A trio of psychoanalysts set off to disprove the legend of the four vampire sisters, only to find that they were gravely mistaken when they encounter the girls living in a dilapidated mansion. None survive when the villagers return to kill them all, but each of the slain characters are revived in the second-half when the Queen of the Vampires returns to experiment on the four girls. Thus begins the career of France's most notorious Horror director, Jean Rollin. Rollin's first feature film dives right in to the surreal and unexplained world of dreamy mysticism for which the director has always been known. Unbound by linear structure, THE RAPE OF THE VAMPIRE blends Rollin's existentialist cinematic approach with High Gothic imagery, sexual fetishism, and the Avante Guard. For all the oppressive atmosphere and skilled cinematography, however, THE RAPE OF THE VAMPIRE simply lacks character and plot cohesion, leaving the audience guessing as to who or what is going on at all times. The stark editing techniques and rather poor acting can be explained away as being chic and independent, but as a result, the film is only likely to appeal to the eccentric Horror viewer.
I Like Horror Movies