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Unknown Pleasures
 
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Unknown Pleasures

Joy Division Audio CD
4.9 out of 5 stars  See all reviews (15 customer reviews)
Price: CDN$ 12.65 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Unknown Pleasures + Closer + Substance 1977-1980
Price For All Three: CDN$ 35.91

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  • In Stock.
    Ships from and sold by Amazon.ca.
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  • Closer CDN$ 9.79

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  • Substance 1977-1980 CDN$ 13.47

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Customers Who Bought This Item Also Bought


Product Details


1. Disorder
2. Day of the Lords
3. Candidate
4. Insight
5. New Dawn Fades
6. She's Lost Control
7. Shadowplay
8. Wilderness
9. Interzone
10. I Remember Nothing

Product Description

Chronique amazon.fr

Deux ans après leurs débuts et faisant suite à une tentative avortée en 1978, Unknown Pleasures (1979) constitue le premier véritable album de Joy Division. Une œuvre de l'ère glacière qui fait honneur au nom initialement choisi par le groupe (Warsaw) d'après le "Warszawa" de David Bowie sur Low, le premier volume de sa trilogie berlinoise. Les origines punk et les guitares aux angles aigus sont maintenant amorties dans des climats obsessionnels à base de rythmiques en apesanteur, d'électronique minimaliste et des lignes de basse monumentales de Peter Hook. Tous ces éléments, dont l'agencement et le fort particularisme doivent beaucoup au producteur Martin Hannett, semblent ne servir qu'un but : offrir la résonance nécessaire aux psaumes désespérés de Ian Curtis, qui achèvent de donner son intensité extrême à ce disque remarquable en tous points. À la fois désincarnée et pourtant incroyablement habitée, la musique de Joy Division avance ici des arguments parmi ses plus pertinents, comme le trio médian composé de "New Dawn Fades", "She's Lost Control" et "Shadowplay". Incontournable, comme le reste de leur discographie… --Fabrice Privé

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Customer Reviews

15 Reviews
5 star:
 (13)
4 star:
 (2)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.9 out of 5 stars (15 customer reviews)
 
 
 
 
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Most helpful customer reviews

5.0 out of 5 stars An Album Of Despair and Lost Love That Isn't Emo, July 12 2004
Ce commentaire est de: Unknown Pleasures (Audio CD)
This is an emotionally draining album, straight from the broken, depressed mind of Ian Curtis, who on another note looks a bit like Elijah Wood. Most people already know the tale of Joy Division and Ian Curtis, a band whose singer suffered epileptic fits regularly on stage and at the age of twenty-five took his own life. Now I'm not one to give a band better letter grades because their singer died tragically, I hate Sublime, Drowning Pool, and am not too fond of INXS. Listening to this album it's not at all a surprise that Curtis killed himself, the album is dark and devoid of almost any hope. But let's not focus on Curtis, but the band as a whole. The sound of Bernard Sumner's guitar is stripped down to a skeleton, brittle and unpolished. Peter Hook's booming bass would later become a staple in post-punk and new waveish bands for years to come, and Stephen Morris's drums are loud and slow, pacing the music. Ian Curtis is still the star of the show though, and is a very engaging frontman, his droning, broken voice demands your attention.

Let's get down to what matters though, the tunes. The opener Disorder is an excellent opener, and ends with Curtis screaming "I've got the spirit, but I'm losing feeling" and it really gets the blood pumping. There is not a sucker in the bunch though, and every song is excellent, of course some moreso than others. Insight is particularly noteworthy, as is She's Lost Control which may or may not be about Curtis's epilepsy. If you're looking for lots of synths in this album ala New Order, you may be a bit disappointed as the music is alot rougher. The lyrics are excellent but I'm not going to comment on them much. Whether Unknown Pleasures or Closer is better I'm not sure, because their both almost flawless.

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5.0 out of 5 stars awesome, Jun 26 2004
By 
Ce commentaire est de: Unknown Pleasures (Audio CD)
JD's debut Unknown Pleasures is an extremely strong debut, an essential record. Each song is full of Ian Curtis' emotional power and all songs on here is written through human emotion, no fakes here. Great record, I suggest it. The sophomore album (and last album) Closer is amazing as well. But I think Unknown Pleasures is better, just by a little.
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5.0 out of 5 stars Rock expressionism, May 7 2004
By 
Trawicks (New York, NY) - See all my reviews
Ce commentaire est de: Unknown Pleasures (Audio CD)
This album is rock's equivalent of a Francis Bacon painting. It's a majestic, creepy, abstract masterpiece, as terrifying and sad today as it was twenty-five years ago.

All of the tracks are brilliant, and most of them have been praised here, so I won't go through a long track-by-track summary. However, the three "crown jewels" of the album--Insight, New Dawn Fades, and She's Lost Control are definitely worth mentioning. In my opinion, they are the three most brilliant consecutive tracks in any pop album.

"Insight," with its supremely minimalist guitar-and-bass line, weird computer beeps, and hollow vocals, is the epitome of computerized horror. If nuclear holocaust had a musical equivalent, this would be it--dispassionate, depressed vocals which build to a crescendo of synthesized fury. I realize that the previous sentence sounds incredibly pretentious, but it's really a testament to this band that such abstract accolades are actually apt.

"New Dawn Fades," by contrast, is almost an operatic aria. Ian Curtis was sometimes described as being cold and unfeeling, but you would never know it from hearing this song, in which he seems to have a complete emotional breakdown by the last stanza. He's one of those rare singers who seems to become more beautiful as he becomes uglier.

"She's Lost Control" is thought by some to have been better in its single, and while I agree that that version was more, well, "danceable," the album version has much more emotional weight. Part of my reason for preferring this incarnation is its bizarre combination of styles--it has a Kraftwerk-style beat which is overlaid with grunge rock guitars. It's such a perfect combination of mechanical order and chaos.

If you want to see where much of modern rock came from--Jesus & Mary Chain, Depeche Mode, New Order, Nirvana, Nine Inch Nails, Radiohead, Interpol and almost any other off-center band--this is the album that started it all.

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