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  • Vertigo (Widescreen)
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Vertigo (Widescreen)

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Vertigo (Widescreen) + Rear Window (Bilingual) + North by Northwest (Widescreen)
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Product Details

  • Actors: James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore, Henry Jones
  • Directors: Alfred Hitchcock, Harrison Engle
  • Writers: Alec Coppel, Maxwell Anderson, Pierre Boileau, Samuel A. Taylor, Thomas Narcejac
  • Producers: Alfred Hitchcock
  • Format: AC-3, Closed-captioned, Collector's Edition, Color, Dolby, DVD-Video, Letterboxed, Special Edition, Subtitled, Widescreen, NTSC
  • Language: English
  • Subtitles: English, Spanish, French
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • MPAA Rating: PG
  • Studio: Mca (Universal)
  • Release Date: Sept. 2 2003
  • Run Time: 128 minutes
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (258 customer reviews)
  • ASIN: 0783226055
  • Amazon Bestsellers Rank: #41,191 in DVD (See Top 100 in DVD)

Product Description

Although it wasn't a box-office success when originally released in 1958, Vertigo has since taken its deserved place as Alfred Hitchcock's greatest, most spellbinding, most deeply personal achievement. In fact, it consistently ranks among the top 10 movies ever made in the once-a-decade Sight & Sound international critics poll, placing at number 4 in the most recent survey. (Universal Pictures' spectacularly gorgeous 1996 restoration and rerelease of this 1958 Paramount production was a tremendous success with the public, too.) James Stewart plays a retired police detective who is hired by an old friend to follow his wife (a superb Kim Novak, in what becomes a double role), whom he suspects of being possessed by the spirit of a dead madwoman. The detective and the disturbed woman fall ("fall" is indeed the operative word) in love and...well, to give away any more of the story would be criminal. Shot around San Francisco (the Golden Gate Bridge and the Palace of the Legion of Honor are significant locations) and elsewhere in Northern California (the redwoods, Mission San Juan Batista) in rapturous Technicolor, Vertigo is as lovely as it is haunting. --Jim Emerson

Customer Reviews

4.7 out of 5 stars

Most helpful customer reviews

2 of 2 people found the following review helpful By Blake&Mortimer on Oct. 18 2008
Format: DVD
The merits of the movie itself are debated enough in other posts. I will limit myself to pointing out that as attractive as the October 2008 reissue is, there is one singular flaw, namely in the audio tracks.

True, the new extra features and the marginally better quality image as compared to the previous anamorphic version in the Hitchcock Masterpiece box set are probably enough for a die hard fan of this masterpiece to shell out for still another version of the DVD. Even the Friedkin commentary is quite enjoyable and offers some useful insights, contrary to his somewhat spotty reputation as to his commentary talents.

However, the two audio tracks are replicas of the attempt at modernizing it in the 90s by making a stereo version. The absence of the original sound effects track led to some tinkering and yielded certain strange results, most notably the double gunshots during the initial rooftop chase and a generally less-detailed aural picture. Strange that the edition in the boxset did include the original mono mix, but Universal dropped it in 2008. For those who insist on purchasing only the most perfect edition, this is not quite it then. It was not enough to stop me, but I do notice that the sound experience is slightly less interesting with this edition.

As for the improvement in image quality, it may not be visible on all systems. I did the comparison on two other systems and in one case the improvement was also noticeable, the image being sharper and the colors more vivid, while on the other one my friend and I saw no difference.

In conclusion, perhaps a Blu-Ray edition will one day bring it all together, correcting the audio deficiencies and adding HD quality, should it appear one day.
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2 of 2 people found the following review helpful By Garrett Stiger on Sept. 15 2000
Format: VHS Tape
Vertigo is a true classic from the Master, Alfred Hitchcock. Upon its release, Vertigo was not well received by the public or the critics. Since that time it has rightfully started to garner the attention and respect it deserves.
The story is good, incorporating drama, suspense, and romance. Vertigo has one of the finest, most gripping, finales I have come across in any motion picture. Even after repeated viewings, the ending still manages to send shivers up my spine.
The acting is good all the way around. Jimmy Stewart delivers an absolutely wonderful performance as the slightly disturbed John 'Scottie' Ferguson, a man with a strong fear of heights and an obsession with the mysterious Mrs. Madeleine Elster. Madeleine is played to a cool, smooth perfection by the talented Kim Novak.
Robert Burks brings a lot of atmosphere to Vertigo through his cinematography. The colors are vibrant and glowing, giving the film a haunting aura.
Bernard Herrmann is at his best, delivering an absolutely riveting and disorienting musical score. The effects for the opening title sequence combined with Herrmann's score really set the tone of the film.
Hitchcock's direction is fantastic as always. For this film, he created the infamous "dizzy effect" shot by simultaneously zooming forward and reverse tracking with the camera. This shot has been imitated by many but rarely has it been as effective as it is here.
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By Moodywoody TOP 500 REVIEWER on Jan. 6 2011
Format: DVD
Arguably Alfred Hitchcock's greatest film, though my personal favourite is still North by Northwest, Vertigo is a surreal film of genius that was way ahead of its time. Nothing like it had ever been done before in such surreal splendor, and rarely since. This film is one of the finest examples of cinema as high art.

There are many aspects of this film that make it uniquely special. Obviously, the direction and vision of Hitchcock is pure genius. The way the camera works in this film is magical, the lighting setting a surreal mood of wonder and awe, highlighted by its creation of the haunting beauty of Kim Novak. No woman has ever looked more beautiful than Kim Novak in this film.

The film score by Bernard Herrmann is the greatest of his career, and probably one of the greatest in film history. Along with the great animation in the opening credits, it augers well to warn the viewer that they are about to witness something very special in cinema.

The work of James Stewart and Kim Novak are exceptional, but this film really is all about the genius of Alfred Hitchcock, and his collaboration with Bernard Herrmann.

What more can be said? It is unquestionably one of the greatest films ever made.
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By A Customer on July 18 2004
Format: DVD
I watched Vertigo for the first time when I was about 12 years old - I remember I couldn't sleep well afterwards. I guess I was a little too young at the time to fully appreciate its scope. Watched it now again in its restored form on DVD.
In my opinion the best moment in the movie is the very first shot of the woman's mouth and face and her eyes - the look in her eyes - all in black and white - and then the introduction of colour - the spirals etc., and the ingeneous score. The score is incredible. Very efficient. It really gives the whole thing a dreamlike quality.
Generally, I don't like dark haunting movies too much. And Vertigo is haunting.
Most of the other Hitchcock movies have a kind of upbeat humour - an optimistic atmosphere. Take Psycho, for example. Yes, people get killed - but in a strange, almost perverse way the movie is almost funny. And, of course, there is a satisfying conclusion, a happy end. Not so in Vertigo.
Note that Hitchcock returned in subsequent movies - North by Northwest, Frenzy, Family Plot his characteristic dark humour. That's why I think that Vertigo - while it deals with themes also present in his other movies - is something of an exception : there is no happy end and there is no relief for the audience.
Most of Hitchcock's movies deal with horrible things - like murder, the innocent being wrongfully accused and hunted by society, malice and intrigue,.. - but he always balances this with this typical British dark humour which in a way protects the audience and helps it to digest the on-screen violence. So this dark humour, this distancing of the audience, fulfills a very important function. For instance, after the shower scene in Psycho, we witness Norman Bates clean up the bathroom.
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