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Valediction Mass Market Paperback – Jun 2 1992


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Product Details

  • Mass Market Paperback: 288 pages
  • Publisher: Dell; Reissue edition (June 2 1992)
  • Language: English
  • ISBN-10: 0440192463
  • ISBN-13: 978-0440192466
  • Product Dimensions: 10.7 x 2 x 17.5 cm
  • Shipping Weight: 204 g
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Bestsellers Rank: #313,887 in Books (See Top 100 in Books)

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First Sentence
There were at least three kinds of cops in Harvard Yard: a scattering of Cambridge cops, gray-haired mostly, with faces out of County Mayo; portly old men in brown uniforms and no sidearms who guarded the gates; and squadrons of Harvard University police who wore tailored blue uniforms and expensive black gun belts, and looked like graduates of the Los Angeles Police Academy. Read the first page
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Customer Reviews

4.4 out of 5 stars
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Format: Mass Market Paperback
This might not be much of a review since the only word which has come to mind since I've finished the read is, "WOW."

More than most offerings in this series so far, # 11 VALEDICTION concluded a catharsis which had been building through previous plots. The theme set by the title and dedication in THE WIDENING GYRE, # 10, continued to gyrate here, accumulating insight about the center holding (at the cliff-edge of a workable level of obsession), weathering The Storm, using as Super Glue a commitment to Capital "L" LOVE.

Even so, I believe that a reader could open this offering in the series as a first taste of Spenser and easily slip into the plot (more like willingly fall down a well) and enjoy it. I'm thankful, though, that I received the addictive effect of having carefully read the previous 10 books in order, prior to approaching VALEDICTION.

The solitary, diary-narrative-style set in GYRE continued in VALEDICTION, yet with a gradual erosion of the set-apart, lonely P. I. Emotions ran (and rutted mesmerizing-ly) so deeply that, especially in retrospect, I felt more like I had lived within this book instead of reading its words. I fell so far into the story that I'm not able to immediately recall details of the action, though (they were abundant?) there was plenty (of delicious detail(s?) and apothecary action).

I was particularly intrigued by purposely-parallel-situations exposing various levels-of-obsessions. Parker used Spenser's male client as a juxtaposition of nearly identical feelings of loss endured in a contrasted way to Spenser's handling of Susan's journey taking her further and further away. The precise way in which Susan initiated her abandonment of Spenser was quietly shocking, to the reader as well as to Spenser.
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Format: Mass Market Paperback
Spenser is without a doubt as tough as they come. However, he also can be as sappy as they come, with emotional vulnerabilities that can get him killed. The book opens with Spenser and Susan Silverman attending commencement at Harvard, where she is awarded a Ph. D in clinical psychology. Shortly after this event, Susan informs him that she is moving to Los Angeles in an attempt to be alone for awhile. Spenser is devastated, and Paul Giacomin moves in with him in an attempt to help him through the crisis. Hawk and Spenser's other friends do what they can, but he has lost much of his will to live.
He is asked to investigate the disappearance of a woman, which leads him to an unusual religious cult. Nothing is as it seems and Spenser makes mistakes that nearly get him killed. This book describes him as a powerful, ruthless and yet very vulnerable person. Parker takes the vulnerability to the edge of believability, but wisely pulls back from that point. Despite his anguish and lack of interest in living, Spenser is still a formidable fighting machine, wisecracking with friends and foes alike.
Spenser beds a woman who works near him, and afterward he sleeps for the first time since Susan left. However, that relationship ends when Spenser kills four of the five killers sent to eliminate him. Unlike Susan, this woman cannot accept the fact that Spenser is forced to kill people in his line of work.
This is a Spenser book that many will dislike and others will consider their favorite. The romantic vulnerability of Spenser has always been there, but in this book it is greatly expanded. If you like romance, then you will enjoy it. However, if your tastes are more for the action, then this may be one of your least favorite novels in the series.
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Format: Mass Market Paperback
Robert B. Parker, Valediction (Delacorte, 1982)

One of the best things that can be said about Valediction is that it sets up the events in one of the best Spenser novels to date, A Catskill Eagle. That alone is enough to make it worth reading. It�s also a little heaver on The Continuing Saga of Spenser and Susan than many Spenser novels; judge as you will and buy accordingly. Somewhere beneath all that, there�s a mystery waiting to happen. In this case, Spenser is hired by one of his foster child�s dance instructors to find said instructor�s girlfriend, whom he believes has been kidnapped by a sect of religious extremists. The story sounds wonky from the beginning, but what seems a little off at first ends up being stranger than anyone involved ever imagined.

The cast list reads rather like a Spenser�s Greatest Hits novel. Almost everyone in here has popped up before in a Spenser novel, from kids to hoods. The framework of the characters is already set up, and the plot pretty much writes itself. It�s empty calories, the kind of stuff you�d never catch the main character eating. However, this book is less about the mystery therein than it is about Spenser himself and how his changing relationship with Susan affects his own outlook on life. It sets the book apart somewhat, and that, combined with the events in the next book it sets up, makes this one a worthwhile addition to the canon. ***
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Format: Mass Market Paperback
Perhaps I'm boring but Parker hit a grand slam with me when creating the dynamic duo of Spenser and Hawk. While we still have the terrific tandem here, Parker throws a few curves at the reader in Valediction.
Right out of the box, you know this is going to be a nerve-wracking story. In the opening scene, Spenser has just come from Susan's Ph.D. grad ceremony when she drops the atomic bomb that she is moving to San Francisco for a new job. This sets the stage for Spenser's moods throughout this book.
Spenser's friend, Paul, asks him to look into a wherein Paul's boss, Tommy Banks, believes that his girlfriend has been kidnapped and brainwashed by a religous cult. While we learn that Banks may not be the most honest citizen, it really doesn't matter. For if you are in Spenser's way in this novel, you are in grave danger.
On a lighter note, Spenser meets, goes out and seduces the woman he has flirted with across the street via flirtatious smiles from their respective office windows. This relationship takes on a more serious tone but, can it last? Will Susan return to Spenser?
Parker takes you down a variety of paths in this one. Different for Parker but a good read.
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