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Virtuosity and the Musical Work: The Transcendental Studies of Liszt
 
 

Virtuosity and the Musical Work: The Transcendental Studies of Liszt [Paperback]

Jim Samson

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"First and most obviously, this is a landmark study of an important group of works and the genre to which they belong, both of which continue to enjoy substantial popularity and a problematic reception. Second, Samson has offered a beautifully crafted model for a critical, contextual, cultural, and above all musical musicological study; as its subject is a body of Liszt etudes, so it is a study of nineteenth-century etuding. It is to be hoped that it is broadly influential in our discipline, because the balances it finds are rarely reached with this kind of elegance." Notes

Product Description

This book is about three sets of etudes by Liszt: the Etude en douze exercices (1826); its reworking as Douzes grandes etudes (1837); and their reworking as Douzes etudes d'execution transcendante (1851). It is also a book about nineteenth-century instrumental music in general because the three works invite the exploration of features characteristic of the early Romantic era in music. These include a composer-performer culture; the concept of virtuosity; the significance of recomposition; music and the poetic; and the consolidation of a musical work-concept.

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First Sentence
In 1827, when Liszt was sixteen years old, a volume of twelve exercises, almost certainly composed in the early months of the previous year, was published by Boisselot in Marseilles. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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