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Violin Concerto

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Product Details

1. Improvisation For Violin And Orchestra, Op.89
2. I. Farnaby's Conceit
3. II. His Dreame
4. III. His Humour
5. IV. Loth To Depart
6. V. Tell Me, Daphne
7. I. Allegro
8. II. Poema (Lento Ma Non Troppo)
9. III. Allegro Giocoso

Product Description

Although he was renowned for his choral music and his eleven symphonies, Rubbra composed a small number of concertante pieces and concertos notable for their eloquent musicality rather than mere virtuosity. At the heart of the very fine 1959 Violin Conce

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12 of 12 people found the following review helpful
Fine place to start with an under-rated composer Feb. 25 2006
By E. Weed - Published on
Format: Audio CD
Edmund Rubbra was born just after the turn of the 20th century, and died not many years before it was over. Like many 20th century English composers, he refused to abandon tonality, but, instead, simply updated his musical language such that tonal centers are more elusive than what went before, melodies somewhat more evasive. Fair comparisons would be Alwyn, Piston, Barber, Diamond, and the like, although Rubbra largely eschewed the romanticism in which some of those composers sometimes indulged.

In fact, it would be fair to call Rubbra's music, at least on this disc, relatively low-key. The Improvisations on Virginal Pieces by Giles Farnaby are Pulcinella-like pastiches; generally satisfying, for what they are. The Violin Concerto and the Improvisation for Violin and Orchestra are the real meat of the program. The liner notes refer to a "serene joyfulness" as being Rubbra's hallmark, which is a fair description for these pieces and for parts of his later symphonies. That's something that particularly attracts this listener to Rubbra's music. While it is muscular and forward-moving at appropriate moments, it is not violent or agressive.

The performances and sound are first rate; fully competitive with the Tamsin Little performance of the Concerto once available on Conifer.