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The Virgin Suicides (Widescreen)
 
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The Virgin Suicides (Widescreen)

 R (Restricted)   DVD
3.8 out of 5 stars  See all reviews (213 customer reviews)

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Previously criticized for her marginal acting skills, Sofia Coppola made her directorial debut with The Virgin Suicides and silenced her detractors. No amount of coaching from her director father (Francis Coppola) or husband (Spike Jonze) could have guaranteed a film this assured, and in adapting Jeffrey Eugenides's novel, Coppola demonstrates the sensitivity and emotional depth that this material demands. Surely the pain of youth and public criticism found its way into her directorial voice; in the story of four sisters who self-destruct under the steady erosion of their youthful ideals, one can clearly sense Coppola's intimate connection to the inner lives of her characters.

Played in a delicate minor key, the film is heartbreaking, mysterious, and soulfully funny, set in a Michigan suburb of the mid-1970s but timeless and universal to anyone who's been a teenager. The four surviving Lisbon sisters lost a sibling to suicide, and as its title suggests, the film will chart their mutual course to oblivion under the vigilance of repressive parents (Kathleen Turner and James Woods, perfectly cast). But The Virgin Suicides is more concerned with life in that precious interlude of adolescence, when the Lisbon girls are worshipped by the neighborhood boys, their notion of perfection epitomized by Lux (Kirsten Dunst) and her storybook love for high-school stud Trip (Josh Hartnett). Unfolding at the cusp of innocence and sexual awakening, and recalled as a memory, The Virgin Suicides is, ultimately, about the preservation of the Lisbon sisters by their own deaths--suspended in time, polished to perfection, and forever untainted by adulthood. --Jeff Shannon


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213 Reviews
5 star:
 (99)
4 star:
 (51)
3 star:
 (20)
2 star:
 (14)
1 star:
 (29)
 
 
 
 
 
Average Customer Review
3.8 out of 5 stars (213 customer reviews)
 
 
 
 
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4.0 out of 5 stars A haunting film that pales in comparison to the novel, Aug 25 2006
By 
Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
This review is from: The Virgin Suicides (Widescreen) (DVD)
Having read Jeffrey Eugenides' The Virgin Suicides, easily one of the most remarkable, haunting novels ever written, I would have said it was impossible to adapt the story to film - and, to some degree, I would have been right. Still, this film adaptation does as fine as job as is humanly possible to bring the ethereal Lisbon girls and the boys obsessed with them and their tragedy to life. It's an excellent, convoluted movie that defies convention and embraces the mystery of the tragedy, but believe me when I say that anyone remotely interested in this movie simply must read the original novel. This movie offers just the first taste of a surreal and tragic story that haunts the reader as much as the suicides haunt the lives of the boys still trying to understand the mystery of the Lisbon girls they adored in ways they could never have put into words. The true magic of the story isn't the sequence of tragic events that unfold; it's the indescribable, impenetrable, unseen world the girls lived in.

The novel tells the story from the outside looking in, through the eyes of the neighborhood boys who obsessed over the Lisbon girls, dreamed about them, and sought some form of access to their haunting inner world. The girls themselves were ethereal creatures spotted only sporadically, surreal ghosts of the lively, vibrant girls they should have been. A movie could never recreate such an abstract viewpoint - the only possible way to do it is to take us into the Lisbon house from the very start. We see what takes places within those walls, watch the interactions of the girls with their parents and one another, and that obviously takes away from some of the mystery inherent in the novel. Even still, we don't get to know the girls as well as we do in the novel. Only two stand out - Constance and Lux, while the other three are simply there, impossible to call by name or recognize by individual nature. That's the main weakness of this otherwise fine adaptation. There's a rushed sort of feeling to the story, and we really needed more time to know and understand Bonnie, Mary, and Therese.

Kirsten Dunst was a perfect choice to play the sensual free spirit that is Lux, while Hanna R. Hall is wonderful as the enigmatic Cecilia, the real lynchpin for the entire story. The film, quickly launching into the traumatic events of the story, doesn't really give us enough time to really see who Cecilia is, and that robs it of some of its heart-touching power, I'm afraid. James Woods plays the subdued role of Mr. Lisbon brilliantly, but Kathleen Turner just never really seemed to capture Mrs. Lisbon successfully enough for me. Then there's Josh Hartnett - not my favorite actor - in full 70s regalia. His character is an important link to Lux, but I think he gets too much time in the movie, to the point that it takes away from the true vision of the other boys' obsession with the girls. The conclusion, on the other hand, feels much too rushed. It's a dark and shocking scene that almost seems to happen in slow motion in the novel, but in the film it all happens so fast that you don't really have sufficient time to digest it. None of these things are a problem for those familiar with Eugenides' novel, but viewers who haven't read the book just won't get the full effect of the tragedy, I'm afraid.
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5.0 out of 5 stars brilliant, maybe even better than the book!?, Jun 19 2004
By 
This review is from: The Virgin Suicides (VHS Tape)
this is about the only film i have seen that has been made after the book, that was any good. sofia coppola did and excellent job of showing how tough the lisbon girls life was. she may have even bettered jeffrey eugenides book. this was a brilliant film, and kirsten dunst made a good lux.
there were a few slight changes from the book (in the book mary does not die when she puts her head in the oven, she survives for a few weeks afterward) but they did not make the film worse.
the story is very believeable and the actors all fit their characters extremely well. in england this film is classified 15, which i think is entirely suitable.
i can't wait until sofias latest film "lost in translation" comes out on video and dvd in the uk, as i am sure it will be as good.
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1.0 out of 5 stars the bored audience suicides, April 5 2004
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This review is from: The Virgin Suicides (Widescreen) (DVD)
The Virgin Suicides was recommended to me by someone who by all means should be dead right now. I don't understand how all these arty film school rejects can praise this movie so much. The only arty thing this "film" achieves is an entire new level of monotony. Even the music is boring in this movie. You'd have to shoot me with elephant tranq to get me to watch it for a second time.
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