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The Unusual Life Of Tristan Smith
 
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The Unusual Life Of Tristan Smith (Hardcover)

by Peter Carey (Author)
3.0 out of 5 stars  See all reviews (8 customer reviews)
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Product Description

From Publishers Weekly

Carey, known for his quirkily skewed re-creations of Australian culture (Oscar and Lucinda; The Tax Collector), has outdone himself in this bizarre, uncannily strange dystopia about the life of a dwarf, who narrates the tale. Tristan Smith, born to an unmarried woman who runs a radical theater in a land called Effica, suffers from a facial disfigurement so severe that only his mother can look upon him without revulsion. His life as a child is unrelievedly sad until he discovers the various guises that theater can provide, which launches him into the vibrant world of his mother's professional circle. A consistent theme-political, cultural and historical-is the position of Effica as an "Ootland" state, peripheral to the culture of faraway Voorstand, a kind of Anglo/Dutch hegemony whose world dominance in all things is beyond dispute, though not unchallenged by such underground dissidents as Tristan's mother. And it is this depiction of an entire world culture-futuristic, in some respects fitted out with unfathomable features, such as a kind of mass-audience shadow play involving live actors and holograms, as well as familiar figures like Rimbaud and Baudelaire-that gives this novel its refreshingly improbable authenticity. When Tristan's mother dies tragically, he falls in with a motley crew of her colleagues; together they embark on a secret mission to Voorstand, in search of his father, an Ootlander actor who has become famous by selling his soul to the Voorstand theater. The second half of the book details Tristan's time on the run in Voorstand, where he finds spectacular renown in the guise of a famous folk figure, Bruder Mouse, whose battles with The Hairy Man are somehow central to Voorstander's understanding of themselves. When he at last is, literally, unmasked, Tristan and his mates are charged with all manner of crimes of mispresentation by the state. Carey's novel approach to the narrative-the entire tale is in the form of Tristan's direct testimony to formal authorities of Voorstand culture-is brilliantly maintained throughout, and the fairy-tale quality of its figuration makes for a surpassingly rich feast of metaphors and mercurial meanings-George Orwell and Lewis Carroll wrapped into one. Author tour.
Copyright 1994 Reed Business Information, Inc.


From Library Journal

Carey creates a fully realized parallel universe in this unusual novel set in Efica, an island nation under the political and cultural domination of the larger Voorstand. Part Bildungsroman, part political allegory, and part meditation on identity, this novel traces the first 23 years of Tristan, its eponymous narrator, a hideously deformed dwarf and son of actress Felicity Smith (the head of a radical theater company and champion of Efican culture). In the novel's first half, Tristan tells of his early adventures with the company, culminating with Felicity's fatal foray into politics. In the second, he recounts his later travels in Voorstand in search of Bill Millefleur, an actor he believes to be his father. This inventive, multilayered work should only add to Carey's already considerable reputation. Highly recommended.
Lawrence Rungren, Bedford Free P.L., Mass.
Copyright 1995 Reed Business Information, Inc.

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Customer Reviews

8 Reviews
5 star:
 (1)
4 star:
 (3)
3 star:
 (1)
2 star:
 (1)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
3.0 out of 5 stars (8 customer reviews)
 
 
 
 
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2.0 out of 5 stars Certainly not Carey's best, Aug 16 2002
By Vicky Chan (Vancouver, Canada) - See all my reviews
Oscar and Lucinda is one of my all-time favourite books. When I picked up this one, I expected a similar style of writing. Maybe it's because the world Carey has created here is too detached from my own familiarity that I could not fully relate to the characters. I must admit, however, that Carey's writing does make the reader feel. I had an eery feeling towards the protagonist throughout, but could never sympathize with him. I see in the reviews from others that perhaps this book is best left to Australians who understand something of where Carey is coming from. Usually, I would say that good writing and a good story can cross any cultural boundaries, but maybe this book IS best left to the Aussies. (Even though it's probably arguable that Canada's relationship to the American cultural "superpower" is/isn't similar to Australia's relationship to the US.)
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4.0 out of 5 stars Pathos, poignant, wrenching, and hopeful, Jun 19 2001
This remarkable book defines new territory between literary fiction and science fiction. It offers up a ringside seat to broad, concentric human and political themes that are likely to ring true many decades hence. The plot intricacies are tight, verging on being too clever, but Carey manages to lean towards the believable, producing a provocative and original book. I did not find the foreign words distracting or difficult, as did some readers. I think knowing more than one language helps. But don't let it deter you; Carey provides a glossary and footnotes to aid you in understanding the story.

