That could've been the title of their third album. With John Cale and his viola gone, the Velvets trade their electric guitars for acoustic and commit a beautiful suite of songs to record.
It's too easy to say this is Lou Reed & his backing band. The duelling guitars on the majestic What Goes On and Moe Tucker's spooky drumming on The Murder Mystery shatter that myth. Also credit newcomer Doug Yule for his delicate reading of the opener, Candy Says, about one of Andy Warhol's tranvestites.
Simply put, these are beautifully written songs and their understated production only enhances each melody and lyric. Even "rockers" like I'm Beginning To See the Light are simple and restrained. The finger-picking of Jesus elevates the song to a hymn. I'm Set Free features the most gorgeous guitar solo I've ever heard. Moe Tucker's sweet vocal on the closer, After Hours, recalls Ringo's Good Night on The White Album (released just weeks before this record).
All in all, this is a hopeful record, never saccharine, but affirming and sincere. It's like the Velvets woke up after the speed-induced frenzy of their previous record, WHITE LIGHT/WHITE HEAT and, with clear heads, picked up acoustic guitars.