From Publishers Weekly
Presented as a manuscript discovered by the author in the attic of her country house in the North of England, this meticulously crafted, self-reflexive historical novel tells the story of Mark Greenhow, whose Quaker family once owned the house. In 1811, Mark's younger sister, Rachel, while doing missionary work in Canada, met and married Adam Mackenzie, a Scot associated with the fur trade in North America. Because the marriage was outside the order, Rachael was disowned; subsequently, she lost her baby and mysteriously disappeared into the wilds of what is today northern Michigan. Determined to discover his sister's fate, Mark departs for Canada, where he spends nearly two years sorely testing his Quaker faith through episodes that reveal to him the wider world beyond his placid English countryside. In the meantime, the War of 1812 rages and Mark tries to avoid the kinds of "vain" entanglements that would contradict his beliefs. The inclusion of Mark's own footnotes, lengthy discourses and commentary on his adventures and their aftermath lessens the story's suspense. The novel's interest lies in Mark's struggle to reconcile his faith with the verities and practicalities of the "real world" and in Elphinstone's mastery of early 19th-century argot.
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From Booklist
Set largely in the wilds of the U.S.-Canadian border on the eve of the War of 1812, this novel celebrates persistence, integrity, and bonds between cultures. Mark Greenhow leaves home in England at the age of 23 to search for his younger sister, Rachel, who (with her aunt) took her Quaker ministry to Canada, was disowned by her faith for marrying outside it, and vanished while grieving for her stillborn son. After a voyage of many months, Mark finds Rachel's husband, fur trader Alan Mackenzie, and with French-Indian voyageur Loic they return to the Indian-inhabited island where Rachel disappeared to search for her. Mark's religion of peace proves ultimately beneficial, even as the extent to which the politics of war play a role in events is gradually revealed. The story is presented as Mark's journal as rewritten by him 27 years later, a structure that is initially confusing, with footnotes added in the rewriting that impede the flow of the narrative. Still, beyond its opening chapters, this adventure becomes more involving, avoiding predictability to reach a satisfying conclusion.
Michele LeberCopyright © American Library Association. All rights reserved
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