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Victorian Fiction And the Cult of the Horse [Hardcover]

Gina M. Dorr

Price: CDN$ 131.62 & FREE Shipping. Details
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Book Description

Nov. 27 2006 0754655156 978-0754655152
The horse was essential to the workings of Victorian society, and its representations, which are vast, ranging, and often contradictory, comprise a vibrant cult of the horse. Examining the representational, emblematic, and rhetorical uses of horses in a diversity of nineteenth-century texts, Gina M. Dorre shows how discourses about horses reveal and negotiate anxieties related to industrialism and technology, constructions of gender and sexuality, ruptures in the social fabric caused by class conflict and mobility, and changes occasioned by national "progress" and imperial expansion. She argues that as a cultural object, the horse functions as a repository of desire and despair in a society rocked by astonishing social, economic, and technological shifts. While representations of horses abound in Victorian fiction, Gina M. Dorre's study focuses on those novels by Charles Dickens, Elizabeth Braddon, Anna Sewell, and George Moore that engage with the most impassioned controversies concerning horses and horse-care, such as the introduction of the steam engine, popular new methods of horse-taming, debates over the tight-reining of horses, and the moral furor surrounding gambling at the race track. Her book establishes the centrality of the horse as a Victorian cultural icon and explores how through it, dominant ideologies of gender and class are created, promoted, and disrupted.

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About the Author

Dr Gina M. Dorre is Adjunct Professor at Woodland Community College, USA.

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First Sentence
In October of 1864, nearly three years after the death of Prince Albert, Royal Physician Dr. William Jenner suggested that in order for Queen Victoria to emerge from the deep, reclusive mourning that was interfering with her public duties, she needed exer Read the first page
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