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Vulgarians At The Gate
 
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Vulgarians At The Gate [Hardcover]

Steve Allen
3.8 out of 5 stars  See all reviews (20 customer reviews)
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From Publishers Weekly

At the forefront of television's Golden Age in the 1950s, Allen reigned for decades as a top TV comedian. However, his serious side has always been evident in his 54 books from his autobiographical Mark It and Strike It (1960) to Ripoff: The Corruption That Plagues America (1979). In recent years, Allen became increasingly disturbed by the entertainment industry's declining cultural standards and "the general ugliness and immorality of much of popular culture." He made his position clear in letters, lectures and articles and by serving as the honorary chairman of the 600,000-member Parents Television Council. Here, he conducts an "admittedly unscientific study of modern television programming," yet offers an array of statistics, survey findings and clippings to back up his assertions targeting TV writers, programmers, performers, network executives and corporate giants. Tracing a pattern of denial, he moves on to "late night raunch," public-access channels ("actual pornography of the most explicit sort"), "family-friendly" sponsors responsible for sending prime-time "depravity into the home" and violence in children's programming. At the core of the book are lengthy attacks on Madonna, Howard Stern, Jerry Springer and rap music. Dismissing "the suggestion that networks can police themselves," he concludes by surveying such solutions as letters, picketing, boycotts and religion. An appendix lists 21 key organizations. (Apr. 15)Forecast: Allen undoubtedly would have promoted this book had he lived to see it published (he died last October at age 78). Still, his name and credibility will attract attention. Current controversies on media sex and violence could put this title in the spotlight, and word-of-mouth among members of conservative organizations like the Dove Foundation will fuel sales.

Copyright 2001 Cahners Business Information, Inc.

Review

"...Allen brings a fine sense of outrage to the subject." -- The New York Times, August 25, 2001

"...a nice companion piece to Allen's bestseller, DUMBTH..." -- Orlando Sentinel, June 10, 2001

"...articulate indictment of the entertainment industry...he encourages Americans to let their voices be heard...and to be proactive" -- Christianity Today, July 9, 2001

"...one can't deny his central theme that there has been an erosion in the standards of popular entertainment." -- San Diego Union Tribune, December 21, 2001

"A survival manual for adults trying to cope with the media's saturation bombing of their children with images and words of violence and sex." -- The Buffalo News, Sunday, April 15, 2001

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Customer Reviews

20 Reviews
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4 star:
 (2)
3 star:
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Average Customer Review
3.8 out of 5 stars (20 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
1.0 out of 5 stars grumpy old man, July 18 2001
By A Customer
This review is from: Vulgarians At The Gate (Hardcover)
With "Vulgarians at the Gate," fifties TV fossil and self-proclaimed genius Steve Allen attempts to explain why he has not had a job for 30 years.

It can't be a lack of talent, after all this a man who authored over 1000 songs,(name two), countless books, (name one besides this one), and hosted several failed TV shows, (remember the one where he sat around with actors dressed as Jesus, and Freud?)

Allen blames the demise of his career and Western civilization on Howard Stern, Madonna, and David Letterman. Allen cannot stand the fact that these show-biz powerhouses whom Allen, of course, views as far less talented than he, are successful and he is not.

Allen makes a case for the criminalization of off-color entertainment that is about as convincing as his toupee. For Lawrence Welk fans only.

