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The Wolf Man (Universal Studios Classic Monster Collection)
 
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The Wolf Man (Universal Studios Classic Monster Collection)

Claude Rains , Warren William , George Waggner    NR (Not Rated)   DVD
4.5 out of 5 stars  See all reviews (63 customer reviews)

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Even a man who is pure in heart,
And says his prayers by night,
May become a wolf when the wolfbane blooms
And the autumn moon is bright.

If you haven't heard this piece of horror-movie doggerel before, you'll never forget it after seeing The Wolf Man for two reasons: it's a spooky piece of rhyme and nearly everybody in the picture recites it at one time or another. Set in a fog-bound studio-built Wales, The Wolf Man tells the doom-laden tale of Lawrence Talbot (Lon Chaney Jr.), who returns to the estate of his wealthy father (Claude Rains). (Yes, Chaney's American, but the movie explains this, awkwardly.) Bitten by a werewolf, Talbot suffers the classic fate of the victims of lycanthropy: at the full moon, he turns into a werewolf, a transformation ingeniously devised by makeup maestro Jack Pierce. Pierce was the man who turned Boris Karloff into the Frankenstein monster, and his werewolf makeup became equally famous, with its canine snout and bushy hairdo--and, of course, seriously sharp dental work. The Wolf Man was a smash hit, giving Universal Pictures a new monster for their already crowded stable, and Chaney found himself following in the footsteps (or paw prints) of his father, who had essayed a monster or two in the silent era. This is a classy horror outing, with strong atmosphere and a thoughtful script by Curt Siodmak--well, except for the stiff romantic bits between Chaney and Evelyn Ankers. It's also got Bela Lugosi (briefly) and Maria Ouspenskaya, the prunelike Russian actress who foretells doom like nobody's business. --Robert Horton


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Customer Reviews

63 Reviews
5 star:
 (42)
4 star:
 (12)
3 star:
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Average Customer Review
4.5 out of 5 stars (63 customer reviews)
 
 
 
 
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5.0 out of 5 stars The birth of Universal's most tragic monster character, May 29 2004
By 
Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
This review is from: The Wolf Man (Universal Studios Classic Monster Collection) (DVD)
Among the pantheon of classic Universal monsters, only Dracula and Frankenstein's monster stand taller than The Wolf Man. This 1941 classic starring Lon Chaney, Jr., is a must-see for anyone claiming any interest in horror movies. The film has exerted a huge influence on the art of bringing horror to life for over six decades now, thanks to the heralded make-up prowess of Jack Pierce, the tight and powerful script of Curt Siodmak, some impressive photography work, and wonderful performances from a truly stellar cast of actors and actresses.

There is just something different about The Wolf Man; I have a hard time viewing him as a monster Larry Talbot is a thoroughly sympathetic and tragic character. Dracula loves being a vampire, Frankenstein's monster is just an unfortunate victim of circumstance whose various body parts have already lived full lives, but Larry Talbot desperately hates the monster he has become. He's already a sympathetic character, coming home after eighteen years following the death of his older brother, trying to fit in among the folks he said goodbye to long ago. Then, when he hears a fateful howl accompanied by a scream, he races off in heroic fashion, taking on a wolf in order to try and save a woman's life, killing the doggoned creature. And what does he get for his noble, self-less act? First of all, suspicion, because instead of the wolf he described, the authorities find the body of a gypsy fortune teller (played by Bela Lugosi, who gets all of seven lines in the film) clubbed to death by Talbot's cane. Then, tragically, he finds himself inflicted with the curse of the werewolf, thanks to the bite he suffered in the struggle. Chaney's performance also adds to his tragic status. He had a style of acting all his own; at times, I watch him and think the guy just couldn't act his way out of a dark room with a flashlight, but his strange and slightly awkward manner, tempered by a sort of gentle slowness ends up leaving me mesmerized. In most horror movies, I'm always ready to bring the monster on and get the party started, but I never look forwarding to watching Talbot turn into the werewolf.

I think everyone is pretty well acquainted with the story here. Man gets bitten by werewolf, man turns into werewolf, man suffers a tragic fate. The Wolf Man, though, succeeds in becoming much more than just the simple tale of a hairy monster. The inimitable Claude Rains lends the film character and class as Talbot's father. The lovely Evelyn Ankers makes a great leading lady in the form of Gwen Conliffe. Lugosi is of course terrific as the gypsy Bela, but the role is a minor one indeed. Maria Ouspenskaya is masterful as the gypsy woman Maleva who tries to warn Talbot and help him deal with the curse that suddenly consumes his life. Siodmak really provided a tight plot; there would be a number of sequels, but The Wolf Man is a completely self-contained movie of great power and meaning.

