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Videodrome (Widescreen)

James Woods , Deborah Harry , David Cronenberg    R (Restricted)   DVD
4.4 out of 5 stars  See all reviews (70 customer reviews)
Price: CDN$ 9.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Love it or loathe it, David Cronenberg's 1983 horror film Videodrome is a movie to be reckoned with. Inviting extremes of response from disdain (critic Roger Ebert called it "one of the least entertaining films ever made") to academic euphoria, it's the kind of film that is simultaneously sickening and seemingly devoid of humanity, but also blessed with provocative ideas and a compelling subtext of social commentary. Giving yet another powerful and disturbing performance, James Woods stars as the operator of a low-budget cable-TV station who accidentally intercepts a mysterious cable transmission that features the apparent torture and death of women in its programming. He traces the show to its source and discovers a mysterious plot to broadcast a subliminally influential signal into the homes of millions, masterminded by a quasi-religious character named Brian O'Blivion and his overly reverent daughter. Meanwhile Woods is falling under the spell, becoming a victim of video, and losing his grip--both physically and psychologically--on the distinction between reality and television. A potent treatise on the effects of total immersion into our mass-media culture, Videodrome is also (to the delight of Cronenberg's loyal fans) a showcase for obsessions manifested in the tangible world of the flesh. It's a hallucinogenic world in which a television set seems to breath with a life of its own, and where the body itself can become a VCR repository for disturbing imagery. Featuring bizarre makeup effects by Rick Baker and a daring performance by Deborah Harry (of Blondie fame) as Wood's sadomasochistic girlfriend, Videodrome is pure Cronenberg--unsettling, intelligent, and decidedly not for every taste. --Jeff Shannon

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6 of 7 people found the following review helpful
Format:DVD
Because it's on and is certainly more entertaining than The Beachcombers, Magnum P.E.I. or any other Canadian television programming circa 1982. Riding on the wave of his previous box-office success, Videodrome (1982) marks the first time that Cronenberg creates a story revolving around a single character. Like Donleavy's Singular Man (1964), introduction to conflict appears in the first person, point of view narrative acting as the catalyst within which Max Renn (James Woods) is to exist. There is a distinct break between what is supposed to be reality and that of hallucination (revisited later in Naked Lunch [1991]), the point to which is open for debate, a trajectory to which the film never resurfaces from. Certainly, the audience sees what Woods perceives, first person.

Establishing Max Renn as head of Channel 83, the opportunist runs a Toronto-based television station geared at projecting the sensational. After picking up a renegade channel from the otherness of the third world, Max becomes the product of McLuhanesque experimentation, pulses from television signals controlling his thought processes and subsequent actions. The character of Max Renn, it is said, was modeled on Moses Znaimer, head of CITY TV, Toronto's equivalent to Channel 83: Brian Oblivion's monologues a la Speakers Corner.

Our hero's artillery consists of a phallic-like extension housed in a vaginal opening. Nikki Brand (Deborah Harry) represents the desirable introduction to a product that he himself markets, perhaps an obviation that until this point was unattainable? Max's transgressive tendencies are projected through the videodrome, liberating him from the stigmatic purveyor of physical explicitness.

In a sense, Cronenberg has created his notion of Videodrome both as way of weeding out and destroying cells aroused by such activity, and as a way of gauging public sentiment toward this subject matter. The film itself was exposed to the judgmental ardor: its text encompassed, picketed by female members of parliament and removed from public screening, the subtext of subtext. Cut into three versions, the television cut is laughable; the VHS version appears as mise en scène in Atom Egoyan's Speaking Parts (1989), and the old DVD contains an original theatrical trailer that is a fitting pre-curser to this masterpiece.

