Quantity:1

Have one to sell? Sell on Amazon

Image Unavailable

Image not available for
Colour:
  • Sorry, this item is not available in
      

Wagner;Richard Lohengrin [Import]


List Price: CDN$ 47.99
Price: CDN$ 36.99 & FREE Shipping. Details
You Save: CDN$ 11.00 (23%)
Only 1 left in stock (more on the way).
Ships from and sold by Amazon.ca. Gift-wrap available.
14 new from CDN$ 30.72 3 used from CDN$ 42.11

Artists to Watch
Artists to Watch
Be the first to hear about the hottest emerging artists. Featuring ten new artists each month, Artists to Watch will help you stay in the know when it comes to up-and-coming artists. See all of this month's picks

Product Details


Customers Who Bought This Item Also Bought

Customer Reviews

There are no customer reviews yet on Amazon.ca
5 star
4 star
3 star
2 star
1 star

Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 9 reviews
16 of 20 people found the following review helpful
Wagner in the classroom gets an A+ Dec 29 2007
By P. Sutherland - Published on Amazon.com
Format: DVD
Before purchasing this video, I had the benefit of reading a favorable review in Opera News, which prepared me for the shock of seeing Lohengrin set in a classroom with all the players cast as children. It is absolutely absurd...but it works! All the boys, including the king with a paper crown, wear short pants and knee socks; all the girls, simple skirts and blouses with socks and little girl shoes.

Elsa, sung and acted beautifully by Emily Magee, is hiding in the classroom cupboard. She finally comes forward to face the king after Telramund, Hans-Joachim Ketelsen, has accused her of drowning her brother Gottfried, the Duke of Brabant. Telramund has been put up to this by his wife Ortrud, played by Luana DeVol. Elsa requests a champion to fight for her and lo and behold, the handsome stranger, John Treleaven, shows up, arising from the floor, piloted by a beautiful swan who is actually Gottfried.

In the classroom, all the children are rowdy throwing spitballs and paper missiles. Ortrud, dressed in black with red hair in pigtails, sings her lines while making nasty witch faces, pushing and shoving and being the manipulative, "mean" girl. The blonde Elsa, wearing white, is the picture of innocence and naivety.

As I said, the setting is ridiculous. You are watching adults, dressed as children and behaving like children. The king is wearing short pants. Telramund and Ortrud, depicted as children, are nevertheless married. The boys are all waving wooden swords, prepared to go to war for Germany. But, as the action proceeds and the story unfolds, the absurdity of the setting starts to fade away. And you find yourself just watching the fairy tale. At least, I did.

All the characters sang well and the music conducted by Sebastian Weigle was first rate. Emily Magee displayed Elsa's fear, innocence, doubt, guilt and remorse perfectly. Luana DeVol excelled as the mean, nasty, evil Ortrud. John Treleaven was a believable Lohengrin who got better and better.

I've seen a traditional production of Lohengrin; the one with Peter Hoffman and Eva Marton. This one was definitely more fun and visually more interesting. The director, Peter Konwitschny, gets the stars, too. But, I think Wagner, the control freak, would be rolling in his grave over it.
Good(!? ) buth "extreme", yes I now ... July 2 2014
By Eric Lambrechts - Published on Amazon.com
Format: DVD Verified Purchase
Good(!?) buth "extreme", yes I now, it's PETER KONWITSCHNY!!!!!!!!!!!!!!!!!!
Half great Aug. 19 2013
By Amazon Customer - Published on Amazon.com
Format: DVD Verified Purchase
I think Konwitschny is an awesome director who created moving, thought provoking and extremely convincing productions. In this case, he chose to set up Lohengrin in a so called "classroom" environment, ie every body but Lohengrin are school kids, and Lohengrin is an adult that the teens find fascinating. There's a lot of virtues to that view and, as always with Konwitschny, it is extremely well staged, very clear and understandable. It makes the fascination with Lohengrin, the mood swings of the people, in particular, very understandable and relatable. And of course it takes the edge off the call to wars and other "deutsches Volk" parts.