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4.0 out of 5 stars good synthesis of sleaze facts, Feb 6 2004
By 
Drummer (Fort Myers, FL USA) - See all my reviews
This review is from: Vulgarians At The Gate (Hardcover)
Allen's book may not seem like anything new, because many have gone before him on this topic. Nevertheless, _Vulgarians_ is an excellent synthesis of current theories about the effect of media sleaze on young people.
Allen doesn't propose outright censorship, but he reminds us that that self-policing by the media congloms is never going to happen as long as sleaze remains profitable.
He also explores a point that is sometimes missed by media critics: The CEOs of the huge companies that sponsor the TV shows, as well as the CEOs of the huge media congloms, are "country club conservatives" who no doubt support Bush and conservative politics. Yet they mysteriously become amoral when it comes to propagating media garbage because they'e making so much money from it. FOX network comes to mind...
Allen observes, ironically, that few of these people would want their own six year-old daughters to be exposed to the junk they're selling, but they don't mind exposing the masses' children to it.
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3.0 out of 5 stars Worthy topic. Worthy author. Unworthy results., Feb 1 2004
By 
This review is from: Vulgarians At The Gate (Hardcover)
It's very interesting reading the reviews on Amazon.com for Vulgarians At The Gate: people seem to either love it or hate it. In my opinion, Allen offers a few good insights. Unfortunately, the book ultimately fails to fully persuade, and Allen comes off as more than a little cranky & bitter.

Steve seemed to fall into an obvious trap in considering that the period in which he was involved with television as the medium's "golden age." In my opinion, television never had a "golden age"! The vast majority of television programs have been infinitely banal, slavishly imitative, and/or predictable shock-garbage.

Steve gripes about how TV now resorts to "depraved vulgarity," whereas his era's comedians were cleanly funny. The only problem is that, by in large, the comedians of that era were NOT funny. How can anyone find the obnoxious ranting & screaming of Jackie Gleeson or Danny Thomas funny? The television of that era was dominated by the sexist view that a woman is either a screwball (I Love Lucy), a naive wife-child (Leave It To Beaver), or a verbal, and possibly a literal punching bag (Honeymooners). In this light, I guess TV has actually made some progress.

Allen's arguments are also more than a little confusing. He complains about the "tastelessness" of a Grey Poupon commercial that implied flatulence, yet praises Benny Hill! He (rightly) criticizes the role religion has historically played in censorship, yet encourages religious groups to boycott dubious programs. He disdains the "fourteen-year old mentality" of TV's earlier era programming, yet seems to want to return to the banality of The Brady Bunch.

I do believe that Steve makes some very good points. The vast majority of TV shows ARE puerile garbage. Without a doubt, the television has dumbed-down America considerably; and taking into account that we have never been the most intellectual of societies, that's quite an achievement! The oafish self-promotion of Madonna, Howard Stern and Jerry Springer are rightly criticized by Allen.

There is a definite line between vulgarity and pornography; the chapter on rap lyrics really demonstrates this. I personally cannot believe that music that espouses sentiments like rape, murder and necrophilia are actually available to kids. In case you are wondering, I'm not a 60-year old conservative, but a 27-year old liberal. I most definitely do not endorse blanket censorship; I do believe, however, that the "parent advisory" stickers are worse than useless. If a buyer is required to be of a certain age before he or she can purchase cigarettes, porn, or alcohol, then buying this crap should require the same discretion and maturity. I propose that music such as this should be "behind the counter," and not available to kids at all.

Unfortunately, Allen seems to really lose it when he praises the former movie censorship code. He states that classics like Citizen Cain were made despite the code. Citizen Cain is indeed a classic; unfortunately, many classics would NOT have been made if that code were still in place. He also states that artists should have a responsibility in providing "clean" entertainment for children. The fact of the matter is that great art is never merely entertainment. For my money, the greatest artistic achievements of the Western world in the last thousand years are William Shakespeare's plays and Richard Wagner's operas. These works are rife with murder, rape, incest, and violence. They amount to MUCH more than that, of course. But what gives them their power is their emotional scope, and censorship doesn't allow that latitude.

Finally, Allen rightly criticizes the state of Kansas for banning the theory of evolution from its school textbooks. Thankfully, that is no longer the case. The problem is that Steve seems to want to court the support of those social conservatives who made an atrocity like that possible. It seems that liberals are fighting a two-front war; on one side is puerile, lowbrow shock-garbage, the other is religious fanaticism.

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