The Criterion Collection's DVD has the following extra features:

-Two audio commentaries: David Cronenberg and director of photography Mark Irwin, and actors James Woods and Deborah Harry

-Camera (2000), a short film starring Videodrome's Les Carlson, written and directed by Cronenberg

-Forging the New Flesh, a new half-hour documentary featurette by filmmaker Michael Lennick about the creation of Videodrome's video and prosthetic makeup effects

-Effects Men, a new audio interview with special makeup effects creator Baker and video effects supervisor Lennick

-Bootleg Video: the complete footage of Samurai Dreams and seven minutes of transmissions from "Videodrome," presented in their original, unedited form with filmmaker commentary

-Fear on Film, a 26-minute roundtable discussion from 1982 between filmmakers Cronenberg, John Carpenter, John Landis, and Mick Garris

-Original theatrical trailers and promotional featurette

-Stills galleries featuring hundreds of rare behind-the-scenes production photos, special effects makeup tests, and publicity photos English subtitles for the deaf and hearing impaired

-Optimal image quality: RSDL dual-layer edition

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1 of 1 people found the following review helpful
5.0 out of 5 stars Should be considered a classic Nov 1 2000
Format:DVD
If any film deserves to be called a modern classic, it is definitely Videodrome. This is an incredibly disturbing and dark tale about sex & violence on television. James Woods stars as Max Renn, head of the upstart cable station Civic TV, whose main draw is outrageous softcore pornography and extremely graffic violence. Renn intercepts a show called Videodrome which is nothing but hardcore violence for a half hour and becomes instantly mesmerized by its content. He soon discovers things about the show that should not be told or discussed to anyone until they see the film for themselves. The cast is brilliant, and Cronerberg seems to get his normal sleepy performances from everyone involved, including Woods and Deborah Harry, lead singer of 80's band Blondie. The only thing that will deter people from seeing this film is the amount of highly disturbing imagery and disgusting gore effects by makeup whiz Rick Baker. This is an abosolutely outstanding film that touches on a subject that is still hush hush in today's soceity. This is not a movie only for film buffs. It is a movie for everyone.
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5.0 out of 5 stars Perfect Aug 20 2009
Format:DVD
Shipping was fast, packaging was great, not much else to say, a good transaction all around. Thanks!
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Most recent customer reviews
5.0 out of 5 stars Soon, we will all have "special names",
The idea of people being brainwashed into drones just by watching television is a very serious and scary idea. Mostly because I'm in front of it a lot. Read more
Published on Nov 8 2007 by Jenny J.J.I.
4.0 out of 5 stars Television is reality, and reality is less than television
They say you either love or hate this rather bizarre offering from 1983, but I found myself somewhat indifferent as Videodrome approached its conclusion. Read more
Published on Oct 8 2006 by Daniel Jolley
5.0 out of 5 stars David Cronenberg Scores Again With Videodrome!
David Cronenberg is one of the greatest horror film directors to come on the scene. His stylish mix of science fiction and horror gives us surreal films easily compared to... Read more
Published on July 14 2004 by B-R-Mike M.
5.0 out of 5 stars "I want to play something for you."
Max Renn (James Woods) is the CEO of a sleazy little cable channel that is eking out its niche in the market by offering violence and soft-core pornography. Read more
Published on Jun 22 2004 by David Bonesteel
5.0 out of 5 stars Thank you Criterion.
This film is finally getting the treatment it deserves, a double-disc Criterion edition. It will be re-discovered and newly discovered by Cronenberg & Criterion fans alike. Read more
Published on Jun 15 2004 by acumen pro
5.0 out of 5 stars videodrome
Sardonic, visionary tale of a over stimulated society being transformed by its appetite. The visions are erotic, hallucinagenic and nightmarishly violent while the dialogue is... Read more
Published on Jun 15 2004 by bob lundy
5.0 out of 5 stars Prophet of the modern age . . .
It is impossible to watch this film and walk away the same. One only has to transpose the mediums used circa 1983 (Television names, cathode ray) with their modern counterparts... Read more
Published on May 28 2004 by Scott Crockford
3.0 out of 5 stars Wait for the Criterion DVD this August!
From Fangoria:
• Audio commentary by Cronenberg and cinematographer Mark Irwin
• Audio commentary by stars James Woods and Deborah Harry
•... Read more
Published on May 24 2004 by Marc R. Bravo
3.0 out of 5 stars The shape of things to come
Impossible to forget, yet deeply flawed as a cohesive film (unlike "Clockwork Orange"), Videodrome stays with us and may someday assume a kind of "classic"... Read more
Published on April 16 2004 by Kevin Freeman
5.0 out of 5 stars Beware reality T.V!
'Videodrome' was a movie way ahead of its time. It flopped on its release in 1982, but the the themes it deals with are more pertinent now than they've ever been. Read more
Published on Mar 26 2004 by R Jess
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