of "Union Atlantic." Real, bold, outlandish, topical, and relevant--I suspect readers will describe "Union Atlantic" in a number of different ways based on its complexity. But it's still immensely readable and entertaining with bursts of unexpected humor. Haslett's juggles so much content so successfully, it's hard not to sing the praises of "Union Atlantic" and a new literary voice! KGHarris, 2/10.
1 of 1 people found the following review helpful
3.0 out of 5 stars connecting the dots... Dec 23 2011
By Chel Micheline - Published on Amazon.com
Format:Hardcover|Vine Customer Review of Free Product
One one hand this is an interesting tale of three characters who are pulled into each others orbits and one the other, it's a book about finance. It's an odd mix, to be honest, especially if you have little knowledge (or interest) in the detailed way financials systems work. So it was not a great read for me, but I can't say that it might be the same for someone else.

A note: Some reviewers are commenting that the characters are a bit underdeveloped, but I sort of saw it as an opportunity for the reader to fill in the details using the information Haslett provides throughout the novel.

Not my favorite book, but it might appeal to some.

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