There are a number of really interesting things about this movie. For instance, we never actually see Talbot's transformation from man to wolf - we see the legs change, but that is it. There is a scene toward the end where we witness the transformation from wolf to man, but you won't see any time-lapse treatment of the change from man to monster. Of much more interest to me is the fact that you don't hear a single reference to the moon in the entire film. Apparently, the transformation happens nightly to Talbot; there is nothing to indicate that a full moon plays any part at all. Thus, some of the core Wolf Man assumptions do not trace themselves back to the original movie.

The commentary by film historian Tom Weaver, included on the DVD, is just superb. It's one of the most engaging commentaries I've heard. This guy is loaded to the gills with facts and trivia, and he barely pauses over the course of the film's 70 minutes, delivering one gem after another. He also asks some of the questions I ask when I watch the movie, and I love that. This isn't a commentary by some stuffy "expert." Weaver is indeed an expert, but at the same time he is one of us, a true fan of classic horror movies.

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5.0 out of 5 stars Lon Chaney and Claude Rains together., May 22 2004
By 
OverTheMoon (overthemoonreview@hotmail.com) - See all my reviews
This review is from: The Wolf Man (Universal Studios Classic Monster Collection) (DVD)
The best thing about The Wolf Man is not the monster itself but the subtle progression of wolfish themes that are brought out from start to finish in the movie. Even though the much dated 'look' of the monster brings this Universal Classic offering a notch down it still happens to be the best screenplay of the Horror Classics. Larry Talbot (Lon Chaney, son of Phantom of the Opera's Lon Chaney) shows that he has some of his father in him (not much facial contortions until the transformations) in his way of bringing darkness and madness to a character that is jolly, loving and smitten by local town kitten after he arrives at his fathers estate following a brief period of absence to take care of things. He learns the local legend of The Wolf Man in the village, how strange poems about the moon and wolfs bane can bring out the wolf in a man, the pentagram and how it can prevent werewolf attacks but also how if it appears on someone's skin then that person is the werewolf's next victim.

All of these superstitions come true very quickly when Larry finds himself the centre of a strange murder mystery in the nearby woods where a gypsy man (Bela Lugosi, in a bit of an under-performance [he is only in it for a few minutes]) was found dead without his shoes on next to the corpse of a young woman who had been mauled by a wolf that Larry had killed with his cane after going to visit the psychic gypsies who had stopped there after passing through the village. Larry remembers killing a wolf but no wolf was ever found...

... later after a gypsy funeral Larry learns that there is a werewolf in the village and that the gypsy's are leaving but not before he meets the wife of the dead gypsy who tells him that the gypsy was really a werewolf and that Larry is cursed!

Claude Rains (who also stars in The Invisible Man and the remake of Phantom of the Opera) has a supporting/lead role as Larry's father who means to prove his son's innocents and protect him from self harm as Larry falls slowly into despair with the knowledge that the superstitions are true and that he is a werewolf.

Most lovers of the classics will probably recognise this as the catchiest of the lot probably because it was closer to more supernatural/natural horror than Frankenstein, Dracula, The Invisible Man or Phantom of the Opera. Here we learned about the moon and fascinating facts about the werewolf that have not often been repeated in any other werewolf movie. Also Lon Chaney is the real reason to watch this and along side Claude Rains is to die for, really. The documentaries and extras make this a 5 star package!

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5.0 out of 5 stars Hairs an Interesting Look, May 11 2004
By 
This review is from: Wolfman, the (VHS Tape)
The Wolf Man is simply one of the greatest horror films ever made. Written by Curt Siodmak and directed by George Waggner this film had the perfect combination of narrative content and visual elements. The Wolf Man was one of a dozen B horror movies that Universal produced within the 1930s and 40s, but remains of an elite category for its excellence. From its release in 1941 and until now I believe this film hasn't been getting the appreciation it deserves. Its reputation of being just another black and white B horror film precedes it unfortunately.
The Wolf Man is the story of a man who takes the shape of an animal, in this case a wolf, to deal with his struggle with sexual repression. Larry Talbot, played by Lon Chaney Jr., returns to his home in England after studying abroad for nearly two decades. Shortly after his return, he falls in love with the daughter of an antique shop named Gwen Conliffe, who is played by Evelyn Ankers. Gwen is the stereotypical country girl. She is pretty, sweet, and moral. Larry is bitten by a werewolf on his first date with Gwen and becomes inflicted with the disease of lycanthropy. As the film prolongs we learn of Gwen's engagement to another man and how it leads to a great deal of Larry's frustration. An interesting aspect of this film is that before almost all of Larry's transformations into a wolf he is either directly or indirectly engaged with Gwen's seemingly unreachable hand until it's too late. This leads me to believe that Gwen is, in a way, responsible for Larry's "liberation" from man into beast; being that she is the object of not only his love, but of his sexual frustrations and repressions.
It is always interesting to see how a leading lady was depicted in the golden years of Hollywood films. In The Wolf Man's case, as in many other cases, she is represented as a stereotype and as an object. Without her character, however, the narrative would not have had its particularly well crafted strength.
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