But really, it only works (very well) for the relationship between Elsa and Lohengrin and the scenes about the mood of the people - say the second act and the bridal room scene in the third. The first act has too many lines that make no sense in that context, and also, it's hard to care about kids playing war in a classroom, despite some great moments. Ortrud for instance is superbly played and sung, but why does that school girl invokes paian Gods? Why does Telramund invokes his honor and family name?

Musically, it's pretty much meh. The first act is mostly a mess, you rarely can hear most of the soloists in the big ensembles. The more intimate moments are more of a success, and the playing gets better as the opera goes on.

So, it's definitely not a Lohengrin for MET donors, it has many extraordinary moments, but it still leaves whole parts of the opera unaddressed and it is not Konwitschny's best (I find his Götterdämmerung or his Tristan for instance one much superior). And the music doesn't make up for the shortcomings - quite the contrary: it's at it's best when the staging is.
5 of 9 people found the following review helpful
Outstanding Modern Production! Feb. 14 2010
By Dennis A. Brown - Published on Amazon.com
Format: DVD
Although the reviews for the Peter Konwitschny Lohengrin production in Barcelona have been mixed, I give it five stars. Art is, in-itself, subjective. If you are searching on this site for which opera dvd to purchase and you base you're decision on whether the opera dvd gets a five star rating from everyone who reviews it, then you will probaly not buy many of these dvd's. Some of my favorate opera dvd's, like this one, get good and bad reviews. You have to do your homework; and you can get a good idea about the particular performance before you buy. This what I did for this Lohengrin.

As you have figured out, this performance of Lohengrin is not set in the tradtional middle German period. And this is what gives it its' freshness. From the opening credits an overview is given of the theater where the audience is relaxed and for the most part, caulally dressed. I love that. You get the feeling you could just walk right in and feel comfortable. Unlike the Met where the audience-, well, you get the point. I believe Wagner would appreciate this atmosphere because he wanted everyone to love his works. The director sets the stage in an elementary class room where the innocence of the setting contrasts the tragic nature of the opera. My interpretation of this production is thus: In order for the students, portrayed by the magnificent chorus, to really understand the subject of drama, are given the opportunity by their teacher, in this case the King (portrayed by the outstanding Reinhard Hagen), to actually perform a work of art-Lohengrin. Given this view-point, the classroom setting does not seem strange, odd, or inappropriate to me. The idea, in-itself, lends honor to the work of art that is being performed.

Ultimately, an opera performance lives or dies by the quality of the singers and the orchestra. As for the latter, the music is bold when it needs to be and perfectly gentle during the mellow parts of the opera. It never drowns out the singers as is the case in so many Wagner performances. The pace of the music is perfectly conducted by Sebastian Weigle. Having already bestowed praise to the chorus, the singers are no less on top of their game in this Lohengrin. Elsa, portrayed by Emily Magee,
is an angel with the voice to match. Her school-girl innocence radiates the stage. John Treleaven as Lohengrin gives an effective performance. There were some criticisms of his vocal performance in Brain Larges' production of the Ring a few years earlier (also in Barcelona) but no such problems here. Long time Wagner baritone Hans-Joachim Ketelsen gives his usual top notch performance as the kight Telramund. My highest honor here goes to the most equisite Luana DeVol for portrayal of Ortrud. A performance of Lohengrin, in my opinion, hindges on how well this character is portrayed. DeVol is absolutely magnificent here. Here one-on-one duet with Elsa in act two is breath taking and fun at the same time.

I hope my review will be of help to those contemplating the purchase of this dvd. I simply love it. I can sit on a lazy afternoon and watch it over and over again. You can also see clips on YouTube. Now, if Unitel would only release the 2004 Japanese styled Met performance of Lohengrin (with Ben Heppner, Rene Pape, and Karita Mattila), I would be very happy!
0 of 1 people found the following review helpful
Wagner Lohengrin Oct. 23 2013
By Cláudio Trarbach - Published on Amazon.com
Format: DVD Verified Purchase
I'ts difficult enjoy one Lohengrin after the Munchen prroduction with Jonas kaufmann.On this productions the singers are good but falts something. Excuse-me but Trelaven don't function as Lohengrin. It's very old.Forr me only Jonas kaufmann is the best.


Feedback