Viva La Repartee: Clever Comebacks and Witty Retorts from History's Great Wits and Wordsmiths [Hardcover]

Those who have already read Grothe's Oxymoronica will thoroughly enjoy this volume in which he shifts his attention from "paradoxical wit and wisdom from history's greatest wordsmiths" to "clever comebacks & witty retorts from history's great wits & wordsmiths." Not surprisingly and in fact inevitably, many of the same wordsmiths are represented in both volumes, notably Robert C. Benchley, Samuel Clemens (Mark Twain), Winston Churchill, W.C. Fields, Dorothy Parker, and Oscar Wilde.

In his introduction, Grothe defines two terms which certainly apply to the selections which follow: citing the OED, a retort is "a sharp or incisive reply, especially one by which the first speaker's statement or argument is in some way turned against himself" and repartee is "1. A ready, witty, or smart reply; a quick and clever retort" and "2. Sharpness or wit in sudden reply; such replies collectively; the practice or faculty of uttering them." With great skill, Grothe creates a context within which each selection is the response. Here are four examples:

During a noted opera singer's "perfectly dreadful performance," one of the guests leaned over and whispered in President Calvin Coolidge's ear, "What do you think of the singer's execution?" to which Coolidge replied, "I'm all for it."

Shortly before his death, W.C. Fields (a lifelong agnostic) was visited by a friend who was astonished when he entered the hospital room. "What are you doing reading a Bible?" to which Fields responded "I'm looking for loopholes."

After losing the Republican presidential nomination to George H.W. Bush, Robert Dole was asked by a reporter how he felt. "Contrary to reports that I took the loss badly, I slept like a baby -- every two hours I woke up and cried."

Paired with an inept bridge partner, George S. Kaufman fumed as the losses increased. At one point, his partner headed for the men's room. The frustrated Kaufman yelled after him, "For the first time tonight, I'll know what you have in your hand."

Of special interest to me is the structure by which Grothe organizes his material. There are fifteen chapters which range from "Classic Retorts, Ripostes, & Rejoinders" to "Risqué Repartee." He includes in each those selections which are most appropriate to the given chapter title, although the best of them could arguably be included in several (if not most) of the chapters. For example, one of my favorites. Here's the situation. Obviously annoyed by an inebriated Winston Churchill, Lady Astor said "Winston, if you were my husband, I'd put poison in your coffee" to which he responded, "Nancy, if you were my wife, I'd drink it." Here's another. When a female member of Parliament, Bessie Matlock, could no longer endure Churchill at a London party, she exclaimed "Winston, you're drunk!" to which he replied, "You're right Bessie. And you're ugly. But tomorrow morning, I'll be sober."

I hope these various examples correctly indicate how entertaining this book is. Credit Grothe with quality of his selections and the brilliance of their presentation. As another holiday season approaches, I cannot think of better books to give as gifts than the two Grothe has created, Oxymoronica and viva la repartee.

Whether for personal entertainment or plagarizing --- I mean, researching --- "memorable retorts, ripostes, combacks, quips, ad-libs, bon mots, off-the-cuff comments, wisecracks and other clever remarks," you'll find "Viva la Repartee" an invaluable source. Dr. Grothe has done considerable research of his or her own and assembled quite a collection.

Far more than once, I found myself spontaneously laughing at some of the clever wit on display in this relatively thin book. Dr. Mardy's commentary is also not only insightful, but amusing as well.

Put some brightness in your day and get this book. And if you're a writer of any kind, definitely get this book: it is a rich resource.

Jerry

Viva La Repartee is one of the most strangely crafted books that I have ever encountered. The prose in the Introduction, and to a lesser extent each of the individual chapter introductions, is very clunky with strange segways and poor organization. The author's use of the first person combined with the textbook/vocabulary lesson feel of the introductions (including a ridiculous textbook-style excercise in the Introduction) is extremely grating. There are far too many definitions (straight from the OED and other dictionaries) and at least one is repeated, verbatim, in a subsequent chapter. The author even defines the word classic. How stupid must he believe me, and the rest of his audience, to be? In Chapter 1, the author includes a self-aggrandizing anecdote about watching Frasier with his wife that seems to have no purpose other than serving as a demonstration of the author's intelligence. It was appalling, insultingly condescending, and arrogant, thus serving as a short demonstration of all that is wrong with the author's overall style.

That being said, the anecdotes that make up the bulk of the work are, for the most part, extremely well-written and enjoyable to read. They are succinct, interesting, and well-formulated. I wish I could say the same for the rest of the book.

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