The main character, Tristan Smith, has an unusual voice, not just in the physical sense, but in the sense of being the story-teller of not only the events he experienced, but also those he didn't, or was too young to remember. One cannot help but think him impulsive, willful, egotistical. It would be easy to dislike him, yet Carey must have realized Tristan's 'voice' could not have been otherwise, for he was both pampered and neglected and sheltered from normal human contact, an upbringing that protected him, on the one hand, but also impeded him socially, on the other. The reader will also appreciate the irony of a man's true character being glimpsed only when he wears a mask, and the truism that a nation's character is revealed by how they treat 'the least of these, my people.'

In contrast to Carey's book, we get a pretty steady diet of stories about handicapped people who triumph over impossible odds, who experience 'miracle healings,' who attain a magical status, who project what we want to see, that is, they appear to be happy because they are shunned if they honestly share their pain as well as their triumphs. Thus, I believe it took real courage to write and publish this book. Carey candidly, poignantly reveals a closeted inner life, the rarely revealed or imagined existence of a person with severe limitations, the stark, impossible-to-countenance realities that we simply avoid in our daily thoughts and deeds. In the tradition of a good storeyteller, the author punctuates these revelations by surrounding Tristan with artistic/acrobatic performers, humanity's most physically blessed individuals and by nations gripped in the same struggles for survival that people experience on an individual level. This backdrop emphasizes just how deeply Tristan's powerful inner soul cries out from inside his shell that he wants the same, feels the same, IS the same right down to his genes... Carey bares the pain, the challenge, in both the inner life and the political life of the beautiful versus the not beautiful, the big versus the small, the powerful versus the powerless in the colors of blood, and laser lights, and tarnished festivals that emphasize the moment over long-term everyday courtesies and, through the maturation and evolution of the character, through the small blessed events that we selectively choose to define our humanity and our lives, that give us the stamina and drive to endure, to go on, to hope.

This book is not for everyone. It is not for the reader of light entertainment. It is a book that goes beyond surface themes while still retaining the format of a personal story, told through unforgettable characters and events. If that intrigues you, I highly recommend this book.

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1.0 out of 5 stars Another over-rated work by Carey, Mar 20 2001
By A Customer
Peter Carey, since the publication of his first novel, has been constantly over-rated by critics. This novel is the greatest example of his true inability as an author/artist. The story-line is at best lame, with Carey foreshadowing any twists in the plot miles in advance. It is, of course, an attempt at satire, however he over reaches himself yet again. And yet again, because he uses a new language and is supposedly being clever, critics fawn madly over his talent and equate him with Dickens. Please. Carey is perhaps the best "first page" writer in the world, but unfortunately his novels go for much longer. Avoid this novel.
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Most recent customer reviews

4.0 out of 5 stars a novel of ideas
A wierd and funny, but in the end, profound book. Carey shows us our world through the eyes of a deformed child. Read more
Published on Aug 31 1999

4.0 out of 5 stars quite brilliant
I read this book 2.5 years ago, but just decided to pick it up again for a re-read. I loved the development of fictional countries and language. Read more
Published on Aug 25 1999

1.0 out of 5 stars impossible to understand
I just wanted to read something in English, so last summer I decided to buy this book. What a mistake! Read more
Published on May 12 1999

3.0 out of 5 stars Interesting premise, muted by a dull protagonist.
Carey has a gift for establishing an intriguing and somehow "believable" albeit fictitious environment, and I really appreciated some of the smaller, intimate sections... Read more
Published on Feb 6 1998 by facartli@english.usu.edu

5.0 out of 5 stars Funny, sad, thrilling and thought-provoking
To thoroughly comprehend this book, it probably helps to be Australian: although set in mythical nations Efica and Voorstand, it quite brilliantly explores the love-hate... Read more
Published on Oct 16 1997 by sthomas@library.adelaide.edu.au

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